To Be Beautiful

A journalistic investigation, built not on rumors and assumptions, but on direct evidence, revealing the true mechanisms of podium coronations. Hidden camera footage of negotiations with the owners of the largest national beauty contests and an attempt to answer the question of why these people are not yet in prison. Famous people on the jury are not a guarantee of fair judging. Irrefutable evidence of the corruption of the so-called “stars” who elect the next Miss and Mrs. The collection and subsequent theft of funds for charity is a side business of the owners of fraudulent shows. What actually awaits the titled Misses after purchasing the prize? And what do children's beauty pageants turn out to be like for young participants?

"If a person doesn't go to church anymore, then the church should go to them," says Rinalds, a calm, smiling, young man with a good sense of humor. He is a priest from a small village in Latgale, Latvia's easternmost and poorest region, and the documentary Prīsters (The Priest) follows the routines of his daily life, his thoughts of life and religion and why he chose this path for himself.

Following the death of her brother, filmmaker Robie Flores returns to her hometown Eagle Pass on the Texas/Mexico border, wanting to turn back time. She collides with unruly experiences of adolescence – quinceañeras, Rio Grande river excursions, teen makeovers and beyond – that invite her to soak up the details of the home her brother adored and she ignored. What emerges is a playful dance between a personal and collective coming-of-age portrait of kids on the border and Robie herself as she rediscovers the possibilities of joy in the aftermath of grief.

Vārdotājas (Wordsmiths) traces the recent rise of women's stand-up comedy in Latvia, but it is by no means just for laughs. Feelings of discomfort, shame, shock, are just some of the subjects tackled.

Behind the glitz of Miss Italia, director Patrizia Mirigliani fights to save the iconic pageant, now wavering amid scandals and changing beauty standards.

A documentary that chronicles the rise and decline of the black-owned ethnic beauty industry in America.

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A story about two girls' basketballs teams - Estonian and Russian - merged and having to learn to play together

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This film presents a series of extemporaneous interviews with teenagers and young adults who have taken narcotics for "kicks," "association," or "curiosity." Residents of the California Rehabilitation Center relate how they were introduced to narcotics, why they wished they had not used drugs or narcotics, and what the future holds for them. Film is shot in Hollywood, Calif.

A documentary about body image and the industry leaders challenging society's unrealistic and dangerous standards of beauty.

In this feature-length documentary, six teenage girls, aged 14 to 16, agree to open up and have their private worlds invaded by the camera. They have to face problems that they intend to take on "to the end": early experience of sexuality, belonging to a gang, relationships with parents, social tolerance, friendship... They live tender and pure lives in their own way.

Inspired by the small enterprise, CHROMABYADHAM, a colourblind inclusive clothing wear line. ECLIPSE FEVER, the third collection, encompasses the visual representation of the brand and features themes of growth and remembrance, while coherently showcasing the new collection — a celebration of nighttime and nightlife.

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Three groups of adolescent girl friends from Quebec are going through tough changes. The process of inventing their own bodies and identity are being recorded on the move by their smartphones and shared with their peers from other parts of the networked world. Due to their strong need of external confirmation, they alter their lives into a series of retouched pictures and videos. The film camera, however, captures their feelings of void, loneliness and deep inner insecurities that are not so attractive for Periscope, TikTok or Instagram. An intimate portrait of adolescence is made with full comprehension of experiencing and self-presentation in a generation growing up on the brink of the real and virtual worlds.

Five boys and five girls ages 13 to 19 live on a farm for ten weeks, to be filmed, and to see what might emerge for each of them personally.

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On a sailboat in the middle of the Ocean, five teenagers in rehabilitation are travelling with adults of different ages and backgrounds. Off unknown coastlines, the boat’s space becomes a huis-clos in which everyone faces their own difficulties, the challenge of living together and also the manoeuvres of sailing, the Ocean and its turmoil—until the arrival on land.