Emma

On a sailboat in the middle of the Ocean, five teenagers in rehabilitation are travelling with adults of different ages and backgrounds. Off unknown coastlines, the boat’s space becomes a huis-clos in which everyone faces their own difficulties, the challenge of living together and also the manoeuvres of sailing, the Ocean and its turmoil—until the arrival on land.

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In this feature-length documentary, six teenage girls, aged 14 to 16, agree to open up and have their private worlds invaded by the camera. They have to face problems that they intend to take on "to the end": early experience of sexuality, belonging to a gang, relationships with parents, social tolerance, friendship... They live tender and pure lives in their own way.

Documentary footage from various sources, set to music. Showing the whole of human life, from birth to death and beyond.

Following the death of her brother, filmmaker Robie Flores returns to her hometown Eagle Pass on the Texas/Mexico border, wanting to turn back time. She collides with unruly experiences of adolescence – quinceañeras, Rio Grande river excursions, teen makeovers and beyond – that invite her to soak up the details of the home her brother adored and she ignored. What emerges is a playful dance between a personal and collective coming-of-age portrait of kids on the border and Robie herself as she rediscovers the possibilities of joy in the aftermath of grief.

This film presents a series of extemporaneous interviews with teenagers and young adults who have taken narcotics for "kicks," "association," or "curiosity." Residents of the California Rehabilitation Center relate how they were introduced to narcotics, why they wished they had not used drugs or narcotics, and what the future holds for them. Film is shot in Hollywood, Calif.

A story about two girls' basketballs teams - Estonian and Russian - merged and having to learn to play together

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Inspired by the small enterprise, CHROMABYADHAM, a colourblind inclusive clothing wear line. ECLIPSE FEVER, the third collection, encompasses the visual representation of the brand and features themes of growth and remembrance, while coherently showcasing the new collection — a celebration of nighttime and nightlife.

Late summer, a small lake, teenage rascals. Mia, 11 and too wise for her age, asks Hugo, 15 and blasé, to tell her about Chaïnes – a girl he spent evenings with at the lake, trying to seduce her. He felt the fear of declaring his love and the torment provoked by the exuberant but secretive Chaïnes, who never shows her emotions. Mia and her siblings surround them, like a choir. A slow, dark, documentary in which time doesn't seem to exist.

Two teenagers seek the fullness of their identities with time on top and normality against it. First hand testimony of transgender kids and the support of their family.

After finding some videos she uploaded to YouTube when she was a child, Manuela attempts to follow the trail she herself has left on the Internet. A search that looks into all that things that won't never die and that, especially, thinks about the way we look at ourselves.

Four punk friends from Alchevsk travel to a winter camp in Burshtyn, where they pull off a series of absurd prykoly – sawing apart a wardrobe, setting off a fire extinguisher, and dragging their friend Stepan’s bed into the bathroom. Assembled entirely from Sasha Chepeliev’s school-era video and photo archives (2005–2006) and woven together with a cycle of songs written by the director, the film becomes a funny and heartbreaking journey through adolescence, when cruelty went hand in hand with tenderness, and playing with political slogans still felt like nothing more than a game.

Tuấn Tú / Person-able is a 42-minute video assembled from media captured through Cao's computer and laptop camera over three years. The work documents a personal journey of self-hood. Released in recognition of 2025 International Youth Day, the video foregrounds transgender experience in adolescence.

In this French Canadian film, the lives of teenagers are examined in fantasy sequences and through the use of documentary interviews. Prompted by the filmmaker, nine teenagers individually act out their secret dreams and, between times, talk about their world as they see it. The fantasy sequences make creative use of animation, unusual film-development techniques, and stills. Babette conceives of herself as an abbess defending her fortress, a convent; Michelle is transported in a dream of love where all time ceases; Philippe is the revolutionary, defeating all the institutions that plague him, and so on, through all their fantasies. All the actual preoccupations of youth are raised: authority, drugs, social conflict, sex. Jutra's style in "Wow" exhibits his innovative approach to storytelling and filmmaking, showcasing his talents as a director during that period. With English subtitles.

First there was ‘Picnic at Hanging Rock’, then ‘My Brilliant Career’, and now best of all ‘The Getting of Wisdom’. It is incomparably moving and powerful.