English National Ballet's Romeo and Juliet

Filmed on the stage of London's Covent Garden. Includes extracts from Swan lake, Ondine & The Firebird.

Choreographer Jirí Bubenícek's Carmen celebrates the incredible inspiration of Bizet's timeless music in a completely new two-act ballet that also includes music by Albéniz, Castelnuovo-Tedesco and Falla, orchestrated and adapted by Gabriele Bonolis. The production emphasizes aspects of the original drama, heightening the erotic atmosphere of the cigar factory and Carmen's wild spirit, and including a spectacular on-stage horse. The sensational choreography closely depicts the storyline of Prosper Mérimée's original novella in a production that was hailed by critics as a triumph. The Corpo di Ballo of the Teatro dell'Opera di Roma shines in this production, with Principal Dancers including Rebecca Bianchi in the role of Carmen, Amar Ramasar as Don Jose, and Alessio Rezza dancing the part of Lucas.

This Christmas, step into the magical world of The Nutcracker. For the first time in many years, the Royal Ballet has given full access behind the scenes for a landmark 90-minute documentary as they prepare for this season's yuletide production.

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Swan Lake, a screen adaptation of the ballet of the same name by Pyotr Tchaikovsky. Performed by Kirov Ballet, starring Yelena Yevteyeva as Odette and directed for film by Appolinariy Dudko and Konstantin Sergeyev. Produced by Lenfilm studios in 1968. Orchestra of the S.M. Kirov Leningrad Academic Opera and Ballet Theater, conductor Victor Fedotov. Ballet dancers of the Leningrad State Academic Theater of Opera and Ballet named after S.M. Kirov and students of the Leningrad Choreographic School M. Agrippina Vaganova took part in the film. Golden Orchid Prize - Grand Prix at the VIFF of ballet films in Genoa, Italy (1969).

No description available.

A pair of short ballets, written for the screen, filmed and performed by artists of the Georgian SSR. In color, with narration.

This film documents the work of the Royal Ballet of Cambodia. The first part features the company performing a dance on the legendary origins of Angkor; the second part covers a visit to the School of the Royal Ballet of Cambodia at the Royal Palace in Phnom Penh. Scenes show dance instruction of both boys and girls, a dress rehearsal, costume design, and mask-making. The third part contains footage of the school's graduation ceremonies, including a presentation of novices to Queen Sisowath Kossmak Nearirath, patron of the school, and solo dance by Princess Norodom Buppha Devi.

This short documentary describes the process and inspiration behind the creation and performance of a new Cuban ballet based on Afro-Cuban traditions and beliefs.

Christopher Wheeldon's acclaimed new Cinderella for the Dutch National Ballet is an imaginative interpretation of a much-loved classic. Inspired by the original Brothers Grimm fairy tale, Wheeldon gives the characters renewed depth and complexity, complementing Prokofiev's celebrated and colorful score. With sets and costumes by the renowned designer Julian Crouch, supported by stunning stage effects, this world premiere production is a truly magical experience, bringing an age-old fairy tale into the 21st century.

In the seaside town of Rochefort, twin sisters Delphine and Solange dream of love and artistic fulfillment beyond their quiet lives. As sailors, artists, musicians, and chance visitors pass through town during a weekend fair, a web of near-misses and romantic longing brings ideal partners tantalizingly close—without their realizing it.

Jewels, ballet in three parts choreographed by George Balanchine for the New York City Ballet, recorded in October / November 2005 at the Opéra National de Paris.

The Merry Widow, a beguiling, romantic ballet starring Patricia McBride and Peter Martins.

The classic fairy tale is depicted in all its romantic splendor in this ballet production set to Prokofiev's timeless score.

In the spring of 1913, Parisian businessman Gabriel Astruc opens a new theater on the Champs Elysées. The first performance is the premiere of Igor Stravinsky's 'The Rite of Spring', danced by the Ballet Russes. The rehearsal process is extremely fraught: the orchestra dislike Stravinsky's harsh, atonal music; the dancers dislike the 'ugly' choreography of Vaslav Nijinsky. The volatile, bisexual Nijinsky is in a strained relationship with the much older Sergei Diaghilev, the Ballet Russes' charismatic but manipulative impresario. Public expectation is extremely high after Nijinsky's success in 'L'apres-midi d'un faune'. Finally, 'The Rite of Spring' premieres to a gossip-loving, febrile, fashion-conscious Parisian audience sharply divided as to its merits.

When rebellious street dancer Andie West lands at the elite Maryland School of the Arts, she finds herself fighting to fit in while also trying to hold onto her old life. When she joins forces with the school's hottest dancer, Chase Collins, to form a crew of fellow outcasts to compete in Baltimore's underground dance battle The Streets.

Popular and dashing American singer Nick Rivers travels to East Germany to perform in a music festival. When he loses his heart to the gorgeous Hillary Flammond, he finds himself caught up in an underground resistance movement. Rivers joins forces with Agent Cedric and Flammond to attempt the rescue of her father, Dr. Paul, from the Germans, who have captured the scientist in hopes of coercing him into building a new naval mine.

Ever since its triumphant premiere in 1960, Frederick Ashton's La Fille mal gardee has been treasured as one of his happiest creations - his artistic tribute to nature, and an expression of his feelings for his beloved Suffolk countryside. Marianela Nunez and Carlos Acosta perfectly portray the young lovers Lise and Colas, determined to thwart the plans of Widow Simone to marry off her wayward daughter to Alain, the simple son of wealthy Farmer Thomas. Osbert Lancaster's colourful, picture-book designs, along with Ferdinand Herold's tuneful score, arranged by John Lanchbery, provide the perfect setting for Ashton's blissfully bucolic ballet, complete with haywain, pony, maypole and ribbons, a cockrel and his chickens and, of course, the famous clog dance, here wonderfully led by William Tuckett as the irascible but lovable Widow Simone.

Giselle(s) revisits the classic Giselle through the lens of violence against women, giving the famous 1841 ballet a contemporary social and political dimension.

Recorded at the Teatro Alhambra on May 10 and 11, 2023.