Isaac Hernández

A powerful socialite and a promising ballet dancer begin a dangerous affair. When he secretly crosses the US-Mexico border, she takes desperate measures to protect their future together.

Manuel is preparing his next show, a musical about making a musical show. He seeks the help of Sara his ex-wife and renowned choreographer to direct. In the casting, the young Ines will appear as a rising star while dealing with her father and local mob. During the rehearsals, the passion and tension will grow among the dancers. Powerful Mexican music sets the tone and a play will emerge in which tragedy, fiction and reality intertwine.

Shakespeare's heartbreaking tale, Nureyev's blazing ballet. Sumptuous costumes and sets transport you to Renaissance Verona, its piazza bustling with market traders, street entertainers and the restless factions of the Capulet and Montague families. Amidst the grandeur of the Capulet’s ball, our star-crossed lovers – Alina Cojocaru and Isaac Hernández – meet, unleashing a fateful sequence of events, from the romantic bedroom scene to their tragic final embrace.

Tamara Rojo, dancer and artistic director of English National Ballet, explores Giselle - the first great Romantic ballet, and a defining role for any ballerina. Through two radically contrasting 2016 productions - a traditional 19th-century recreation, and a gritty reimagining of the work by celebrated Anglo-Bangladeshi choreographer Akram Khan - Rojo examines the cultural and social background to the ballet’s genesis in 1840s Paris, and the spiritual themes that have fuelled its success over the last 175 years. Giselle is the story of a young peasant girl who personifies all that is good in life, and ultimately forgives the aristocrat who has seduced and betrayed her. With Giselle, the look and emotional heart of ballet was transformed forever, from mime-based storytelling to a fusion of emotion, music and movement, formulating a tradition that has inspired audiences, dancers and choreographers ever since.

This inventive production from the English National Ballet fills the grand space of the Royal Albert Hall to tell one of the world’s favourite fairy tales. Magnificent sets and costumes, surprising theatrical tricks and lively choreography delight, move and astound, all to the melodious tunes of Prokofiev, performed by English National Ballet Philharmonic.