Roald Amundsen's South Pole Expedition

In the 1968 movement in Paris, Jean-Luc Godard made a 16mm, 3-minute long film, Film-tract No.1968, Le Rouge, in collaboration with French artist Gérard Fromanger. Starting with the shot identifying its title written in red paint on the Le Monde for 31 July 1968, the film shows the process of making Fromanger’s poster image, which is thick red paint flows over a tri-color French flag. —Hye Young Min

Rhythmic composition of moving photographs of cyclists in Amsterdam, ‘set’ to Vivaldi’s The Four Seasons.

Manel has been kissed by all the old women in the village. From the passion of Christ to the olive trees in the Catalan countryside, a landscape of resistance that evokes a sour humour, and at the same time a silence from times gone by.

The point of departure for this film is the 1981 composition De Tijd by Dutch composer Louis Andriessen. Van der Keuken leaves the music undisturbed as an autonomous soundtrack and has the images engage in a sort of battle with it. These images are associations, fragments of events, scenes and situations. The film is preceded by a text by Bert Schierbeek.

Manual Scavenging is an all India Phenomenon. However, the Government of India is kind enough to enact Prohibition of Employment as Manual Scavengers and their Rehabilitation Act and implementing many schemes. But none of them failed to work as the caste system is paramount in the so called democratic constitutional India. This film Kakkoos elaborates on the deplorable status.

This short film demonstrates how Howard Shore has distinguished himself as one of Canada's most accomplished - and versatile - composers. During woodland rambles with his beloved dogs, Shore gives free rein to his ceaseless creativity. Whether composing delicate counterpoint or Oscar®-winning movie music, Shore is keenly tuned to a remarkable range of musical expression.

How did Bonnard, one of the great masters of 20th-century painting, a secretive, anxious man with an ordinary everyday life, become this undisputed painter of intimacy, capable of transforming reality into a unique and incandescent world? Through his paintings, but also his private journals, his correspondence with Matisse and Vuillard, the photographs he loved, and the places where he lived, the film immerses us in the world of this master of color.

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An animated film is built from real interviews in Upstate NY.

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

On the Sorrento peninsula, orange and lemon groves stretch all the way to the coast. In the orange plantations, the high wooden frames are covered with mats to protect the trees from intense sunlight. The function of the artificial irrigation system is demonstrated. The oculation of trees is demonstrated in a young plantation. The oranges are cleaned on the spot, then sent to the laundry, cleaned, dried and made ready for dispatch. In a lemon plantation, many pickers stand on ladders on a tall tree and remove the fruit. The lemons are sorted, wrapped in tissue paper and packaged in home and large-scale factories. Before being exported, the goods are checked again for quality.

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No description available.

Two unique perspectives on the city of Liverpool come from interviews with the director's parents.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Hassouni, 17 years old, makes his royal blue car dance on the tarmac. Drifting is his life. He devotes all his time to it. It has become a small celebrity in the field. They call him "Hassouni the King". His friends are proud of him. His family does not stop praising either. "He has always had it in his blood," says his father.

Giuseppe Orlandi is an alpine rescuer who has lived and worked in the shadow of The Grigna, a massif in the province of Lecco, for over fifty years. As a member of the XIX Lariana Delegation of The CNSAS Lombardia mountain rescue group, he has saved hundreds of lives. Filmmaker Achille Mauri traveled across the beautiful yet treacherous mountain face to profile Orlandi—known to many as “Il Calümer”—in the terrain that the Italian knows best. The heroic deeds that Orlandi has carried out over the years have, for the most part, only been acknowledged by the people he has saved. With the release of this documentary profile, Mauri wants to shine a spotlight on the courageous work of Orlandi and other voluntary mountain rescuers like him.

Sohaila, Zahra and Zeinab train every day. Their dream is to become professional fighters and to show the world that all people are equal. Director Lukas Tielke and his team spent a week in Malakasa refugee camp, outside Athens, getting to know these inspirational young Afghan women.