Projektionen der Sehnsucht

Rhythmic composition of moving photographs of cyclists in Amsterdam, ‘set’ to Vivaldi’s The Four Seasons.

The point of departure for this film is the 1981 composition De Tijd by Dutch composer Louis Andriessen. Van der Keuken leaves the music undisturbed as an autonomous soundtrack and has the images engage in a sort of battle with it. These images are associations, fragments of events, scenes and situations. The film is preceded by a text by Bert Schierbeek.

Manual Scavenging is an all India Phenomenon. However, the Government of India is kind enough to enact Prohibition of Employment as Manual Scavengers and their Rehabilitation Act and implementing many schemes. But none of them failed to work as the caste system is paramount in the so called democratic constitutional India. This film Kakkoos elaborates on the deplorable status.

How did Bonnard, one of the great masters of 20th-century painting, a secretive, anxious man with an ordinary everyday life, become this undisputed painter of intimacy, capable of transforming reality into a unique and incandescent world? Through his paintings, but also his private journals, his correspondence with Matisse and Vuillard, the photographs he loved, and the places where he lived, the film immerses us in the world of this master of color.

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A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

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Two unique perspectives on the city of Liverpool come from interviews with the director's parents.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

The fifth project of the Living Architectures series, Inside Piano is composed of three films on three symbolic buildings of Renzo Piano's career. A visit throughout the prototype-building of the Centre Pompidou. An immersion in the soundproof world of a submarine floating in the depths of the Parisian underground. A journey aboard a luminous magic carpet of a highly sophisticated architectural machine. A humorous, caustic and quirky point of view.

E42 is a cinematic exploration of the area in Rome knows as the EUR, a modernist landscape that was originally designated by Mussolini as the the site of the World Fair of 1942 and as a celebration of the 20 year anniversary of Fascism. Originally designed as a monumental space for public performance and collective acts of solidarity to the Fascist regime, this landscape was in fact never inaugurated. After the war, the 420 acre area was recuperated and today projects a timeless aura of an unfinished and temporary, empty and silent, monumental and imposing as well as an ephemeral landscape.

On June 14, 1977, the eve of the first democratic elections after Franco's regime, Llorenç Soler and his crew go out into the street and ask passers-by which party they are going to vote for.

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This Christmas, step into the magical world of The Nutcracker. For the first time in many years, the Royal Ballet has given full access behind the scenes for a landmark 90-minute documentary as they prepare for this season's yuletide production.

Documentary featuring interviews with several of legendary Spanish director Luis Buñuel’s close friends and collaborators.

The carnage in Sarajevo provides the focus of this French documentary which seeks to call attention to the terrible conflict in the hopes of finally ending it. The film is divided into five parts. Each part covers a time frame ranging from April 4, 1992, the beginning of the war, to the present. The major issues that occur are three-fold. It depicts the systematic genocide of Bosnians, the silence of Western countries, and the determination of the Bosnians to resist. They refuse to be seen as victims, even though the filmmakers portray them so. Also included are the origins and political aspects of the war. It offers interviews with participants. It also reveals how the U.S. State Department censored reports about Serbian death camps.

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Sean Dunne's observational documentary of a 2016 Donald Trump Rally.

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