Hammer Horror: A Fan's Guide

On the threshold of her old age, Dolores faces a wall full of memories.

A series of interviews between film historians Jonathan Rigby, Kevin Lyons, John J. Johnston and several others that tracks the events which led to the making of the film The Horror of Frankenstein and the state of the Hammer studio at the time.

The sequel to one of the most infamous shockumentaries ever made. Includes a real home video of a girl being exorcised, a recording of the aftermath of a brutal gang massacre, a russian science experiment on a decapitated dog, and a splatter-filled educational video.

An exploration of music in film, focusing on Hammer, its key composers, and the iconic scores that defined its films.

The film is a kind of docu-fiction about a boy who enrolls in a battalion of young mountain troops. The film follows his daily life in the military school and pays special attention to maneuvers and training exercises in the mountain, which include mountaineering and rock climbing lessons. The film, by Giovanni Vernuccio, was produced in 1942 by the Instituto Nazionale Luce at the end of the Italian Fascist regime, and was made with the collaboration of the 36th group of Alpine battalions 'Fabio Filzi' of the federal command GIL of Turin during the preparatory course for the festive camp of Balme.

Documentary film of the Swiss newsreel about climbing in the Kreuzbergen. The film was produced in August 1943 by the Zurich company Gloria Film AG. The camera was directed by none other than Otto Ritter (1917-1977), whose work can be admired in well-known Swiss feature films such as ´Romeo and Julia on Dorf´ . The focus is on the two climbers Beni Motzer and Ernst Anderegg, who demonstrate the ascent of the 5th Kreuzberg. Didactic sequences show the current climbing equipment of that time and how to handle it correctly. The film premiered at the Olma in 1943 and was shown in Swiss cinemas from May 1944 as part of the weekly film show. Because of his spectacular shots he enthused the critics and was very well received by the audience.

Presented as a kind of docu-fiction, the film shows training maneuvers by the young mountaineers of the Scuola Centrale Militare di Alpinismo (Military School of Mountaineering). Differents groups of rock climbers ascend the Winkler Tower and Torre del Vajolet. While ascending one of the towers, one of the climbers is attacked by an eagle that makes him fall and leaves him hanging on the rope. The film, produced in 1942 by the Instituto Nazionale Luce at the end of the Italian Fascist regime, was awarded in the Mostra Internazionale del Cinema di Venezia.

Excursion from the Catinaccio group, across the Alpe di Siusi, to the Sassolungo and to the Sella group. The Dolomites, less impressive in appearance and less elevated than the giants of the Alps, attract a particularly bold class of climbers: here we follow the footsteps of a group of them on a characteristic route of the region. In the group, there are some women. The film was produced in thirties by the Instituto Nazionale Luce during the Italian Fascist regime.

A documentary illustrating the mountain sports activities of the university students of the GUF (Gruppi universitari fascisti) in Val Gardena, Madonna di Campiglio and Roccaraso. The film starts with a rock climbing winter ascent to Sasso Lungo (Langkofel). A party of four men make an approach on skis and climb roped from the base of the mountain to the summit. Then the film shows images of different competitions: ski (cross country, slalom, ski jumping), skating (figure, speed) and biathlon. A propaganda film of the Italian fascist regime.

A retrospective look back at Amicus Productions and the making of their classic British horror anthologies.

Documentary on alpine refuges and the life of mountaineers. The film begins with images recreating vintage mountain climbers that end up spending a night in a fortune shelter. Then the scene is linked with images of a current refuge and explains how refuges are today, showing models and images of real refuges and explaining how life is in them and the role they play in mountaineering. The film was produced in 1942 by the Instituto Nazionale Luce during the Italian Fascist regime.

A documentary film diving into Michael Gough’s unforgettable work in British horror, with film historian Jonathan Rigby.

The ascent of the spectacular needle Guglia Rudatis (2.202 meters), in the Italian Dolomites by a group of rock climbers. A group of six men leave a wood hut and approach up to the foot of the needle. We see them climbing and progressing on the steep rock face and finally making an overhanging rappel to descend. The film was produced in 1937 by the Instituto Nazionale Luce during the Italian Fascist regime.

A short documentary to celebrate Hammer Films' 89th anniversary. Discover how Hammer has shaped the horror genre, influenced culture, and what the future holds. Featuring insights from new CEO and Chairman John Gore, candid conversations with legendary Hammer Glamour icons Caroline Munro and Madeline Smith, plus contributions from writer and actor Mark Gatiss. Plus, voices of the horror community — from seasoned critics to influential content creators — discuss the indelible mark Hammer Films has made on the genre.

The film shows training maneuvers by the 'Fiamme Verdi' (Green Flames) brigade, instructed by the mountaineering military school of Aosta. The maneuvers include camping, rock climbing, mountain rescue, military positions, alpine and glacier progression, and ski mountaineering. The film was produced in 1939 by the Instituto Nazionale Luce during the Italian Fascist regime.

An exceptional cinematographic document on Emilio Comici, shot in 1938 in Val Rosandra by a MGM operator. The documentary shows Comici with the mountain guide Gianni Macor, in all the stages of the rock climbing technique, in the way of an instructional film. Comici, nicknamed the 'Angel of the Dolomites', is considered as the most extraordinary climber of the period between the two World Wars. He made over 200 first ascents in the Dolomites during his short career. Comici perfected the Bavarian technique of mountain climbing, and began the era of 'sixth grade' climbing. It was Comici who originated the concept of climbing direttissima routes, following the path a drop of water would take down the mountain.

With no clue how he came to be imprisoned, drugged and tortured for 15 years, a desperate man seeks revenge on his captors.

An authorized stop-motion sequel to Jörg Buttgereit's 1993 movie "Schramm", called scenes from the Afterlife of Lothar Schramm, who was the centre of the feature film.

A troubled young woman with a disturbing past goes to see a counselor about her night terrors, ones involving a shadowy figure that attempts every night to break into her home.

The Blind Man has been hiding out for several years in an isolated cabin and has taken in and raised a young girl orphaned from a devastating house fire. Their quiet life together is shattered when a group of criminals kidnap the girl, forcing the Blind Man to leave his safe haven to save her.