Jonathan Rigby

A profile of John Lennon in the late 1960s as the Beatles are set to fall apart.

A look at Hammer’s progression from a back office in London’s Regent Street to its iconic status within the horror film genre. The company, started by comedian and businessman William Hinds in 1934, made films such as The Curse of Frankenstein, Dracula, and The Quatermass Xperiment during the period for which it is best known, making stars out of the likes of Christopher Lee and Peter Cushing.

Set in the last days of World War II, a small band of Russian soldiers led by intelligence officer Brana Vasilyeva, who is tasked with trafficking the remains of Hitler back to Stalin in Russia. En route, the unit is attacked by German ‘Werewolf’ partisans and picked off one-by-one. Brana leads her surviving comrades in a last stand to ensure their ‘cargo’ doesn’t fall into the hands of those who would see it buried in order to hide the truth forever.

An animated documentary chronicling famed paranormal investigator Harry Price’s research at Borley Rectory, renowned as the ‘most haunted house in England’.

This feature-length documentary is one of the main features on the House of Hammer Volume 1 blu ray set. It explains the censorship system in the United States and why so many movies were subject to it. It also covers aspects of the UK's BBFC in the 50s and 60s.

An exploration of the cinematic history of the folk horror, from its beginnings in the UK in the late sixties; through its proliferation on British television in the seventies and its many manifestations, culturally specific, in other countries; to its resurgence in the last decade.

Part 1 of a new, feature-length documentary about AIP, one of Hammer's main competitors in '60s/'70s British horror.

Aristocratic Italian roots, a close family connection to James Bond novelist Ian Fleming, wartime experiences in the British and Finnish military, post-war Nazi-hunting adventures and a side career as a heavy metal rock singer. And one of the most iconic actors of all time.

Former UNIT luminary Liz Shaw and her assistant Bayliss are investigating a series of bizarre murders, all committed near a soon-to-be-closed psychiatric hospital. When the hospital is unexpectedly reprieved by rich Industrialist Peter Russell events seem to move out of Liz's control. Are the incumbent director of the clinic, Doctor Dove and his predecessor Doctor O'Kane harboring the killer? What is the centuries-old horror hidden in the grounds? And what exactly is the secret of room zero?

David Prowse is an eighty years old actor, who has lived behind Darth Vader's mask during three decades. A group of Star Wars fans find out why he has been apparently forgotten by Lucasfilm during thirty years, and decide to give him back the glory he never had. This is their last opportunity.

The greatness, fall and renaissance of Hammer, the flagship company of British popular cinema, mainly from 1955 to 1968. Tortured women and sadistic monsters populated oppressive scenarios in provocative productions that shocked censorship and disgusted critics but fascinated the public. Movies in which horror was shown in offensive colors: dreadful stories, told without prejudices, that offered fear, blood, sex and stunning performances.

The untold story of Hammer at Warner Bros, and the relationship that produced some of the British company's finest films.

It’s 1881, and Old College, Oxford plays host to three very different academics. Abercrombie Smith is a model of Victorian manhood, clean of limb and sound of mind. Monkhouse Lee is a delicate and unworldly student from Thailand. And occupying the rooms between them is the strange and exotic Edward Bellingham, whose unnatural researches into the secrets of ancient Egypt are the talk of the college. Can Bellingham’s experiments truly bring the breath of life to the horrifying bag of bones that is the mysterious Lot No 249?

Diabolical. Seductive. Immortal. Vampires have been an icon of evil in folklore and popular culture for more than three centuries, yet only one name still personifies the ultimate aristocrat of bloodlust. Now join the world’s foremost experts on Dracula – including academics, authors and horror historians – as they explore the untold story of the Transylvanian Count, from the legend of Vlad The Impaler and Bram Stoker’s celebrated novel through its landmark stage productions and classic movie adaptations.

A documentary film diving into Michael Gough’s unforgettable work in British horror, with film historian Jonathan Rigby.

Contemporary news coverage of the William Hartnell era is examined in this new documentary presented by Mary Tamm.

When P.R.O.B.E. is summoned to investigate the savage murder of a retired headmaster, Liz Shaw is disturbed to find evidence of satanic rite near the scene of the crime. She soon discovers a web of deceit and corruption that extends back in time, threatening the current occupants of nearby Winterborne School. With P.R.O.B.E. under threat from within and the death toll mounting, Liz finds herself under increasing pressure from all sides to produce results... The Devil of Winterborne is at large and only Liz can stop it!

A comprehensive documentary guide to the legendary British horror film studio, Hammer Films. united

The Last Sacrifice delves into the real-life 1945 witchcraft killing of Charles Walton—the terrifying event that inspired The Wicker Man and birthed the folk horror genre. This unsettling true-crime interrogation probes into the eerie, enigmatic cultural undercurrents that shaped 1970s folk horror genre, leaving an indelible mark on cinema and public psyche.

A documentary about the making of Brain Dead (1990)

Documentary that chronicles the making of the third film in Hammer's Dracula series.

Cast, crew and critics discuss the BBC's 2005 remake of 'The Quatermass Experiment'.

A retrospective of actor Philip Madoc's many roles as a Doctor Who villain.

The Making of DR. TERROR'S HOUSE OF HORRORS

A documentary produced for Universal about their early Wolf Man film(s)

A revealing insight into the short life and times of Michael Reeves.

In 1975, the British Government quietly closed down a secret evolutionary project codenamed BEAGLE, ordering the destruction of all research materials. Today, the horrific discovery of several oddly mutated bodies alerts Liz Shaw and P.R.O.B.E. to the fact that something is stalking the original site of project BEAGLE – something which may challenge the very nature of humanity itself! With a crack security team at her disposal, Liz desperately attempts to track down the perverted results of the project. But who or what is hunting whom?

Investigative reporter Terry Scanlon follows up the strange goings on in Llanfairfach, with interviews with people there at the time, including Professor Clifford Jones and mysterious boss, Stevens.

Dennis Wheatley biographer Phil Baker provides a brief history of author nearly 80 book career, covers the whole of Wheatley’s contentious relationship with Hammer studios, including his displeasure with The Lost Continent (1968) and his utter loathing of To the Devil a Daughter (1976). The feature is a examination of one of horror fiction’s influential voices and paints a picture that informs both The Devil Rides Out and Hammer’s occult output in their latter years.

Mark Gatiss explores and celebrates Dracula, an icon of popular culture, asking just why we keep coming back to the count.

A documentary on The Revenge of Frankenstein

From the team that brought you the West End hit Round The Horne…Revisited comes Horne A’Plenty, with scripts by Johnnie Mortimer and Brian Cooke. Horne A’Plenty is written as a tribute to one of the great Radio and TV performers, Kenneth Horne. Two weeks before they were due to start the next series of Round the Horne, Kenneth Horne passed away. It was the 14th of February 1969. Johnnie Mortimer and Brian Cooke had successfully written half of the fourth series with Barry Took, and had spent many months working on what would have comprised the fifth. Fast-forward 48 years, and Brian Cooke took these ‘pieces’ out of the drawers they’d been consigned to and read them all again. The show consists of many of those ‘pieces’, along with brand new material – and includes no less than four film parodies!

A retrospective look back at Amicus Productions and the making of their classic British horror anthologies.