Super Speedway

Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.

Good Grief is a short stop motion animated documentary that explores the lessons we learn from dealing with grief and loss. Five real people share their true stories of losing something precious and what it has taught them about living.

A documentary written by Kane McKay, a returned military serviceman, about Bob Quinn, a recipient of the Military Medal for his heroic actions in World War II in Tobruk, 1941, and also champion player for a number of years at the Port Adelaide Football Club.

As we run, the layers of responsibility and identity we have gathered in our lives, the father, mother, lawyer, teacher, Manchester United-supporter labels, all fall away, leaving us with the raw human being underneath. With nothing but our own two legs moving us, we begin to get a vague, tingling sense of who, or what, we really are.

A portrait of Hamburg and its people.

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Hassouni, 17 years old, makes his royal blue car dance on the tarmac. Drifting is his life. He devotes all his time to it. It has become a small celebrity in the field. They call him "Hassouni the King". His friends are proud of him. His family does not stop praising either. "He has always had it in his blood," says his father.

Giuseppe Orlandi is an alpine rescuer who has lived and worked in the shadow of The Grigna, a massif in the province of Lecco, for over fifty years. As a member of the XIX Lariana Delegation of The CNSAS Lombardia mountain rescue group, he has saved hundreds of lives. Filmmaker Achille Mauri traveled across the beautiful yet treacherous mountain face to profile Orlandi—known to many as “Il Calümer”—in the terrain that the Italian knows best. The heroic deeds that Orlandi has carried out over the years have, for the most part, only been acknowledged by the people he has saved. With the release of this documentary profile, Mauri wants to shine a spotlight on the courageous work of Orlandi and other voluntary mountain rescuers like him.

Sohaila, Zahra and Zeinab train every day. Their dream is to become professional fighters and to show the world that all people are equal. Director Lukas Tielke and his team spent a week in Malakasa refugee camp, outside Athens, getting to know these inspirational young Afghan women.

Between 2014 and 2020, photographer Matt Black traveled 100,000 miles across 46 American states to look behind the veil that keeps America’s poor in the shadows. Beginning in his home region of the Central Valley, his extensive documentary project, American Geography, unravels in a series of black-and-white photographs that poetically capture communities living below the poverty line. Un-American Dream is a moving image survey, filmed by director Joppe Rog, throughout California’s Central Valley.

VIVA ÁGUA is a meditation on the philosophical work entitled ÁGUA VIVA written by Clarice Lispector in 1973. The film reflects on Lispector’s interior experimental monologue on the “instant-now” of time, the discomforts of language which are “beyond thought” and the harmonious dissonant reminders and remainders of that “sometime what is seen is ineffable.”

A nature documentary about the predators in the Swedish winter mountains: the owl, the bear and man.

Manel has been kissed by all the old women in the village. From the passion of Christ to the olive trees in the Catalan countryside, a landscape of resistance that evokes a sour humour, and at the same time a silence from times gone by.

This short film demonstrates how Howard Shore has distinguished himself as one of Canada's most accomplished - and versatile - composers. During woodland rambles with his beloved dogs, Shore gives free rein to his ceaseless creativity. Whether composing delicate counterpoint or Oscar®-winning movie music, Shore is keenly tuned to a remarkable range of musical expression.

A super 8 projection which references the essay “On the Jewish Question” by Karl Marx.

An animated film is built from real interviews in Upstate NY.

Emerging filmmaker Jade Ang Jackman shares a fierce new film about Olympian fencer Ysaora Thibus and her journey to the Tokyo 2020 Olympics. The Countdown consists of archive footage of Thibus in training, a stylized sequence that isolates the fencing lunge, and a self-shot video diary that gives viewers an insight into the athlete’s tireless training practice and what it takes to compete at an elite level.

“Sex work. The phrase evokes so much emotion, yet we understand it so poorly,” rising director Yago Hunt-Laudi wrote on an Instagram post celebrating the premiere of his new film, The Chrysalis. In this documentary profile, he paints an intimate portrait of stripper Haley Rolland, a young woman from Missouri who speaks about taking control of her body and the difficulties she encountered during the pandemic.

Memory is a collaboration with musician Noah Lennox (Panda Bear), exploring the relationship between a musician and filmmaker and their personal reflection on memories. From Super 8 home movies and entirely handmade, this film explores familiar memories, the present moment combined with past experiences and how it all seems to evade from our present memory.

A many-faced view of humanity, of global man in all his forms and interests. Produced originally in 70 mm (with stereophonic sound) for showing at Man and His World, the Montréal fair that succeeded Expo 67, this film employs the multi-image technique. People of all places, origins, cultures, secular and religious, are here united and seen side by side, creating an impressive, inspiring and challenging portrait. The film's title appears in seven languages. Film without words.