Europa Konzert from Madrid 2011

New Year's Concert 2024

We meet the young violinist Erik Smith in the lap of his family with his wife Lise and his little daughter Lone. Erik is a young, aspiring musician who dreams of one day making a career as an interpreter of the great masters of music. At a concert where a well-known solo violinist has to interrupt, Erik Smith suddenly jumps in and gets his big breakthrough.

This short animation draws on advanced digital technologies to offer a new vision of dance in cinema. With motion capture (MoCap) and particle processing, designers Denis Poulin and Martine Époque create virtual dancers free of their morphological appearance. In this balletic and hypnotic film, dynamic traces carry the motion of the real dancers behind the on-screen movements. Addressing environmental themes by way of metaphor, CODA is a fused universe where space and time collide, deploy, and dissolve. In this technically and formally innovative film, luminous bodies in the infinite space of the cosmos transform and evolve to the rhythms of Stravinsky’s Rite of Spring.

With this performance of the Missa solemnis Nikolaus Harnoncourt, Honorary Guest Conductor of the Royal Concertgebouw Orchestra, once more attained the status of a living legend, due mostly to his wide-ranging expertise of music from the Baroque and Classical era. The highly acclaimed soloists are Marlis Petersen (Soprano), twice the singer of the year by the renowned Opernwelt magazine, Elisabeth Kulman (Alto), Werner Güra (Tenor), winner of the BBC Music Magazine Award for the best vocal performance, and Gerald Finley (Bass), Grammy-Awardwinner for the best opera recording. They are accompanied by the famous Netherlands Radio Choir.

Winter Allegro portrays the fierce competition between two violin prodigies to win the solo part of an abusive conductor's new rendition of Vivaldi's Four Seasons. Camille, first chair violinist, faces Anya, a younger American virtuoso.

Four outstanding works by world-renowned Czech dancer and choreographer Jiří Kylián performed for the first time by the National Theatre Ballet. The National Theatre Ballet has prepared a special premiere entitled Kylián – Bridges of Time for this year's celebrations of the founding of the republic. This project will not only dignifiedly support this important anniversary, but also pay tribute to the famous Czech native, choreographer Jiří Kylián, who has undoubtedly become an icon of world dance. The evening will present four works to the audience – Psalm Symphony, Bella Figura, Petite Mort, and Six Dances.

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Karajan conducts these symphonies with eyes closed, often intently enraptured by the music, smiling occasionally when a passage or solo sounds just right to his ear. He conducts Brahms with a greater sense of urgency than does Bernstein: the First symphony is 11 minutes shorter as conducted by Karajan! Nothing is rushed but there is what can only be described as emotional compression, an intensity of expression that sounds quicker than Bernstein's performances.

The film covers a hundred years in the lives of the Ricordi family, the Milan publishing house of the title, and the various composers and other historic personalities, whose careers intersected with the growth of the Ricordi house. It beautifully draws the parallel between the great music of the composers, the historic and social upheavals of their times, as well as the "smaller stories" of the successive generations of Ricordi.

Based on the famous Gustav Holst musical suite, Ken Russell's musical delight takes viewers on a magnificent journey of the planets of the Solar System.

An aspiring classical pianist loses his hearing and, with the help of those closest to him, must find the strength to play again. . .

Leonard Bernstein made these recordings during his wonderfully productive collaboration with the Wiener Philharmoniker in the mid-1970s when he was at the peak of his career. Humphrey Burton's direction is, as always, very fine, giving the viewer/listener both the larger picture and highlighting individual soloists, players or groups of musicians and, of course, the maestro. The video and audio tracks show their age, but are quite acceptable even for today's standards. Bernstein's Seventh is everything one could desire: dark and spooky, highly sensual, but also structurally strong and assertive where needed. Bernstein's reading does not gloss over breakdowns in tonality and the foreshadowing of later musical developments.

Accompanied by the chamber music ensemble CHAARTS, the soprano and tenor perform arias and duets from works by Mozart, Verdi, Puccini, Gounod, and Bizet. All in the open air, in the courtyard of Neuschwanstein Castle.

Jenny is young. Her life is over. She killed someone. And she would do it again. When an 80-year-old piano teacher discovers the girl’s secret, her brutality and her dreams, she decides to transform her pupil into the musical wunderkind she once was.

Take a seat with us at FIRE’s first-ever classical music concert in support of free expression: “Outspoken: Music for Free Speech.” At the podium is conductor Rebecca Bryant Novak, a former doctoral student at the University of Rochester’s Eastman School of Music. Taking the stage for the first time since she was expelled without due process after speaking out about alleged harassment, Rebecca leads an all-volunteer orchestra in an unforgettable evening of music. Internationally acclaimed musicians, violinist Lara St. John and oboist Katherine Needleman, bring the stage to life with works by composers who themselves faced censorship, from Mozart to Shostakovich. Between performances, FIRE staff and special guests reflect on why free expression is essential for artists, and for all of us. The arts cannot thrive without free expression. Thank you to everyone who made this night possible!

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In celebration of its 100th anniversary in 1983, the Metropolitan Opera hosts a four-hour performance uniting some of the world's most spellbinding opera singers and conductors. The event includes a ballet from Samson et Dalila and boasts incredible classical performances from Kathleen Battle, Plácido Domingo, Jose Carerras, Leonard Bernstein, Marilyn Horne, Leona Mitchell, Luciano Pavarotti and many more.

The Nutcracker is Mikhail Baryshnikov's breathtaking and critically acclaimed Emmy-nominated production. This spectacular performance is danced by the magnificent team of Baryshnikov, one of the greatest classical dancers of the century, and Gelsey Kirkland, both showcased at the peak of their careers, with members of the American Ballet Theatre.

Beginning with the First Symphony, Bernstein reveals Mahler's position at the hinge of modernism, while emphasizing his emotional extremism. The uplifting Second "Resurrection" Symphony, with which Bernstein had an especially long and close association, is recorded here in a historic performance from 1973, set in the Romanesque splendor of Ely Cathedral. In the Third, Bernstein encompasses the symphony's spiritual panorama like no other conductor, with the Vienna Philharmonic players alive to every nuance.