Berlin Philharmonic

Repertoire Modest Mussorgsky: Night on Bald Mountain; Antonín Dvořák: Song to the Moon from “Rusalka”, Op. 114; Aram Chatschaturjan: Adagio from “Spartacus”; Richard Strauss: Final Scene from “Capriccio”, Op. 85; Richard Wagner: Overture to “Rienzi, der Letzte der Tribunen”; E. W. Korngold: Mariettas Lied from “Die tote Stadt”; Richard Strauss: Zueignung, Op. 10 No. 1; Sir Edward Elgar: Salut d’amour; Giacomo Puccini: Donde lieta uscì from “La bohème”; Tu che di gel sei cinta from “Turandot”; Ruggero Leoncavallo: Musette svaria sulla bocca viva from “La bohème”; Mimì Pinson, la biondinetta from “La bohème”; Piotr Tchaikovsky: “Romeo and Juliet” (Fantasy Overture)

John Williams has made cinematic history with his film scores and transported entire generations into his musical worlds. He has composed the soundtracks for cinema blockbusters such as Star Wars, Jurassic Park, E.T. and Harry Potter. In this concert, he conducts some of his most famous film classics. At the same time, this is his debut on the podium of the Berliner Philharmoniker. May the Force be with him ...

Some concerts are important simply as occasions: The “Joint Concert Tel Aviv” was a celebration of reconciliation, a performance shared by the Berlin Philharmonic Orchestra and the Israel Philharmonic Orchestra that would have been inconceivable a few years earlier. Zubin Mehta takes a massive band consisting of both orchestras through performances of Ben Haim’s fascinating “Psalm”, Ravel’s “La Valse” and Beethoven’s “Fifth Symphony”.

From heartbreak to ecstasy, the Berliner Philharmoniker’s New Year’s Eve Concert takes you on an emotional roller-coaster ride. With his velvety, lyrical voice, star tenor Benjamin Bernheim revels in the lovesick agonies of famous opera heroes: Don José from Bizet’s Carmen, Lenski from Tchaikovsky’s Eugene Onegin, Massenet’s Werther and Gounod’s Romeo. Chief conductor Kirill Petrenko provides some sunnier touches with works by Chabrier and Gershwin.

A live performance of Giuseppe Verdi's opera.

Ludwig van Beethoven: Leonore Overture,No.3 in C major, Op. 72; Symphony No. 4 in B-flat major, Op. 60 Richard Wagner: Wesendonck Lieder

The Berliner Philharmoniker dedicate their New Year's Eve concert to famous lovers from the repertoire, embodied with intensity by French tenor Benjamin Bernheim. On the program: Don José (Carmen by Georges Bizet), Lenski (Eugene Onegin by Tchaikovsky), Werther (in the opera of the same name by Jules Massenet) and Romeo (Charles Gounod's Roméo et Juliette). Conducted by Kirill Petrenko, works by Gabriel Fauré, Emmanuel Chabrier, and George Gershwin round out this festive program.

Famed conductor Herbert Von Karajan leads the Berlin Philharmonic in a performance of what may be Vivaldi's best-known composition -- "The Four Seasons" -- in this sparkling video. Recorded in 1987 at the Chamber Music Hall, this concert features Anne-Sophie Mutter as a guest violin soloist.

Richard Wagner: Die Meistersinger von Nürnberg, Prelude to Act III Sir Edward Elgar: Cello Concerto in E minor, Op. 85 Johannes Brahms: Symphony No. 1 in C minor, Op. 68

Each year, the annual Europakonzert concert on May 1st. Due to the worldwide covid pandemic, a very comforting programme was selected for this years concert, to encourage and to thank people in Europe and worldwide. Arvo Pärt's Fratres for string orchestra and percussion, György Ligeti's Ramifications for string orchestra, Samuel Barber's Adagio for Strings, and Gustav Mahler's Symphony No. 4.

Sir Simon Rattle was in no doubt: the performance of the St Matthew Passion which he realised together with the Berliner Philharmoniker and the Rundfunkchor Berlin in 2010 was for him “the single most important thing we ever did here”. Critics around the world agreed. They praised the semi-staged “ritualization” by American star-director Peter Sellars, as well as the outstanding musical performances by the soloists, including Magdalena Kožená, Christian Gerhaher, Thomas Quasthoff and Mark Padmore as the Evangelist.

Mozart: Symphony No. 35, K.385 “Haffner”; Horn concerto No. 1, K.412; Piano concerto No. 22, K.482; Symphony Nr. 36, K.425 “Linz-Symphony”

The Berlin Philharmonic brings in the New Year with a festive concert featuring performances of music by Gershwin, Bernstein, Porter & Loewe.

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A Spanish Night - Domingo - Berliner Philharmoniker, Sarah Chang, Ana Maria Martinez

The Berliner Philharmoniker performs work by Shostakovich, Dvorak and Carl Maria von Weber with the help of violinist Hilary Hahn. Recorded live at the Suntory Hall, Tokyo, 26 November 2000

The Berlin Philharmonic with Kirill Petrenko perform their annual concert for Europe, this time from the baroque magnificence of the Esterházy Palace in Austria. On the programme are works by Haydn, Stravinsky, Tchaikovsky and Beethoven.

Brahms: Piano Concerto No. 1, op. 15; Piano Quartet No. 1 arranged for orchestra by A. Schoenberg

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Peter Tchaikovsky: Fantasy Overture from "Roméo et Juliette" Wolfgang Amadeus: Mozart Violin Concerto No. 3 in G major K. 216 Igor Stravinsky: The Rite of Spring Documentary on the musical scene in London and the Royal Albert Hall.

Cañizares is the first and only flamenco guitarist invited by the Berlin Philharmonic along with the one who performed the Concert of Aranjuez under the baton of Sir Simon Rattle at the Teatro Real in Madrid.

Johann Sebastian Bach’s St John Passion with the Berliner Philharmoniker and Sir Simon Rattle was one of the outstanding events of the past season. As before with the St Matthew Passion, star director Peter Sellars succeeded in creating a staging which made the spiritual and dramatic content of the Passion story even more intensive. The New York Times also praised the “brilliant and energetic” playing of the orchestra, the Frankfurter Allgemeine Zeitung the “haunting, almost unsurpassable singing of all those involved.”

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Karajan had been appointed music director for life of the Berlin Philharmonic in 1955, and soon the orchestra mastered the entire palette of Karajan's subtly defined phrasings, moods and orchestral colors. At home in the majesty of Bruckner or the raw power of Beethoven, the orchestra was also able to "let go" with Suppé or a Lisztian Hungarian Rhapsody, as the recording illustrates. For the 1978 New Year's Eve concert with the Berlin Philharmonic, Karajan put together a program of exclusively popular classical works, pieces that would guarantee a bubbly good time. Following Verdi's Overture to "La forza del destino" are the two major works of the program, Bizet's Arlésienne Suite No. 2 and Liszt's Hungarian Rhapsody No. 2. The Hungarian March, or "Rákóczy March," from Berlioz's "La damnation de Faust" never fails to rouse listeners with its instrumentation. The program closes with the Intermezzo from Mascagni's "L'amico Fritz" and the popular Overture to "Leichte Kavallerie" by Suppé.

This Blu-ray sampler with carefully selected concerts accompanies Seiji Ozawa's impressive career over 3 decades. Seiji Ozawa was not only Japan’s best-known conductor but also the founder of the Saito Kinen Festival in Matsumoto, which in 2015 was renamed the Seiji Ozawa Matsumoto Festival. Special feature included in this edition from Matsumoto: on the occasion of Maestro Ozawa’s 80th birthday, Martha Argerich and Matthias Goerne joined the orchestra to perform Beethoven’s Choral Fantasy, Op. 80, plus a rendition of ‘Happy Birthday’ - a deeply emotional moment for the Maestro!

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A brilliant New Year with Kirill Petrenko and Daniil Trifonov. "He has everything and more - tenderness, but also demonic. I've never heard anything like it," Martha Argerich marveled at Daniil Trifonov. In the New Year's Eve concert 2024, the star pianist will interpret the full-handled Second Piano Concerto by Johannes Brahms with the Berlin Philharmonic and Kirill Petrenko. In addition, magnificently orchestrated dance works by Richard Strauss will be heard: charming waltzes from Der Rosenkavalier and Salome's Dance with its offensive sensuality.

One day in June 2003, thousands of people came to the Waldbühne Park to spend the night with Gershwin, the composer of Porgy and Bess, the super energised Seiji Ozawa conducting the venerable Berliner Philharmoniker and the famous Marcus Roberts jazz trio.

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Gioacchino Rossini: “Semiramide” Overture Jean Sibelius: Violin Concerto in D minor, Op. 47 Johann Sebastian Bach: “Largo” from Sonata No.3 in C major, BWV 1005 Robert Schumann: Symphony No. 3 in E-flat major, Op. 97 »Rhenish«

There is hardly a better way to approach Ludwig van Beethoven than through his piano concertos. Beethoven’s own instrument was the piano, and in his improvisations – which made him the darling of the Viennese salons – he merged virtuosity and unbridled expression. The piano concertos give a clear idea of these performances. At the same time, they are prime examples of Beethoven’s ability to create large orchestral works with seemingly endless arcs of tension. The complete recording of all five works with Mitsuko Uchida and Sir Simon Rattle was one of the most spectacular projects of the Berliner Philharmoniker during the Rattle era – and at the same time the highlight of the collaboration between the orchestra and the pianist, which began in 1984.

This unique document from the 1978 Salzburg Festival has fortunately been released on DVD and is a magical interpretation, prodigiously realized with a sublime fusion of timbres, a cohesion and ultimately, a simplicity that are truly unequalled. Listen as this great conductor produces musical nuisances that are unique to his art and how he accompanies the soloists with understanding and rapport. I have no hesitation in claiming this is one of the great recordings of the century.

or twenty years the Berliner Philharmoniker has celebrated its 1882 founding with a concert at a major European venue, and the 2011 event takes place at the magnificent Teatro Real in Madrid. The renowned orchestra, under the baton of Sir Simon Rattle, performs Joaquín Rodrigo’s beloved Concierto de Aranjuez, Emmanuel Chabrier’s exuberant España, and Sergey Rachmaninov’s dramatic Second Symphony. It is joined for the Concierto by the famous flamenco guitarist Cañizares, whose virtuosity and sensitivity are given full opportunity to shine in this multi-faceted and subtle work.

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Wolfgang Amadeus Mozart: Overture and Arias from "Don Giovanni"; Symphony No. 29 in A major K. 201; Scena and Rondo for Soprano and piano forte obligato and Orchestra K. 505; Symphony No. 35 in D major K. 385 "Haffner" Documentary on the Berliner Philharmoniker and Mozart in Prague.

The conductor of this New Year’s Eve concert is Daniel Barenboim, one of the Berliner Philharmoniker’s oldest friends. He also takes on the role of soloist in Mozart’s Piano Concerto No. 26 – a work of sparkling beauty and nuanced expression. There are also four famous works by Maurice Ravel, which create an impressive synthesis of elegance and originality. The final highlight is the Boléro, perhaps the most stunning crescendo in music history.

The vote was over, and a decision had been made: Claudio Abbado was the new chief conductor of the Berliner Philharmoniker. So it was in 1989, when – for the first time – the orchestra itself decided who was to be its artistic director. The result was a surprise for the music world – and also for Abbado himself. This documentary traces the first year of the new chief conductor in Berlin.

Verdi: " La forza del destino", overture Martucci: "La canzone dei ricordi" Schubert: The "Great" Symphony No. 8 in C Major, D 944

Beethoven: Egmont-Ouverture Brahms: Violin Concerto op. 77 Dvorák: Symphony No. 9 op. 95 Verdi: I Vespri Siciliani, Ouverture

Under the baton of Kirill Petrenko, the Berlin Philharmonic Orchestra's traditional New Year's Eve concert brings you an enchanting programme led by star tenor Jonas Kaufmann. A delightful medley of Verdi, Prokofiev, Nino Rota, Tchaikovsky and more.

Gala concert from Berlin the world famous Berlin Philharmonic conducted by Sir Simon Rattle, in Carl Orff's famous Carmina Burana, an intensely dramatic cantata that remains one of the most performed works of the twentieth century. With an extraordinary vocal line-up soprano Sally Matthews, tenor Lawrence Brownlee and baritone Christian Gerhaher. With Rundfunchor Berlin with Chorus Master Simon Halesey as well as the Knabenchor des Staats- und Domchores Berlin.

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Guiseppe Verdi: Overture from "La forza del destino" Carlo's recitative and aria from "Don Carlos" Hector Berlioz: Excerpts from "La Damnation de Faust" Franz Schubert: Symphony No. 7 in B minor ("Unfinished") Richard Wagner: Sigmund's aria from "Die Walküre", Orchestral excerpts from "Gotterdämmerung", Prelude to Act I from "Die Meistersinger" Documentary on the Monastery San Lorenzo de El Escorial

Mariss Jansons conducts the Berliner Philharmoniker in the 2001 edition of the Europakonzert, filmed live at the Hagia Eirene in Istanbul on 1 May 2001. The program features Haydn’s Symphony No. 24 in G Major “Surprise” Mozart’s Concerto No. 2 in D Major for Flute and Orchestra, Emmanuel Pahud soloist Berlioz’s Symphonie fantastique, Op. 14.

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Daniel Barenboim conducts the Berliner Philharmoniker in performances of Beethoven's 'Triple Concerto' and 'Choral Fantasy'. Itzhak Perlman and Yo-Yo Ma are joined by Carola Höhn, Katherina Kammerloher, Andrea Bönig and Endrick Wottrich, amongst others.

Claudio Abbado once remarked that, “With Beethoven, you never stop learning“ and indeed: the 75-year-old Milanese maestro has constantly reworked the symphonies of the master from Bonn (1770-1827). When they performed and recorded all nine Beethoven Symphonies at the Academia Nazionale di Santa Cecilia in Rome, the nationwide Italian newspaper La Repubblica simply called it: “The most wonderful symphonic cycle of the past decade.” Each of the symphonies is of course a masterpiece in itself – each represents the composer’s musical idiom at a particular stage in his development. Be it the famous Pastorale, his 6th symphony, the popular 9th, with its characteristic motifs, the less commonly performed 4th or the 7th, which marked his leaning toward romantic undertones – Abbado’s interpretations are the fruit of decades of involvement with Beethoven.

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A unique synthesis of orchestral music from Wagner's Ring cycle, arranged in a free-flowing and chronological cycle by world-famous conductor Lorin Maazel. Comprised of the four operas of the Ring cycle, "The Ring Without Words" manages to capture the musical mind of one of the most exceptional and gifted composers in history in only seventy minutes. The Berlinker Philharmoniker plays the work with breathtaking depth of expression. Recorded live at Philharmonie Berlin, 2000. Source: Amazon.com

Claudio Abbado once remarked that, “With Beethoven, you never stop learning“ and indeed: the 75-year-old Milanese maestro has constantly reworked the symphonies of the master from Bonn (1770-1827). When they performed and recorded all nine Beethoven Symphonies at the Academia Nazionale di Santa Cecilia in Rome, the nationwide Italian newspaper La Repubblica simply called it: “The most wonderful symphonic cycle of the past decade.” Each of the symphonies is of course a masterpiece in itself – each represents the composer’s musical idiom at a particular stage in his development. Be it the famous Pastorale, his 6th symphony, the popular 9th, with its characteristic motifs, the less commonly performed 4th or the 7th, which marked his leaning toward romantic undertones – Abbado’s interpretations are the fruit of decades of involvement with Beethoven.

Daniel Barenboim conducts the Beethoven and Brahms Violin Concertos with the soloist Itzhak Perlman.

Premiered in 1806, Beethoven’s Violin Concerto in D Major paved the way for three great violin concertos of the 19th and 20th centuries: Brahms, Tchaikovsky, and Sibelius. Extremely expressive and astonishing in it emotional scope, the work nonetheless received an ambivalent response at its premiere. Renowned for his knowledge of Beethoven’s oeuvre, the conductor Herbert von Karajan and the Berliner Philharmoniker are joined by the virtuoso violinist Anne-Sophie Mutter for a masterful performance.

Otto Nicolai: Overture to Die lustigen Weiber von Windsor (The Merry Wives of Windsor) Edward Elgar: Falstaff in C minor, Op. 68 Piotr Tchaikovsky: Symphony No. 5 in E Minor, Op. 64

Maurice Ravel: Le Tombeau de Couperin W.A. Mozart: Piano Concerto No.20 Bela Bartók: Concerto for Orchestra Claude Debussy: Fêtes

This set was recorded in the late 1960s to early 1970s. Herbert von Karajan is widely acknowledged to be one of the finest conductors of the 20th century, and around 1970 he was at his peak.

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The Europakonzert has brought the Berliner Philharmoniker to almost every major European city. In 2016, the orchestra chose a somewhat more remote location: Røros - a small, but beautiful town in Mid-Norway that was named a UNESCO World Heritage Site in 1980. They played in the town‘s beautiful church. The orchestra and Sir Simon Rattle were joined by Norwegian violinist Vilde Frang - making for a truly Nordic concert. The program includes Grieg: Evening in the mountains, Mendelssohn: Violin Concert in E minor, Bjarne Brustad: Veslefrikk, and Beethoven: Symphony No. 3.

Carl Maria von Weber: Overture to Oberon; Clarinet Concerto No. 1 in F minor, Op. 73, J. 114 Stephan Koncz: Hungarian Fantasy on Themes by Carl Maria von Weber Antonín Dvořák: Symphony No. 8 in G Major, Op. 88 Johannes Brahms: Hungarian Dance No. 5

An extraordinary performance by the Berlin Philharmonic under the baton of Claudio Abbado, recorded in the Great Hall of the Musikverein in Vienna in 1997 to commemorate the centenary of the death of Johannes Brahms. With soprano Barbara Bonney and baritone Bryn Terfel with the acclaimed Swedish Radio Choir and Eric Ericson Chamber Choir.

Shot over a two-year period observing Abbado: a) Rossini, Overture to 'll Barbiere di Siviglia' b) Schubert, Symphony no. 2 B-Major, D. 125 c) Arnold Schonberg, Kammersinfonie no. 1 E-Major op. 9 (Filmed in Venice, Gran Teatro La Fenice, in February 1995, Chamber Orchestra of Europe). a) Richard Strauss, Elektra (Deborah Polaski, Karita Mattila, Marjana Lipovsek, Ferrucio Furlanetto) b) Beethoven, Symphony no 6 F-Major, op. 68, 'Pastorale' (Filmed in the Festspielhaus Salzburg on the occasion of the Easter Festival, April 1995, Berlin Philharmonic). a) Beethoven, Concerto for piano and orchestra no. 3 C-MINOR, OP. 37 (Maria Joao Pires) b) Bruckner, Symphony no. 9 D-Minor (Filmed in Paris, Cite de la Musique, in August 1995, Gustav Mahler Youth Orchestra).

Beethoven: Concerto N° 2 for Piano and Orchestra; Symphony N° 9

Herbert von Karajan directs the Berlin Philharmonic in an Italiannate take of Beethoven's Fourth Symphony and an assured rendering of the Fifth, while the "Pastoral" Symphony, conceived and directed by Hugo Niebeling in 1967, is a revolutionary mix of styles - Fantasia meets Expressionism meets film noir.

The Moment of Glory concert programme was first presented at the Hannover EXPO in June 2000, with Christian Kolonovits conducting the Berlin Philharmonic. The live performance was filmed to be released in VHS and Video CD in December 2000. In 2013 a Blu-ray version was released.

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Released as a memorial for the great Russian cellist Mstislav Rostropovich, who passed away on 27 April 2007, this DVD contains one bonafide cello concerto, the Schumann Cello Concerto in A minor, and two tone poems with prominent cello parts, Ernest Bloch's Schelomo and Richard Strauss' Don Quixote. Rostropovich mastered the Schumann in several famous recordings. Here, conducted by Leonard Bernstein, he provides a splendid performance. Featuring his trademark powerful technique, smooth legato and crisp vibrato, the Romantic roots of the concerto are never hidden for long, despite the relatively cool playing of the Orchestre National de France.

Claudio Abbado conducted Beethoven’s symphonies on many occasions in the Philharmonie in Berlin. But only at the end of his tenure as chief conductor of the Berliner Philharmoniker did he decide to give a performance of the complete symphonies. It was left to audiences of his native Italy to witness these concerts in February 2001 in the Accademia Nazionale di Santa Cecilia in Rome.

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Richard Wagner: Good Friday Music from Parsifal ∙ Wotan's Farewell and The Magic Fire from Die Walküre (Concert Version) ∙ Liebestod from Tristan und Isolde Hector Berlioz: Royal Hunt and Storm from Les Troyens ∙ Love Scene from Romeo et Juliette Claude Debussy: Pelléas et Melisande (Concert Suite by Claudio Abbado, based on the Orchestral Suite, arranged by Erich Leinsdorf) ∙ Prélude à l'après midi d'un faune

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This concert with chief conductor Kirill Petrenko provides an end to the year under the southern sun. The first stop is Spain, with sparkling ballet music by Manuel de Falla and Joaquín Rodrigo’s Concierto de Aranjuez, featuring star guitarist Pablo Sáinz-Villegas. There is a detour to South America with Heitor Villa-Lobos’s Bachianas brasileiras No. 4 and finally the Capriccio espagnol, in which Nikolai Rimsky-Korsakov exudes a vibrant southern temperament with Russia colouring. As a tribute to Ludwig van Beethoven, the concert opens with the Leonore Overture No. 3.

Ralph Vaughan Williams: Fantasia on a Theme by Thomas Tallis Antonín Dvořák: Biblical Songs op. 99 Ludwig van Beethoven: Symphony No. 6 in F major op. 68 «Pastoral»

Ludwig van Beethoven: Concerto No. 5 in E-flat major for Piano and Orchestra, op. 73 Johannes Brahms: Symphony No. 2 in D major op. 73 Documentary on Meiningen's history and the musical activities of Hans von Bülow, the great pianist and conductor

Claudio Abbado once remarked that, “With Beethoven, you never stop learning“ and indeed: the 75-year-old Milanese maestro has constantly reworked the symphonies of the master from Bonn (1770-1827). When they performed and recorded all nine Beethoven Symphonies at the Academia Nazionale di Santa Cecilia in Rome, the nationwide Italian newspaper La Repubblica simply called it: “The most wonderful symphonic cycle of the past decade.” Each of the symphonies is of course a masterpiece in itself – each represents the composer’s musical idiom at a particular stage in his development. Be it the famous Pastorale, his 6th symphony, the popular 9th, with its characteristic motifs, the less commonly performed 4th or the 7th, which marked his leaning toward romantic undertones – Abbado’s interpretations are the fruit of decades of involvement with Beethoven.

The Waldbühne in Berlin, one of the most appealing outdoor amphitheatres on the European continent, is the home of the Berliner Philharmoniker's summer concerts. With over 22.000 in attendance, they are some of the most popular classical music concerts in the world. This year the outstanding orchestra under the baton of Neeme Järvi take us on a trip to arabian "Thousand and One Nights", with soloist Janine Jansen, a rising star who quickly gained the reputation of one of the foremost young violinists on the international concert stages.

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Every year, the Berliner Philharmoniker hold a kind of classical-music fête with a bright, cheerful concert to end the season. In 2009 about 22,000 people had come together at the Berlin Waldbühne to enjoy the traditional summer picnic concert. The theme of the evening was “Russian rhythms”, and star conductor Sir Simon Rattle, the Berliner Philharmoniker and Yefim Bronfman, one of the most famous pianists in the world today, presented a superb selection of Russian music. Repertoire Tchaikovsky: The Nutcracker, op. 71, Overture, The Christmas Tree, March, Pas de deux (Intrada) Rachmaninoff: Piano Concerto No.3 in D minor, op. 30 Stravinsky: Le Sacre du printemps Lincke: Berliner Luft

Blacher: Fanfare Festive (premiered at the opening of the Philharmonie, 1963) Ives: The Unanswered Question Mozart: Serenade No. 8 in D Major, K. 286 (269a) Notturno Penderecki: Emanations for 2 string orchestras Tchaikovsky: Suite No. 3 in G Major, Op. 55 Adams: Short Ride in a Fast Machine

The Berlin Philharmonic Orchestra’s annual summer concert at the Waldbühne in Berlin is legendary. The Millennium concert, recorded live on 25 June 2000, gathered more than 22.000 people in one of the most appealing outdoor amphitheaters in Europe for one of the most popular classical music concerts in the world. Kent Nagano named his program of popular and rather unusual music from the 20th century “Rhythm and Dance”. It turned out to be an inspiring combination of classical pieces, show tunes, pops, and Far Eastern music, all brought together in a tasty musical stew and rightly labelled as one of the most exciting programmes ever performed at the Waldbühne. It featured Gershwin classics with an outstanding performance by the American mezzo soprano Susan Graham, music by Ravel and the soundtrack to the successful Chinese film “Farewell My Concubine.”

The Waldbühne in Berlin, one of the most appealing outdoor amphitheatres on the European continent, is the home of the Berliner Philharmoniker’s summer concerts. With over 20.000 in attendance, they are some of the most popular classical music concerts in the world. In 2015 the Berliner Philharmoniker surrounded themselves with plenty of celebrities, including not only conductor Sir Simon Rattle, but also many figures from film history: Indiana Jones, Robin Hood, Ben Hur and many more. They were all brought to life musically when the orchestra performed some of Hollywood’s most famous film music. With film music from Star Wars, Indiana Jones, E.T. composed by John Williams. Live from the Waldbühne Berlin, 2015.

Wolfgang Amadeus Mozart: Exsultate, Jubilate, KV 165 Et incarnatus est Credo from Mass in C minor, KV 427 Frédéric Chopin: Concerto for Piano and Orchestra No. 2, op. 21 Robert Schumann: Symphony No. 1, op. 38, B-flat minor

Claudio Abbado once remarked that, “With Beethoven, you never stop learning“ and indeed: the 75-year-old Milanese maestro has constantly reworked the symphonies of the master from Bonn (1770-1827). When they performed and recorded all nine Beethoven Symphonies at the Academia Nazionale di Santa Cecilia in Rome, the nationwide Italian newspaper La Repubblica simply called it: “The most wonderful symphonic cycle of the past decade.” Each of the symphonies is of course a masterpiece in itself – each represents the composer’s musical idiom at a particular stage in his development. Be it the famous Pastorale, his 6th symphony, the popular 9th, with its characteristic motifs, the less commonly performed 4th or the 7th, which marked his leaning toward romantic undertones – Abbado’s interpretations are the fruit of decades of involvement with Beethoven.

Stockholm's Vasa Museum harbours an extraordinary historical attraction: a large, fully intact sailing ship from the 17th century, the Vasa. Nowadays, the huge exhibition hall of the Vasa Museum is home to the ancient ship. These unusual surroundings formed the venue of the Berliner Philharmoniker's 1998 European Concert in Sweden, which was conducted by Claudio Abbado. Works of Wagner, Tschaikovsky, Debussy and Verdi Vasa Museum Stockholm, 1. May 1998 Berliner Philharmoniker Claudio Abbado Swedish Radio Choir Eric Ericson Chamber Choir Richard Wagner Der fliegende Hollander: Overture (11:32) Piotr Ilyich Tchaikovsky The Tempest. Symphonic Fantasia after Shakespeare (23:02) Claude Debussy Nocturnes (23:10) Giuseppe Verdi Quattro pezzi sacri (41:34)

With the Fifth Symphony, the Symphony No. 9 is the most famous piece. Its unusual length, the adjunction of soloists and of choruses, the choice of the Ode to Joy by Schiller, all of this concurs to its fame. The Ninth Symphony is a "Big Bang" in symphonic terms. A grandiose apotheosis, sublimating all of Beethoven's work by being the most universal and immediately understood piece ever written.

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Richard Wagner Overture to "The Flying Dutchman" Peter Tchaikovsky "The Storm" Claude Debussy “Trois Nocturnes” Giuseppe Verdi "Quattro pezzi sacri"

Seiji Ozawa conducts the Berlin Philharmonic Orchestra in this 1993 performance at Berlin's Waldbuhne, an amphitheater tucked into a natural valley and modeled on a similar structure in the ancient Greek city of Epidaurus. From this lovely vantage point, viewers are treated to an evening of Russian favorites, including Igor Stravinsky's "Firebird," Pyotr Tchaikovsky's "Nutcracker" suite, Aram Khachaturian's "Sabre Dance" and more.

Claudio Abbado leads the Berlin Philharmonic and the Swedish Radio Choir in a performance of Mozart's Requiem at the Salzburg Cathedral to commemorate the 10th anniversary of renowned Austrian conductor Herbert Von Karajan's death. Featuring soloists Rachel Harnisch, Karita Mattila, Sara Mingardo, Bryn Terfel and Michael Schade, this solemn evening is a fitting tribute to one of the 20th century's most influential musical personalities. Live from Salzburg Cathedral on July 16th, 1999.

Sir Simon rattle conducts the Berliner Symphony Orchestra in Mahler's Symphony No. 5 i The video is useful for conveying Simon Rattle's expressive gestures, his fine control of the Berlin Philharmonic, and its precise playing in this his first performance as the orchestra's music director. Ades's Asyla (the plural of "Asylum," used in both its meanings, as a place of refuge and a scene of madness) is available only in the video format, which is sonically quite good and visually striking. It is energetic music, with a lot of percussion, including one piece that looks like a tomato juice can, and one movement that annotator Andrew Porter describes as "a sort of Rite of Spring cum disco." A video interview of Rattle is a fine bonus. --Joe McLellan

Herbert von Karajan was famously passionate about the developments in recording technology. He insisted that his recordings at the highest possible fidelity. DG presents the very first DOLBY ATMOS recording on the label. Dolby Atmos expands on 5.1 Surround Sound and produces the most realistic sound ever. This 1978 Grammy Winner for Best Orchestral Performance in Dolby Atmos expands on the current 2.0 and 5.1 set-ups and adds an overhead dimension. The sound moves all around you. As close to live as possible!

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Argentinian cellist Sol Gabetta made her Philharmoniker debut at the 2014 Easter Festival in Baden-Baden with Edward Elgar’s Cello Concerto, the final great work of the composer. The orchestra and conductor also performed the prelude to Wagner’s Lohengrin, György Ligeti’s orchestral piece Atmosphères and Igor Stravinsky’s Le Sacre du Printemps, a work which is entirely focused on the future and pushes the boundaries of classical music in terms of sound, rhythm and energy.

Riccardo Muti conducts the Berlin Philharmonic Orchestra's traditional ‘Concert for Europe’, this year at the Teatro Petruzzelli in Bari, Italy. The programme includes excerpts from works by Rossini, Verdi and Brahms.

The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin and beyond. On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new. The 2018 concert was conducted by Daniel Barenboim. On the programme: Wolfgang Amadeus Mozart: Concerto for Piano and Orchestra No. 26 in D major, K. 537 „Coronation”, Maurice Ravel: Rapsodie espagnole, Alborada del gracioso, Pavane pour une infante défunte, Boléro, George Bizet: Carmen-Suite No. 1.

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Recording of the Berlin Philharmonic Orchestra conducted by Herbert von Karajan playing Beethoven's 7th Symphony.

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Claudio Abbado conducts the prestigious Berliner Philharmonikerfor during a concert dedicated to Beethoven. The programme includes the Piano Concerto No. 2 in B-flat major, Op. 19 with the Russian pianist Mikhail Pletnev whose dazzling technique adding to a delicate sensitivity merges instinct and intellectual rigour, and the Symphony No. 9 in D minor, Op. 125.

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Herbert von Karajan conducts the Berlin Philharmonic Orchestra in these 3 great Beethoven symphonies. Gundula Janowitz, Christa Ludwig, Jess Thomas and Walter Berry are featured vocal soloists with the Choir of the Berlin Opera in the 9th Symphony.

Karajan's very best video Beethoven 9th Symphony, recorded December 31, 1977. The Quartet of vocal soloists and Chorus in IV are superb. This is much better than Karajan's 1968 Berlin Philharmonic Beethoven 9 video (DG), filmed in the Philharmonie with no live audience present.

Conductor: Claudio Abbado. Orchestra/Ensemble: Berlin Philharmonic Orchestra. 1.Symphony no 1 in C major, Op. 21 2. Symphony no 2 in D major, Op. 36 3. Symphony no 3 in E flat major, Op. 55 "Eroica" 4. Symphony no 4 in B flat major, Op. 60 5. Symphony no 5 in C minor, Op. 67 6. Symphony no 6 in F major, Op. 68 "Pastoral" 7. Symphony no 7 in A major, Op. 92 8. Symphony no 8 in F major, Op. 93 9. Symphony no 9 in D minor, Op. 125 "Choral"

Featuring performances of music by Mussorgsky, Stravinsky and Tchaikovsky, from Suntory Hall in Japan

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Recorded live at Esplanade – Theatres on the Bay, Singapore, 22 & 23 November 2010 The orchestra presents Mahler's unique and breathtaking First Symphony and Rachmaninov's late Symphonic Dances. The Philharmonic's beautiful rendering of Mahler's homage to nature and Rachmaninov's nostalgic ode to Russia is taken to a new level in this 3D recording using state-of-the-art video and audio technology. Join Sir Simon Rattle and the Berliner Philharmoniker on a musical journey that takes the concert experience to a breathtaking new level a feast for eyes and ears in 3D!

Beethoven: Fidelio Overture Paganini: Violin Concerto No. 1 Blacher: Variations on a Theme by Paganini Stravinsky: Petrushka Dvorak: Slavonic Dance No. 8

Sir Simon Rattle and the Berliner Philharmoniker draw their inspiration from Tosca, the most brilliant of all the Puccini operas. And that is deservedly so, since Tosca is not merely a work of art, but also a gripping suspense-packed story – Puccini at its best •In a spectacular staging by Philipp Himmelmann, this production offers a fresh, sexy view on this beloved classic •Kristine Opolais changes into the well-behaved pristine prima donna and shows how to wrap the men on stage round her finger, as she performs with fierce and full physical commitment •Marcelo Alvarez sings with powerful, but smooth tenor. Marco Vratonga’s modern take of Scarpia convinces with brutal elegance and a great voice

World-renowned conductor Herbert Von Karajan directs the Berlin Philharmonic Orchestra in this performance of Bach's Violin Concerto No. 2 for a New Year's Eve concert filmed in Berlin in 1984. Together with noted violinist Anne-Sophie Mutter and gifted vocalists Judith Blegen, Helga Muller Molinari, Francisco Araiza and Robert Holl, Karajan and his orchestra present a remarkable performance of Bach's masterwork.

The Berliner Philharmoniker’s European Concert, held each year on 1 May, is invariably an international highlight. Performing in 2008 in Moscow's renowned Tchaikovsky Conservatory, the orchestra under Sir Simon Rattle presented outstanding performances of works by Beethoven, Stravinsky and Bruch, whose Violin Concerto featured one of today’s most fascinating artists, the Russian violinist Vadim Repin. Stravinsky: Symphony in Three Movements Bruch: Concerto for Violin No.1, op.26 Beethoven: Symphony No.7 in A major, op. 92

Claudio Abbado conducts the Berlin Philharmonic in this gala New Year's Eve performance, organized to commemorate the 100th anniversary of Giuseppe Verdi's death. Recorded in 2000, the program includes excerpts from the composer's "La Traviata," "Falstaff," "Rigoletto," "Don Carlos" and "Un Ballo in Maschera," with solos by Andrea Rost (soprano), Ramon Vargas (tenor), Alan Titus (baritone) and Lucio Gallo (bass-baritone).

Sergei Prokofiev: Highlights from "Romeo & Juliet" Sergei Rachmaninov: Cavatine of Aleko from "Aleko" Ludwig van Beethoven: Romances for Violine and Orchestra No. 1 in G major, and No. 2 in F major, Symphony No. 7 in A major Peter Tchaikovsky: "The Nutcracker" Waltz of the Flowers Documentary on St. Petersburg.

Johannes Brahms: Variations on a Theme by Haydn in B flat Major, Op. 56a Joseph Haydn: Concerto for Violoncello and Orchestra in C Major Hob. VIIb: 1: Ludwig van Beethoven: Symphony No. 5 in C minor, Op. 67

In this Baden-Baden concert, Simon Rattle presents a sonorous snapshot of the European music scene in the early 20th century. It includes Richard Strauss’s self-confidently impressive Don Juan, sumptuous songs by Alban Berg, Ravel’s overwhelmingly sensual song cycle Shéhérazade and finally Stravinsky’s both groundbreaking and nostalgic Petrushka. The star guest is the Latvian mezzosoprano Elina Garanca.

Hector Berlioz: Le Corsaire: Ouverture Béla Bartók: Violin Concerto No. 2 Igor Stravinsky: The Firebird

Concert performance produced for UNITEL in 1967

At the Baden-Baden Easter Festival, the Berliner Philharmoniker and conductor Jakub Hrůša perform the Concerto for Orchestra, a work composed by Béla Bartók during his exile in the United States. Also on the programme is Beethoven's Piano Concerto No. 5 performed by South Korean pianist Seong-Jin Cho.

Karajan conducts rehearsal and performance of Schubert's Symphony No. 4 with the Vienna Symphony in Vienna, Nov. 1965, and Beethoven's Symphony No. 5 with the Berlin Philharmonic, January 1966. Henri-Georges Clouzot directs.

The Waldbühne in Berlin is one of the most appealing outdoor amphitheatres, with over 20.000 in attendance, the annual concert of the Berliner Philharmoniker in the Waldbühne is a highlight of every concert season. In 2007 Sir Simon Rattle conducted a superb selection of symphonic rhapsodies. Pianist Stephen Hough is widely regarded as one of the most important and distinctive pianists of his generation.

European Concert 1994 From the Staatstheater Meiningen.

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Recordings of all the Beethoven symphonies with their chief conductor are always a milestone in the artistic work of the Berliner Philharmoniker. So it was with Herbert von Karajan and Claudio Abbado, and expectations are correspondingly high for this cycle conducted by Sir Simon Rattle. Where does the special status of these symphonies come from? Simon Rattle has an explanation: “One of the things Beethoven does is to give you a mirror into yourself – where you are now as a musician.” In fact, this music contains such a wealth of extreme emotions and brilliant compositional ideas that reveal the qualities of the orchestra and its conductor as if under a magnifying glass.

For their annual season end concert, the Berliner Philharmoniker take the audience on a dreamy, magically journey through the river Rhine with Schumann’s beloved 3rd Symphony Rhenish. Pieces from Wagner’s Der Ring des Nibelungen under the baton of dynamic conductor Gustavo Dudamel complete this evening.

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Works include Debussy’s multifaceted La Mer, and his lascivious, dream-like Prélude à l’après-midi d’un faune, and Ravel’s Suite No. 2 from Daphnis et Chloé, a work which combines shimmering transience with uncompromising energy from 1985.

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This 2002 concert features Gil Shaham with the Berlin Philharmonic conducted by Claudio Abbado in works by Beethoven, Brahms, Dvorak, and Verdi.