His Big White Self

Twenty-five years after the verdict in the Rodney King trial sparked several days of protests, violence and looting in Los Angeles, LA 92 immerses viewers in that tumultuous period through stunning and rarely seen archival footage.

ḤARAM is an essay film portraying the urgent contemporary situation at the Haram Al Sharif/ Noble Sanctuary in the Old City of Jerusalem reflecting on the growing Temple Mount Faithful movement whose goal is to build the Jewish Third Temple on this holy landscape and in turn to assert Jewish sovereignty over this holy Muslim site.

VIVA ÁGUA is a meditation on the philosophical work entitled ÁGUA VIVA written by Clarice Lispector in 1973. The film reflects on Lispector’s interior experimental monologue on the “instant-now” of time, the discomforts of language which are “beyond thought” and the harmonious dissonant reminders and remainders of that “sometime what is seen is ineffable.”

Anna, Pina, Teresa reinterprets the pivotal scene in Rossellini’s “Roma Città Aperta” where Anna Magnani, who plays the character Pina, (based on the story of Teresa Gullace,) is murdered on the streets of Rome by the Fascist police. This scene is characterized by three movements performed by Magnani — resistance, running and falling. Filmed in the Sala Scherma at Foro Italico in Rome (Mussolini’s fencing studio designed by Moretti) Anna, Pina, Teresa examines the contemporary and historical dynamics between an urban Fascist space and movements of resistance.

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No description available.

Visiting examples of Herzog and de Meurons ground-breaking style, this film reflects their capacity to astonish and explore the way in which they transform what might otherwise be ordinary through new treatments and techniques.

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No description available.

Found footage: California in the 1950's and 60's. A young Indian couple enjoys their personal American dream come true in their home somewhere in the suburbs of San Francisco. In great detail they pose with their newly achieved wealth in front of their Super-8 camera. Just like postcards, they would send these film rolls to their joint families back in India. Around the same time, an American missionary couple visits the city of Calcutta to shoot a Christian propaganda film. The drastic reality with poverty and famine in the streets of the Indian metropolis fits perfectly into their wicked plan: To promote the faith in Jesus by showing the misery that pagan believers are doomed to suffer from.

A documentary about vivid punk and alternative rock scene of Subotica, the northernmost Serbian city, through the periods of communism, tyranny of the 1990s regime, and economic transition at the beginning of XXI century. Seen through the eyes of its witnesses, these musicians and creative artists deliberately refused the imposed way of behavior, hence staying "invisible" to everyday people.

Fracking the System is a political thriller documentary from the front lines of climate justice activism in Colorado. When a fracking mega-site gets moved from a White neighborhood to a BIPOC neighborhood, a concerned mother fights to try and stop it. This is an investigative exposé about the harms of fracking, the lengths to which the government is complacent with industrial pollution, and the nefarious tactics that the oil and gas industry uses to undermine democratic elections.

Burford met Breer in February 1992 and filmed his actions. Breer manipulates some of his mutoscopes: he leafs through some cards of his film in the making, Sparkill Ave! A dome-shaped sculpture slowly moves across the space.

How did Bonnard, one of the great masters of 20th-century painting, a secretive, anxious man with an ordinary everyday life, become this undisputed painter of intimacy, capable of transforming reality into a unique and incandescent world? Through his paintings, but also his private journals, his correspondence with Matisse and Vuillard, the photographs he loved, and the places where he lived, the film immerses us in the world of this master of color.

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No description available.

Manuel Horrillo has visited for 7 years the fields where the clashes between the Spanish troops and the rebels of the protectorate took place during the so-called Rif War, a forgotten war of the Spanish collective imaginary.

1+8 is a dynamic eight-screen video installation about Turkey and her eight neighbors based on the feature film of the same name directed by Cynthia Madansky and Angelika Brudniak. Each screen features life on both sides of the border, from Armenia, Bulgaria, Georgia, Greece, Iran, Iraq, Nakchivan [Autonomous Republic of Azerbaijan] to Syria.

1+8 is a film about Turkey’s unique position between West and East and her relationship to her eight very distinct and diverse neighbors. 1+8 is filmed close up on border towns of Turkey with Greece, Bulgaria, Georgia, Armenia, Nakhchivan/Azerbaijan, Iran, Iraq, Syria and the Kurds who are scattered amongst the many without a homeland, exploring what connects and separates the people on both sides. The film showcases through intimate portraits, personal accounts and cinematographic tropes, Turkey’s eight borderlands revealing the political and cultural dynamics of life on those frontiers. The contemplation of all eight neighboring countries reveals the complexity and importance of Turkey’s geo-political position between West and East, Europe and Asia, the European Union and the Middle East.

An intimate insider’s journey to uncover buried truths and explore how the community in Monroe, Georgia has been impacted by the 1946 quadruple lynching and decades of racial injustice, shattering a code of silence that has distanced neighbor from neighbor for generations.