Maurizio Battista: Papà, perché lo hai fatto?

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As master of ceremonies, Eric Antoine brought together on stage the most irreverent and unpredictable comedians of the moment: Jarry, Jérémy Ferrari, Bun Hay Mean, Donel Jack'sman, as well as Guillaume Bats, Thomas Wiesel, and Redouanne Harjane.

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Classic sketches and new ones come together in this show recorded at the Olympia in 1999.

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Magic Délirium is even more astonishing, more delirious, and more spectacular than previous shows. It was conceived with Calista Sinclair, his partner on stage and in life, and Sébastien Clergue, a French “illusion designer” who collaborates with the greatest American illusionists. The staging is once again by Étienne de Balasy. Éric Antoine offers us a spectacular new Music Hall show, adding a healthy dose of “grand illusion” and technology to the usual mix of humor, magic, philosophy, music, dance, and video. After exploring reality and unreality in Réalité ou Illusion (2008-2011) and secrets and mysteries in Mysteric (2011-2014), Éric has chosen belief as his theme this time: what or whom to believe... television, fairy tales, religions, miracles, parallel universes, the internet, extraterrestrials... ?

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Angélique is a 60-year-old bar hostess. She still likes to party, she still likes men. At night, she makes them drink, in a cabaret by the French-German border. As time goes by, clients become rare. But Michel, her regular client, is still in love with her. One day, he asks Angélique to marry him.

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From transvestites to transformers, we will follow the trail that will lead us in different and famous Parisian music-halls, such as the mythical Alcazar of Paris, La Grande Eugène. Whether they are below or beyond their character, often these men who are looking for themselves look at life with the humor of despair. Why this need to "transform" themselves? Why is it always the men who cross-dress and not the women? Why did the public flock to these shows in the 1970s and 1980s? Interpretations of famous characters such as Diana Ross, Josephine Baker, Billie Holiday, the Peter Sisters, the Andrew Sisters, Zizi Jeanmaire, Judy Garland, Sarah Bernhardt, among others, contribute to making this musical document an essential testimony of this era.

More important than the Kastaars, sharper than Viktor Verhulst's jawline and louder than Fien Germijns. The First Avenger of media criticism finally comes back out of the ice to shout from behind his tub. It has been a scary world without Xander De Rycke. Flemish films are successful again, VRT's weatherman has retired and Niels Destadsbader has been replaced by someone who calls himself Meteor. Not to mention the channel that was hijacked by Gert and James, that singing competition in carnival costumes and Tom Waes complaining about history with our tax money on a potato patch. But not to worry, your best friend is back with the only year-end conference that matters.

One of the rooms inside the legendary Barba Azul Cabaret has become a shelter for the girls working there: the women's bathroom. Every night La Mami, who's in charge of the bathrooms, offers them the warmth and the advice they need to take on the challenge they face in the dance hall.

Stage registration of the sixteenth show by the Flemish cabaret duo Kommil Foo. 'Schoft' is, once again, a show about the human condition. About mankind who tries to hold his own, but inevitably stumbles and falls. Time and again man will scramble up, only to fall again later. A laughable, but also comforting thought.

Filmmaker, illustrator and musician Dame Darcy's weekly television collaboration with Blessed Elysium's Lisa Hammer aired on New York's Public Access from 1996-1999, presenting original drama and comedy in a German Expressionist style, utilizing New York underground personalities including Jennifer Nixon (aka Queen Itchie), Peter Moran, Bliss Blood, Banjo Pete, Miller Duvall, Secretary Jenny, Cynthia Mitchell, Patrick O'Clock (aka Patrick Hambrecht), Jasper McVain, Daisy Miller, Li'l Sweetie, and Countessa Cinorre, as well as celebrity guest stars Thurston Moore, Courtney Love and Tiny Tim.

A clerk at a jewelry store is an avid reader of the 007 series and admires the protagonist of the story. One day, he loses a huge amount of jewelry to a con artist. In order to catch them, he disguises himself as an woman and pretends to be a cabaret hostess to observe the perpetrators. And he finally reports to the police to arrest them all. A comedy.