The Little Girl We Were and the Women We Are

Explores the personal toll on James Safechuck and Wade Robson after they went public with accusations against pop icon Michael Jackson. The two men continue to seek justice as they face backlash from his global army of fans. With exclusive access to court hearings, the film shows the extent to which the Jackson estate has fought to prevent Robson and Safechuck from having their day in court.

8-year-old Aaron Averhart was just a year shy of being able to move up from Cub Scout to Boy Scout when he received a special request from an admired Boy Scout leader, William (Bill) Sheehan. As Aaron rose up the Boy Scout ranks, he slowly became aware of Sheehan’s grooming techniques and began to realize he had much more sinister intentions in store for him. If Aaron’s parents had known that since the 1920s the Boy Scouts of America had been keeping hidden files on dangerous pedophiles in their ranks while failing to warn the public, the police, the scouts, their parents, or even fully removing them from the Boy Scouts program, they would have never allowed young Aaron to be part of such a complicit and corrupt organization.

An investigation into the allegations made in Leaving Neverland (2019).

Two children accused parents and teachers of leading a paedophilic satanic cult, supposedly headquartered in secret rooms on the school premises. The story was not true. But once the fire was lit, it was hard to put out. Emily Turner’s film considers the real-world impact of an outrageous online conspiracy theory, exploring the importance of truth and the cost of lies.

Mariam, Asiya, and Anissa were 11, 7, and 5 years old when they were raped. The attackers were their paternal uncle, a neighborhood youth, and the nanny's son. They have no memory of the event. To protect them, their bodies developed traumatic amnesia. Years later, the memories returned, and they decided to file a complaint.

Two young women join the director. The three of them become one to break the silence and tell a story about incest. Between reality and traumatic flashbacks, the narrative transcends genre barriers to explore pain and resilience.

British Channel 4 documentary looking at the work of Bradford Social Services and some of the people in Bradford who are struggling to cope in their lives.

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Looking at the consequences of first cousin marriage in Britain.

A photojournalist turns her lens on the decades of sexual abuse her family and community experienced at the hands of her grandfather in this unflinching portrait of intergenerational trauma, family secrets, and redemption.

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Magic & Monsters uncovers a decades-old sexual abuse scandal at America's preeminent children's theater, following survivors who break their silence to hold both their perpetrators and the institution that harbored them accountable. Their quest for justice becomes a path to healing—not only for themselves, but for their entire community.

Five young women who survived unimaginable abuse and rape tell their stories of a gang grooming spanning 20 years. Failures of police and social services continue to this day.

Suffering child abuse marks you, conditions you and limits you. But what's next? 7:11 Cuarzo is a documentary short film that delves into the consequences and shows us various ways of experiencing grief after suffering it: the aftermath, the path after breaking the silence and destroying the stigma. It talks about the treatment and care of wounds with testimonials from those who have suffered abuse and aggression. Learning to live again when the most precious thing, innocence, is taken from you.

The story of former teacher Mary Kay Letourneau, a Seattle grade school teacher, who stunned the world when she fell in love with her 13-year-old former sixth grade student Vili Fualaau. Their subsequent relationship ultimately sent her to prison for more than seven years, isolating her from her children and altering the course of her life forever.

Marcin Gutowski, the reporter of “Black and White” TVN24 showed in his report the unknown face of Cardinal Stanisław Dziwisz. He appears in it as a powerful hierarch, a gray eminence who can take care of the interests of the Church – understood in a specific way. Also when it comes to cases involving victims of pedophilia.

A filmmaker unearths a pervasive history of multigenerational trauma in her Italian-American family. As decades of secrets, home movies, and long-avoided conversations surface, a family once bound by tradition forges a new path forward.

As a child, Michael Stock was sexually abused - by his own father. 25 years later he is still looking for inner peace. In conversations with his family and friends and his own reflections, he paints an ever clearer, if contradictory picture of what happened and of the consequences for each of the family members. Old family films seem to show a happy family - excerpts from Michael's first feature film hint at his extreme adult life, overshadowed by his lifelong trauma. Yet in spite of the intense drama, the film doesn't have an atmosphere of anger and hatred but rather a surprising air of hope and love of life. Michael's aim is not to accuse the "perpetrator" but to understand. In the end, he takes his video "Postcard" to his father. With the camera running, he confronts him with his past.

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