Fanny

Servais Mont, a freelance photographer who works taking compromising photos, gets fascinated by Nadine Chevalier, a tormented low-budget movie actress married to an eccentric film photo collector.

When the leading lady of a low-budget musical revue sprains her ankle, the assistant stage manager is forced to understudy and perform in her place.

a 22-minute French experimental short film directed by Marin Karmitz and Jean Ravel, based on Samuel Beckett's 1963 play. It features actors Eléonore Hirt, Michael Lonsdale, and Delphine Seyrig in a stark, black-and-white adaptation focusing on light and sound, which was notably showcased at the 1966 Venice Biennale.

Le Petit-Maître corrigé is a three-act romantic comedy by French playwright Marivaux. It was first performed on November 6, 1734, by the Comédie-Française in Paris. In this production Clément Hervieu-Léger makes the eighteenth century resonate with our era, all the more so given that the language is “simpler than in other Marivaux plays, while still as refined, precise and full of humour”. The story is that of a young Parisian whose parents have found a good match for him, a count’s daughter. But when he goes to visit her in her country home, the handsome boy – whose Parisian manners are far removed from the rules of decorum that reign in the provinces – cannot open his heart to his lovely intended. Stung, the latter decides to punish his arrogance while a former lover arrives to prevent the marriage. Between the alliance of master and manservant, and the complicity of mistress and maid, a romantic intrigue ensues full of light-hearted conspiracies and feverish emotions.

Plans for an arranged marriage between the beauteous young Juliet and the wealthy but off-putting Count Paris are thrown awry when Juliet falls for Romeo, the son of her father's only enemy. Their romance will yield explosive passions — and deadly consequences.

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Liverpool. 1947. Right after World War II, a star struck naive teenage girl joins a shabby theatre troupe in Liverpool. During a winter production of Peter Pan, the play quickly turns into a dark metaphor for youth as she becomes drawn into a web of sexual politics and intrigue and learns about the grown-up world of the theater.

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Two actresses see each other again at the premiere of a new stageplay after a sensual summer. The encounter is hopeful for one of them, less pleasant for the other.

Within the world of theatre the rehearsal room is a sacred space -- the private domain where boundaries are pushed, risks taken, mistakes made, vulnerabilities exposed and, at its very best, magic created. It's not a place into which the public is often, if ever, invited. Until now; In The Company of Actors features an ensemble of Australia's finest actors, including Cate Blanchett and Hugo Weaving, as they prepare to perform the Sydney Theatre Company's production of Hedda Gabler, at the prestigious Brooklyn Academy of Music in New York. Opening night is just five weeks away and the pressure is on.

Taking us through Bangarra Dance Theatre’s spectacular growth, we follow the story of how three young Aboriginal brothers — Stephen, David and Russell Page — turned the newly born dance group into a First Nations cultural powerhouse.

A documentary that follows the story of Dario Pasquarella, deaf director and actor, and his company. Through his work, Dario seeks to bring together the deaf and hearing community, who are usually separated by a lack of communication. In his shows he uses both languages, LIS, sign language and spoken language, to tell stories in which the deaf and hearing can live in symbiosis.

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Pistolteatern in Stockholm, Sweden, was a leading experimental scene in the mid 1960s, comparable to the Living Theater in New York. In the years 1964-67. Pistolteatern produced theatre plays, exhibitions and happenings at a very high pace. The name, Pistolteatern, comes from two of creators, PI Lind and STaffan OLzon.

At the end of the Spanish Civil War, the members of a group of vaudeville performers have been stripped of everything: all they have left is hunger and the instinct to survive. Day after day, agonizingly, lost and helpless between the victors and the vanquished, the musician Jorge, the ventriloquist Enrique, the couplet singer Rocío and the orphan Miguel search tirelessly for something to eat and a safe place to live.

For 'Et les chiens se taisaient' Maldoror adapted a piece of theatre by the poet and politician Aimé Césaire (1913–2008), about a rebel who becomes profoundly aware of his otherness when condemned to death. His existential dialogue with his mother reverberates around the African sculptures on display at the Musée de l'Homme, a Parisian museum full of colonial plunder whose director was the Surrealist anthropologist Michel Leiris.

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A documentary about the lives of actors in the Sakura-tai theatrical troupe, which had arrived in the island of Hiroshima to begin preparations for the staging of a play just before the atomic bombing.

In early 20th-century Naples, a theatrical parody lands beloved thespian and playwright Eduardo Scarpetta in court, facing a malicious lawsuit that could compromise his freedom of expression and the economic security of his extended family—including his son's, young Eduardo De Filippo.

No description available.