Garlic Is as Good as Ten Mothers

Les Blank's poetic documentation of 1967's Los Angeles Easter Sunday Love-In.

Satyajit Ray's poetic documentary was commissioned by the Chogyal (King) of Sikkim at a time when he felt the sovereignty of Sikkim was under threat from both China and India. Ray's documentary is about the sovereignty of Sikkim. The film was banned by the government of India when Sikkim merged with India in 1975. The ban was finally lifted by the Ministry of External Affairs in September 2010. Preserved by the Academy Film Archive in 2007.

The Town was a short propaganda film produced by the Office of War Information in 1945. It presents an idealized vision of American life, shown in microcosm by Madison, Indiana. It was created primarily for exhibition abroad, to provide international audiences a more well-rounded view of America, and was therefore produced in more than 20 translations. Preserved by the Academy Film Archive in 2012.

Primary is a documentary film about the primary elections between John F. Kennedy and Hubert Humphrey in 1960. Primary is the first documentary to use light equipment in order to follow their subjects in a more intimate filmmaking style. This unconventional way of filming created a new look for documentary films where the camera’s lens was right in the middle of what ever drama was occurring. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1998.

A lyrical recreation of Lightnin’ Hopkins’ decision at age eight to stop chopping cotton and start singing for a living. Preserved by the Academy Film Archive in 2013.

Short film made up of various clips showcasing the Cinecolor process, including a visit to a Marx Brothers film set. Preserved by the Academy Film Archive in partnership with The Film Foundation.

A description and enactment of the discovery of gold by James Marshall, and the role played by John Sutter. Preserved by the Academy Film Archive.

Chick Strand's SOFT FICTION is a personal documentary that brilliantly portrays the survival power of female sensuality. It combines the documentary approach with a sensuous lyrical expressionism. Strand focuses her camera on people talking about their own experience, capturing subtle nuances in facial expressions and gestures that are rarely seen in cinema. Preserved by the Academy Film Archive in partnership with The Film Foundation in 2015.

Documentary short film reporting on the activities of the American Red Cross and the useage made of contributed funds for the previous year. Preserved by the Academy Film Archive in 2012.

This short focuses on the job of the costume designer in the production of motion pictures. The costume designer must design clothing that is correct for the film historically and geographically, and must be appropriate for the mood of the individual scene. We see famed costume designer Edith Head at work on a production. The Costume Designer was part of The Industry Film Project, a twelve-part series produced by the film studios and the Academy. Each series episode was produced to inform the public on a specific facet of the motion picture industry. Preserved by the Academy Film Archive in 2012.

Albert and David Maysles (Gimme Shelter) directed this 53-minute documentary about movie tycoon Joseph E. Levine (1963).

One of Les Blank's industrial films, which follows a Holly Farms "broiler" chicken from factory incubation to the county fair barbecue pit. A hilarious, disturbing and surreal look at a large-scale chicken farm producing 156 million chickens a year! Film includes lots of chicken songs and music recorded live in the Blue Ridge Mountains of North Carolina. Preserved by the Academy Film Archive in 2013.

Produced by the Army Pictorial Service, Signal Corps, with the cooperation of the Army Air Forces and the United States Navy, and released by Warner Bros. for the War Activities Committee shortly after the surrender of Japan. Follow General Douglas MacArthur and his men from their exile from the Philippines in early 1942, through the signing of the instrument of surrender on the USS Missouri on September 1, 1945. Preserved by the Academy Film Archive in 2013.

Possibly the most lucid, vivid, and awesome demonstration of the building up of still images to create moving ones, Pasadena Freeway Stills simply, gracefully and powerfully shows us the process by which we are fooled by the movies. By doing so, Gary Beydler mines a very rich vein of associations and metaphor, without the slightest ostentation. Constructed as a thrilling arc of realization and, in a quite moving way, disappointment, the film is a beautiful articulation of our emotional entanglement with moving images, while simultaneously creating a form in which the illusion of cinema is brought into incredible relief as the film we're watching gradually catches up to the film Gary is holding up to the camera with his hands, one frame at a time. (Mark Toscano) Preserved by the Academy Film Archive in 2008.

Kavery Kaul’s engaging documentary traces the history of calypso and soca music from their birth in the African-East Indian traditions of Trinidad and Tobago through its worldwide diaspora, including its popularization in the 1950s by Harry Belafonte and the new independent distribution networks that arose to serve the expatriate community in the 1980s.

Documentarian Jon Boorstin follows architect Frank Gehry and his sister, Doreen Gehry Nelson, as they attempt a new method of teaching elementary school children in Los Angeles. With funding from the National Endowment for the Arts, the siblings work together on a pilot program of “design-based learning” that would restructure the typical classroom curriculum, replacing rote math or civics lessons with an imaginary city designed and built entirely by the students themselves. Restored in 2018 by the Academy Film Archive.

A portrait of three Los Angeles area residents who create things with their hands. Angelo Austin decorates wedding cakes; Dean Jeffries designs, manufactures, and paints custom cars; and Pamela Weir-Quiton creates wooden dolls. Restored by the Academy Film Archive in 2016.

A sideshow barker uses magic and visual aids to alert the public that proper food management is both a resource and a weapon that could be to America's advantage if conserved properly in winning the then current World War. Preserved by the Academy Film Archive, Academy War Film Collection, in 2008.

A portrait of artist, actress, poet and occultist Marjorie Cameron, presenting images of her paintings and recitations of her poems.

A direct-cinema portrait of Indianapolis 500 driver Eddie Sachs, filmed before, during, and after the 1960 race as he competes from pole position. Using pioneering mobile camera and sound techniques, the film captures the psychological intensity of racing and the personal cost of high-speed competition.