Não Me Esqueças, Me Ame Para Sempre

Alma, petrified, does not know how to react when her son, age 8, wants to dress as a fairy and go to school. She asks advice from her neighbor, and eventually the entire building debates his right to behave cross-gender.

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Kaalam is a human drama about how time influences perception, judgment, and compassion. In an ordinary setting of everyday lives, people cross paths and form opinions about one another - often too quickly. Actions are misunderstood, intentions are misread, and individuals are judged not for who they are, but for what is seen in a moment shaped by circumstances. As time moves through different phases - Samakaalam 1, Samakaalam 2, Kooththukaalam, and Maayakaalam.Perspectives begin to shift. What once appeared right starts to feel incomplete, and what seemed wrong reveals hidden truths. Time slowly exposes the gaps between appearance and reality. Kaalam reflects on how easily humans judge one another, and how time alone has the power to correct those judgments. It ultimately observes how time alters judgment and changes the way people see one another.

A group of old friends reunite for an evening. Something ugly is bubbling up to the surface.

On many working sites where workers spend years away from their families, every visit is an event. A husband climbs down from a potentially fatal construction site to meet his wife for lunch.

A granddaughter struggles to care for her grandfather, whose fading memories and haunting hallucinations blur reality, in this poignant tale of love and communication.

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Plastic Chairs follows Dylan, a recovering addict forced back into a support meeting by his sister after a near-fatal overdose. There, he meets Tom — a man further along the same path, who recognises his own past in Dylan and quietly offers understanding rather than judgment. As stories are shared and silences linger, the film observes the difficult, often invisible act of choosing to stay. Plastic Chairs is an intimate short film about relapse, accountability, and the courage it takes to show up for yourself when it feels impossible. Chloe Webb makes her directorial debut.

When Albin lands a much-wanted acting job, he doesn't hesitate to make it his top priority in life. But he's still not clear about what the job entails.

A seemingly never-ending project that through strong determination and small breakthroughs along the way is finally completed. In an environment of chaos and junk, norms and structures are challenged, not least in one’s own family.

Nils works with a comedy talk-show but doesn’t get the respect that he thinks he deserves. At a pitch meeting one of his ideas gets stolen by his colleague, Fabian. Everyone loves the idea, but no one except Nils realizes the fact that Fabian stole it.

Sully Johnson lives as an orphan with his sister Nicole. To give her a better life, he chooses to abandon his dangerous and criminal activities and create a better environment for his last surviving family member.

An unsuccessful meeting with her estranged father leaves Noel questioning whether or not he deserves a role in her life.

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A teen attempts to befriend her crush who lives across the street. However, the only time they see each other is the brief walk from the front door to their cars on their way to school.

The second installment of Frank Mosley's Perception Trilogy, inspired by Greek philosopher Plato's quote, "We can easily forgive a child who is afraid of the dark; the real tragedy of life is when men are afraid of the light." It is an examination of responsibility during the creation of the Atomic bomb during 1945. Shot on a soundstage to invoke the sense of theater, it highlights a moment in time where innocence is lost and only uncertainty lies ahead. Michael Morse is an anonymous man working for an anonymous sector of the Manhattan Project when he gets two phone calls in quick succession: that the atomic bomb has been completed and that his wife has just given birth to their son at the local hospital. What happens next is a fusing of past, present, and future, interweaving in the head of a man doomed to be the messenger of destruction.

Billy the Marine's last day home before going back to Iraq. Realizing he may never come back, he tries to make amends with various people in his life. For Billy, the real battle may be on the home front rather than the front lines. LEAVE is an entirely improvised drama that was shot over the course of one day in Arlington, Texas, using both actors and non actors, both family and friends of the director, all from a one page outline. The story ultimately describes the different ways people express their love to one another, and how these ways of communicating love are sometimes lost.

A group of old friends are hanging at one of their houses exchanging stories of sexual escapades, awaiting another friend to arrive so they can celebrate a birthday at a nude bar. When one of them is suddenly accused of having masturbated in his friend's bathroom, what starts as a McCarthy-era trial of accusations at one individual suddenly escalates into a night of judgment that tests the truth of their words and the strength of all their friendships. LIONS' DEN is an entirely improvised drama using both actors and non actors shot over the course of an evening, based from a loose outline. It ultimately is a probing of the way men behave with one another. It also emphasizes the way people point the finger at others to hide their own sins and actions. A melting pot of lies, truths, egos, and masculinity that is stirred with documentary-style filmmaking.

A Sunday like any other among a Russian community in France. Victor, a discreet young man, has to overcome the elusiveness of the one he loves in secret.