The Rooftop

16th July 1969: America prepares to launch Apollo 11. Thousands of kilometers away, a ragtag group of Zambian exiles is trying to beat America to the Moon.

The wind carries an aspiring healer into a chaotic, virulent parallel world. Paralyzed by a familiar universe that is gradually becoming distorted, she discovers she has the power to stop time.

A dual coming-of-age horror story, one for a boy and one for a beast; each contending with the expectations of “masculinity” for their respective species.

The action centers on Ran and his schoolmates who are in the last year of school. They are only a few days away from the day when they will have to make a decisive choice: what are they going to be, and what is more important, how are they going to live? In the whirlpool of meetings with different people and mainly with three women, the filmmakers are trying to see the future of their main character. His schoolmate Mariana wants to lead him into family life. The pop singer Neli is the very incarnation of adventurism. However, he is most deeply touched by the salesgirl in the near-by coffee shop Tintyava. This is a wordless affair in which each glance exchanged betrays the piercing excitement of impossible love.

A young woman meets with her pastor to discuss intersections between identity and faith.

In post-9/11 New York City, an eclectic group of citizens find their lives entangled, personally, romantically, and sexually, at Shortbus, an underground Brooklyn salon infamous for its blend of art, music, politics, and carnality.

Two rival robotics companies in the future release their latest creations at a robotics convention, claiming each to be the latest and greatest in technological advances. Mega Stellar Company's release is a robot boy named Romie-O, while Super Solar Cybernetics has released a girl robot named Julie-8. Unforeseen to each of the company's creators, is how each of the advanced robots soon falls in love with the other.

After receiving a phone call, a man feels his inner world come to a standstill. Recalling the event decades later, he relives how everything changed in that moment and reflects on how quickly his life has passed and how his reality was constructed by all the things he repeated to himself like a mantra.

A brother and sister decide to sell their family farm but things go awry when a bag of money shows up on the front doorstep.

“If you jerk off a 100 times, you die.” This threat rings through the ears of our main character. One day he has to choose between imminent hell and the impetuousness of adolescence.

A group of male friends become obsessed with five mysterious sisters who are sheltered by their strict, religious parents.

Set in the 1960s, junior high schooler Dean strikes up a friendship with the vibrant yet reckless Roy, in an effort to escape his mother’s controlling grasp. But when the boys’ friendship threatens Dean’s budding romance with Beth and his own well-being, Dean must find his own voice, or risk following Roy down an increasingly dangerous path.

On the front lines of the Great War, nurse Simon repairs the broken faces of the soldiers every day with love letters, words from women that have the power to heal the wounds of these paper soldiers. Simon himself seems impervious to holes, uncreasable, untearable in his white coat. His secret is his war godmother, who occupies all his thoughts whenever he has a moment to breathe. But when death strikes where it is least expected, can words written on paper still erase the pain?

Fatma becomes entangled with Berlin’s bike-theft mafia. Her meteoric rise to becoming the gang’s chief lock-picker brings initial success but quickly devolves into a perilous trap controlled by the gang’s ruthless leader. Fatma’s only escape lies in a mysterious portal she discovers in an abandoned countryside house, which sends her back in time to the pivotal moment before her first theft. Caught in an unrelenting time loop, Fatma refines her strategies, inspired by the Art of War, to dismantle the gang and reclaim her freedom.

Caught in forbidden love, Yong Joon defects from North Korea, leaving Jae Sung behind. Years later, a reunion forces him to choose between past and present.

CYCLES is a playful, sweetheart choreography, circling through the madness of grief.

When 16-year-old Manu realises that he has fallen in love with his bandmate Felipe, turbulent emotions start brewing beneath the surface. How do you avoid losing a friendship once its very foundation has shifted?

A raucous, angry exorcism of relationships and assorted fears, shadowed by the Big One: the plague of AIDS.

God sends the archangel, Eden, to Earth where she is placed with people who are about to make a life decision that could negatively impact them and others around them. Will Eden be able to help, or will her brother Lucifer get in the way?

The death of the minotavr talks about the concept of the heroine's journey. Suffering, horror and exhaustion lead the protagonist to a process of transformation, abyss and expiation, because only murdering to minotaur and everything he represents is possible to return to life. From the female gaze, it shows the depth of the emotional wounds caused by domestic violence; the same one that the surrealist Dora Maar lived and that ask why, as a society, instead of killing the minotaur, we blindly continue to send him women only to be devoured and ask them why they simply did not fight, why they did not try get out of the labyrinth.