La mirada incendiada

A political activist is convinced that her guest is a man who once tortured her for the government.

Chile, September 1986. Tamara, commander of the communist guerrilla group Manuel Rodríguez Patriotic Front, and her comrades-in-arms set out to overthrow the military regime installed in 1973 by assassinating the dictator Augusto Pinochet.

After escaping from a religious colony in Chile, Maria seeks shelter in a mansion where she’s taken in by two pigs, its only inhabitants. Like in a stop-motion dream, the universe of the house reacts to her feelings. The animals slowly morph into humans and the house into a dark, menacing world.

A young woman's desperate search for her abducted boyfriend draws her into the infamous Colonia Dignidad, a sect nobody ever escaped from.

Santiago, capital of Chile during the Marxist government of elected, highly controversial president Salvador Allende. Father McEnroe supports his leftist views by introducing a program at the prestigious "collegio" (Catholic prep school) St. Patrick to allow free admission of some proletarian kids. One of them is Pedro Machuca, slum-raised son of the cleaning lady in Gonzalo Infante's liberal-bourgeois home. Yet the new classmates become buddies, paradoxically protesting together as Gonzalo gets adopted by Pedro's slum family and gang. But the adults spoil that too, not in the least when general Pinochet's coup ousts Allende, and supporters such as McEnroe.

The film traces the origins of the Chilean band band Los Prisioneros from the perspective of the drummer Miguel Tapia. Set in the Late 70's, during Pinochet's military dictatorship.

A man is obsessed with John Travolta's disco dancing character from "Saturday Night Fever".

In the late 1980s, a politically neutral photographer in Pinochet's Chile is still struggling to come to terms with the "disappearance" of his activist brother in the Villa Grimaldi torture centre back in 1975.

No description available.

In 1988, Chilean military dictator Augusto Pinochet, due to international pressure, is forced to call a plebiscite on his presidency. The country will vote ‘Yes’ or ‘No’ to Pinochet extending his rule for another eight years. Opposition leaders for the ‘No’ vote persuade a brash young advertising executive, René Saavedra, to spearhead their campaign. Against all odds, with scant resources and while under scrutiny by the despot’s minions, Saavedra and his team devise an audacious plan to win the election and set Chile free.

No description available.

An unemployed man wanders the streets of Santiago de Chile in the 80s (Pinochet's Chile), looking for a chance to be a hero. In an old cinema in the center of the city, it may has his opportunity. A student film by Gabriel Lizama AKA Liz Taylor.

Based on the assassination attempt at the then dictator Augusto Pinochet on September 7, 1986.

It follows Chilean writer Antonio Skármeta as he celebrates the end of the autocrats. Cheerful farewell rituals accompany others facing political persecution on their way to fly home.

Artists in exile make visible the solidarity with Chile in the wake of 11 September 1973: a celebration of colours and shapes in opposition to the dictatorship.

This short animation collage uncovers the financial backing of the Chilean Junta bosses by the US. Screened at the 1976 Oberhausen Int. Film Festival.

This film visualizes humanity’s quest to relentlessly pursue goals. In the human fight for progress, the march forward cannot be stopped, even when individual people become weary and die. This animated short is based on a poem by the Chilean filmmaker and poet Juan Forch. Chilean painter Hernando León created the design.

Swiss television documentary on the first years of the dictatorship, filmed (in color) in 1977 by a team led by director André Gazut and journalist Claude Smadja. Strongly critical of authoritarianism and the failures of the economic model that was beginning to be adopted, the report shows different aspects of the ideological and technical implementation of the military government. From the purge in universities to the precariousness of the Minimum Employment Program, from the revenge of employers in the countryside to the lamentable composition of the constitutional commission, the show is full of conversations with personalities close to the regime (Jaime Guzmán, Maximilianio Errázuriz, Manuel Valdés, Ruy Barbosa, Arturo Fontaine Aldunate, among others) which is interspersed with testimonies from residents and farmers, victims of violence and poverty.

No description available.

Testimonies about the social and feminine marginality of female residents. The need to face problems through collective discussion. Filmed in a camp in Ochagavía.