In Bed with Surrealism. Augusts Sukuts

The Lion is the symbol of Venice, but also of courage: that of a city and - in our case - of a Film Festival and a media event that did not give up and stubbornly "wanted" to be realized in spite of the world around, of Codiv19 and the great uncertainty that dominates the global situation. In an 'abnormal' city, never seen before so deprived of tourists and the general chaos that - in general - characterizes it between the end of August and the beginning of September, our story begins, made up of a Venice never seen before and - therefore - little or nothing told cinematically. A crescendo of emotions, which between stage and behind the scenes, between what passes in front of the screen and what remains behind involves the viewer in depth.

Six elderly retired women, two from Buenos Aires, Argentina; two from Montevideo, Uruguay; and two from Madrid, Spain, have something in common, despite their different interests and lives: they go to the movies almost every day.

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Told through the eyes of an Australian news reporter, Eammon Ashton-Atkinson, who moved to the UK to escape depression, the documentary, follows 3 characters on their journey to overcome their struggles as the club competes against 60 other gay clubs in the Bingham Cup in Amsterdam – the World Cup of gay rugby.

Óscar Peyrou is a veteran Spanish film critic who writes his reviews according to a very peculiar method: in his opinion, it is not really necessary to watch the films since it is possible to judge them simply by looking at their promotional poster.

Argentina, 1968. In the midst of the Cold War, the dictatorship of Juan Carlos Onganía (1966-70) organizes the 9th Mar del Plata Film Festival in order to show the world its friendly face, while exercising censorship and repressing dissidence.

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A short documentary about the rapidly disappearing era of heritage movie palaces and the film going experience once offered within those hallowed walls.

Spain, 1970s. A Clockwork Orange, a film considered by critics and audiences as one of the best works in the history of cinema, directed by Stanley Kubrick and released in 1971, was banned by the strict Franco government. However, the film was finally premiered, without going through censorship, during the 20th edition of the Seminci, the Valladolid Film Festival, on April 24, 1975. How was this possible?

A film about the 5th International Film Festival of Cinematographers "Camerimage '97," which was held traditionally in Toruń from November 30 to December 6 last year. The author attempts to present the psychological and technical conditions of the cinematographer's profession and to sketch a collective portrait of those who practice it. The program includes interviews with the world's most outstanding cinematographers. Last year's festival brought together such great names as Ron Fortunato, Jack N. Green, and Vilmos Zsigmond. The film also shows workshops led by the best professionals in the field. Students exploring the secrets of this difficult art will talk about their expectations of the cinematographer profession. The individual sequences of the film have been composed by the director in such a way that they form a narrative sequence according to the growing emotions and moods, abstracting from the chronology of the festival events.

A journey of years through many countries and film festivals; a nostalgic, adrenaline-fueled and rock-spirited immersion into the universe of cinephilia, in search of genre specialists, fans and filmmakers who speak of their shared passion for fantastic cinema; a whole international spiritual community united under the cathartic shadow of horror.

Going into my interview with Laurel Greenfield, I thought the majority of our conversation would be about her inspiration for painting food and why she chose to pursue painting as a career. We spoke about that but ended up having a much bigger conversation about pursuing a creative career. We talked a lot about finding the balance between having a business plan and taking a leap of faith into the unknown, something anyone pursuing a creative field on their own can relate to.

Fighting for visibility and solidarity, Lady Galore has become vital to the European drag community. For Sander den Baas, the man behind Lady Galore, this devotion is starting to take its toll. Although his size is what makes Lady Galore stand out and brought her fame, Sander is struggling with more and more health problems. Gastric bypass surgery will help him regain a healthy weight. But what will remain of Lady Galore?

Walt Disney said “We have created characters and animated them in the dimension of depth, revealing through them to our perturbed world that the things we have in common far outnumber and outweigh those that divide us.” Outside of Walt himself there are few people who have brought together and united more animators in the history of the genre than Craig "Spike" Decker and Mike Gribble, known to all as Spike & Mike. They created an animation festival that helped launch the careers of John Lasseter, Peter Lord, Will Vinton, Bill Plympton and Mike Judge to name just a few. Their Spike & Mike festival had an enormous impact on animation that was felt the world over. The festival was known as much for the breakthrough animation it presented as the outrageous antics of the founders.

A portrait of film critic Carlos Boyero, one of the most followed and feared figures in Spanish cinema, surrounded by controversy and both love and hate.

Filip buys an 8mm movie camera when his first child is born. Because it's the first camera in town, he's named official photographer by the local Party boss. His horizons widen when he is sent to regional film festivals with his first works but his focus on movie making also leads to domestic strife and philosophical dilemmas.

A woman who receives a revelation to BIFF like fate in a dream. She realizes it is only a few hours left for deadline after opening eyes! It is a dedicated movie for you who are still passionate today on the deadline between dream and reality.

A superhero becomes bored with the lack of crime in his town.

A Chinese Superstar attends the Berlin Film Festival. Soon she finds out that sometimes reality can be far more frightening than any Hollywood script.

Two people attempt to create a film for a local film festival, but the clock is running because they have 52 hours to write, direct and release a film.