Side Roads

A man with a low IQ has accomplished great things in his life and been present during significant historic events—in each case, far exceeding what anyone imagined he could do. But despite all he has achieved, his one true love eludes him.

Lester Burnham, a depressed suburban father in a mid-life crisis, decides to turn his hectic life around after developing an infatuation with his daughter's attractive friend.

A poor young man is finally able to achieve his dream of running a horse at the track, but when he starts becoming successful, he begins to lose sight of what mattered to him before.

The family of a wealthy businessman gather to celebrate his 60th birthday. During the course of the party, his eldest son presents a speech that reveals a devastating secret that turns the night into a battle of truth and denial.

The first Road Movie feature film made by the Italian artist Sanzi together with the Cuban Balboa is inspired by friendship, the island and the motorbike. The two artists used, for the first time in Cuba, the form of the Road Movie--the cinematic genre the plot of which is developed during a trip.

In this loose adaptation of Shakespeare's "Henry IV," Mike Waters is a hustler afflicted with narcolepsy. Scott Favor is the rebellious son of a mayor. Together, the two travel from Portland, Oregon to Idaho and finally to the coast of Italy in a quest to find Mike's estranged mother. Along the way they turn tricks for money and drugs, eventually attracting the attention of a wealthy benefactor and sexual deviant.

New York layabout Willie forms an unexpected bond with his young Hungarian cousin Eva when she pays him a surprise visit. Later, Eva moves in with their aunt in Cleveland, and Willie takes his best friend Eddie to see her—a visit that culminates in a strange, eventful trip to Florida.

Paris, 1960s. Momo, a resolute and independent Jewish teenager who lives with his father, a sullen and depressed man, in a working-class neighborhood, develops a close friendship with Monsieur Ibrahim, an elderly Muslim who owns a small grocery store.

When Martin, a former GDR citizen, is released from jail, he lately becomes confronted with the consequences of the German re-unification.

Emmi Kurowski, a cleaning lady, is lonely in her old age. Her husband died years ago, and her grown children offer little companionship. One night she goes to a bar frequented by Arab immigrants and strikes up a friendship with middle-aged mechanic Ali. Their relationship soon develops into something more, and Emmi's family and neighbors criticize their spontaneous marriage. Soon Emmi and Ali are forced to confront their own insecurities about their future.

A fatally ill mother with only two months to live creates a list of things she wants to do before she dies without telling her family of her illness.

In the Tuscan countryside, a family of traditional honey farmers struggles to make ends meet. The household consists of only daughters—four of them—led by the eldest, Gelsomina, who takes on the responsibilities of the family. When a small boy is sent to stay with them for rehabilitation, their routine is disrupted. As financial troubles threaten their home, Gelsomina sees an opportunity in a reality TV contest searching for 'Italy’s Most Traditional Family.' Willing to expose their secluded life for the prize money, she clashes with her father’s rigid ways in a bid to secure their future.

A boy and his brother run away from home and hitch cross-country, with help from a girl they meet, to compete in the ultimate video game championship.

Clara and Hans are left-wing terrorists who have been sought by police for almost fifteen years. Their increasingly rebellious daughter Jeanne begins to pose a threat to their security when she falls in love with a boy she meets on the beach.

After the death of Emperor Marcus Aurelius, his devious son takes power and demotes Maximus, one of Rome's most capable generals who Marcus preferred. Eventually, Maximus is forced to become a gladiator and battle to the death against other men for the amusement of paying audiences.

Several lonely hearts in a semi-provincial suburb of a town in Denmark use a beginner's course in Italian as the platform to meet the romance of their lives. The film, which unspools the connections and family drama shared between the students, complies with several aesthetic principles of Dogme 95 movement.

Two young men, Martin and Rudi, both suffering from terminal cancer, get to know each other in a hospital room. They drown their desperation in tequila and decide to take one last trip to the sea. Drunk and still in pajamas they steal the first fancy car they find, a 60's Mercedes convertible. The car happens to belong to a bunch of gangsters, which immediately start to chase it, since it contains more than the pistol Martin finds in the glove box.

The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

A woman and her daughter struggle to make their way through the aftermath of the Balkan war.