Wild Wheels

THE WILD WORLD OF TED V. MIKELS, a new documentary by Kevin Sean Michaels (no blood relation to Ted, but the same spirit), is a rollicking look at the independent cinema and film pioneering of Ted V. Mikels, who has been producing films for over 60 years. Way before limited-budget action films became termed as "grindhouse," Ted was wowing audiences with his own special brand of guts, gore, humor, violence and most of all -- style. THE CORPSE GRINDERS 1 + 2, THE ASTRO-ZOMBIES, 10 VIOLENT WOMEN, MISSION: KILLFAST, THE BLACK KLANSMAN, THE DOLL SQUAD, THE WORM EATERS and GIRL IN GOLD BOOTS are some of Ted's films that have made their cinematic mark.

Three vampires wander the streets of Melbourne killing, screwing and taking drugs. They decide to carry out a heist, stealing three million and attracting the attention of various psychotics, who chase them through a blood spattered odyssey into the Melbourne underground.

Families in an idyllic suburban neighborhood are taunted by a mysterious doctor who moves in to town and spins a web of psychological chaos that changes their lives forever.

A man sends a young architect to build an extravagant garden to bankrupt the husband of the woman he once loved.

Let's Make a Movie is the story of Cassie Thompson (Played by Hallie York), a college dropout and ex-film student who is tired of being disrespected and downtrodden, has decided that she's had enough. In a subconscious effort to turn her life around, she decides to make a movie with a rag-tag group of friends. The only problem is the movie is impossible for her to film without a $100 million budget, and her cast and crew are neurotic and inexperienced, to say the least. Will Cassie prevail and finish her movie, or will this become another mark on her long list of failures?

Recently divorced, aspiring filmmaker Helen (Jennifer Rubin) enters into a love triangle fueled by sexual hunger and manipulation. But as she attempts to define herself and fulfill her wants and needs, she must choose between her independence and her men. As Helen's exploits with controlling lover Paul (Michael Cerveris), casual beau Randy (Grant Show) and friend Donald (Lance Edwards) become fodder for her script, her choice becomes clear.

The Pictures that Moved (1896-1920) - A novel moving picture of Australia early in the 20th century. It moves through ethnographic and actuality films, newsreels and features to the 1920 features Robbery Under Arms and The Sentimental Bloke. The Passionate Industry (1920-1930) - The twenties was a passionate period - a decade of fervent, feverish activity in the film industry in Australia when over 100 feature films were made. Fewer than 30 survive today. This documentary features For the Term of His Natural Life, the husband-and-wife team of Louise Lovely and Wilton Wench and the work of director Raymond Longford among material from 50 newsreels, 16 feature films and still photographs drawn from over 70 collections. Now You're Talking (1930-1940) - The story of the Australian film industry in the thirties, from the pioneering days of "talkies" through to the decline of the industry with the coming of World War Two.

No description available.

This documentary follows the vacations of four prisoners, during four days, while they spend Christmas with their families for the first time.

This innovative and spectacular 3-part series shows how examples from nature can make human beings and their machines faster, smarter and more efficiently. Whether in ice deserts, under thousands of meters of water, or on the highest mountains in Order to survive, animals need the conceivable best, toughest and most sophisticated equipment. Over the past three and a half billion years of evolution always had it develop new, more crafty plans and recipes. When we observe people's nature, therefore we find many of our own toughest technical problems already solved. We just have to look closely.

An all-star celebrity tribute to celebrate George Burns 80th Anniversary in show business.

This documentary is about a group of people led by the anti-high artistic attitude of the underground culture of the end century during the Mid-Autumn Festival in 1995 for three consecutive days and two nights, supported by the unprecedented courage of the Taipei County Cultural Center; the planning is broken.

A Self-Portrait is the story of the art teacher Qiu Sha, told in photos and the words of Qiu Sha, about his youth, the changes in his family and in society. Director He Yi: 'What I remember now is the material that I came to mind of a man who has lived through the different eras in China. From all this material I not only read the history of a man and his family, I also learned something about the demands placed on life in a society over several decades.

A woman teaches her techniques on how to seduct over men.

A woman explains her distaste for the use of underwear.

A documentary encompassing gay life in New York City. The ultimate goal for this film is to exhibit the historical culture culture of New York City's gay lifestyle and expose how the unknown modern gay life has evolved.

Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.

An animated documentary film, based on an actual story of a woman from Damascus countryside. Suleima evokes some of childhood memories, when her thoughts refusing injustice had arisen. The film is a portrait of Suleima, and a monitoring of intellectual and social shifts she experiences during the events. The visual environment: has been presented graphically fully of sharp contrasts, and imaginary mixed with reality.

A documentary recounting Anne Frank’s story and death at Bergen-Belsen before turning to a detailed examination of the camp itself—the routines of its officers, the atrocities committed there, and the troubling postwar reality that many perpetrators lived freely with state support in Germany.

No description available.