Wir Ostdeutsche - 30 Jahre im vereinten Land

A documentary in which retired industrial workers reflect on the promises and anxieties of retirement. Beginning with the Budd Company’s “Retirement Ceremony” in Philadelphia, the film explores how leaving work can mean the loss of routine, identity, and a sense of accomplishment, even as it marks a long-anticipated milestone.

This report was broadcast on ARD in 1993. In 43 minutes, the development of psychiatry "in the third year after reunification" is shown using two institutions in the new federal states as examples. A touchstone for all of psychiatry and disability care to this day. The film shows a shocking way in which disabled people are treated. The commentary uses the perspective of those affected. 50 years after euthanasia in Germany, this documentary reminds us of this once again.

Journalist Daniela Dahn interviews the East-German author Christa Wolf during the German reunification: reflections on history, changing politics, life and work.

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About a journalist and his cameraman visiting East Germany, former GDR, 25 years later again after their journey which took place in January 1990, just between the Fall of the Wall and the reunification with West Germany, comparing the old pictures with the present of 2015 and meeting former interview partners a second time. An impressive work of time documentary showing seemingly surreal scenes about the changings of cities, industrial locations and lifes in different political and economical systems.

Docudrama telling the story of a building with a breath taking career that began in the empire, flourished in the Weimar Republic, perished in the Nazi dictatorship, and was rebuilt after its partial destruction.

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Early summer 1990: West German money transporters carrying billions of Deutschmarks roll towards the former GDR. From the inner-German border, the People's Police and the heavily armed National People's Army take over guarding the transports. Over 25 billion Deutschmarks are transferred from West to East within a few weeks. On July 1, 1990, the German-German monetary union takes place. The citizens of the former GDR were to hold the D-Mark in their hands from this point onwards, but a huge amount of work had to be done before this could happen. 441 million banknotes had to be printed and 102 million coins minted. This is because the organizers of the Bundesbank barely had time to prepare for the largest money transport in history. Many contemporary witnesses describe their experiences in the documentary, which gives an insight into the exciting months before monetary union, the consequences of which still have an impact today.

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A filmmaker follows her grandparents’ daily life after her chain-smoker and alcoholic grandmother is forced to stop drinking beer for a month.

November 7th, 2001. After a seventy years absence, the Ecuadorian national soccer team is close to qualifying for the first time to a Soccer World Cup. This documentary follows the events that took place during that historic date, when a whole country lived under the shadow of a soccer game.

In reunified Berlin, a city guide from the Eastern part of the city offers tours for West Berliners and grapples with his pre and post "Wende" identity.

Terpsichore is a captivating exploration of dance as an art form, illuminating the passion, discipline, and vulnerability that transform movement into poetry. The documentary follows three distinct yet interconnected artists: Cece Trapani, an Irish dancer; Aurora Maur, a burlesque performer; and the Dayton Contemporary Dance Company (DCDC), a renowned contemporary dance ensemble. Through their stories, Terpsichore reveals the universal language of dance—one that transcends genre and speaks to the depths of human emotion. Intimate interviews and behind-the-scenes rehearsal footage offer a raw, unfiltered look at the artistry behind each performance, capturing the essence of dance as both personal expression and a bridge between artist and audience. More than a showcase of technique, Terpsichore delves into the soul of movement, celebrating its power to connect, inspire, and reveal the unspoken truths of the human spirit.

Since her debut at the age of 18, musician, civil rights campaigner and activist Joan Baez has been on stage for over 60 years. For the now 82-year-old, the personal has always been political, and her friendship with Martin Luther King and her pacifism have shaped her commitment. In this biography that opens with her farewell tour, Baez takes stock in an unsparing fashion and confronts sometimes painful memories.

The Berlin Wall came down in 1989, bringing the reunification of Germany and an end to the Cold War. This documentary revisits the events surrounding the wall's historic collapse. Interviews with George Bush, Mikhail Gorbachev and Helmut Kohl offer insight into political maneuvering while firsthand accounts from Germans provide personal perspectives of this historic event that changed the world forever.

A deft portrait of gender lines in the sex industry, this short lip-sync documentary tells the stories of men who buy sex

Marzena Sowa is a quintessential contemporary European: independent, aware of how the world works—or should work—and single. After her mother’s death, she is consumed by longing and sets off for her distant homeland, a Polish village where her beloved aunt Niuszka—an embodiment of joie de vivre and peace with herself—lived her entire life under the heavy weight of patriarchy. The film becomes a collision of social models, resolved with an open ending.

THE LIMITS OF MY WORLD follows a nonverbal young man’s transition from the school system into adulthood. Brian has autism and faces the daily challenges of adjusting to his new life. Filmed from the intimate perspective of his older sister Heather, this documentary seeks to understand Brian’s personality beneath his disability. THE LIMITS OF MY WORLD is an autistic coming of age story exploring what it means to be a nonverbal disabled person in today’s society.

Language is like memory. If it is not used, it slowly fades. Stockholm is not like Zagreb, but it is like any capital city. I was there when it happened, without having time to say 'thank you' for everything. The book is excellent, each chapter is like Andersson's tableau – a separate whole in which over time you notice the thoughtful layers of tragicomic human life.