Children of Our Time

White Tape explores the theme of boundaries: the frame, the space between brushstrokes and the implications of occupation.

A tale of being different and growing up.

Would you have an affair with your boss? When a young real estate agent, Marc, celebrates his big sale over a nightcap with his married boss, Tom, he soon finds himself in dangerous waters. Leading them to question and push the boundaries of trust, monogamy, and open relationships. Can two men be faithful to each other? Can two men be honest with each other? Some say, No risk, no gain - both in real estate and relationships.

Rhiannon’s world is small - a part-time library job, half-finished plans, and a friendship circle that’s moving on without her. When Odelia, the daughter of her mum’s oldest friend, turns up to stay for a few days, Rhiannon braces for the worst. Years ago they couldn’t stand each other. Odelia was the golden child - driven, polite, competitive - everything Rhiannon wasn’t. But this time, things are different. They walk, talk, and remember. Beneath the teasing and contradictions, a new connection grows - tentative, confusing, and impossible to ignore. As old friends Beth and Kerri re-enter the picture, tensions rise, jealousies flare, and Rhiannon begins to question not just how she feels about Odelia - but what she wants for herself. Flunk: Preferences is a queer coming-of-age story about rediscovery, first love, and learning that sometimes, the people who annoy you the most are the ones who understand you best.

A film about the dominance of time and space over a human being. A poetic reflection on the transience of material life characterized by a Mediterranean ambience, contemplation, mosaic structure, and repetitive editing patterns.

An atmospheric short film about a woman who grows wings and loves them, only to have her new sense of self shattered by the reactions, and perceived reactions, of those around her.

An experimental and critical view on the decadence of Honduran society. It practically has no narrative structure, as it plays out as a day-in-the-life-of the eponymous Ángel, a kid who's a shoe-shiner.

When Haley Hollis returns to her family ranch to try and save it from closure, she wasn't banking on spending so much time with ranch hand Kate - or falling for her.

Isabella, Jonata and Pedro are stuck at home for a weekend. Distressed by the state of the world and financial difficulties, the trio decides to go out on the streets of a dystopian São Paulo to relax, which allows them to meet many individuals in a similar situation, causing tragicomic and fantastic situations.

A couple in a bed. The young man wakes up, coughs a razor, leaves to shave then coughs up makeup and puts on makeup. The transformation can take place.

Sam shoots a documentary about her aunt, Danièle, a family icon. Danièle is a lesbian. In the ’70s, she was part of a revolutionary homosexual group. Sam recalls an action she and her comrades led in the Évreux cathedral in 1976.

Buenos Aires. Exe, 25 years old, has just lost his job and is not looking for another one. His neighbors and friends seem as odd to him as they always do. Online, he meets Alf, a boy from Mozambique who is also bored with his job and who is about to follow Archie, another boy who has run away into the jungle. Through the dense vegetation of the forest, Archie tracks ants back to their nest. One of them wanders off course and comes across Canh, a Filipino, sitting on top of a giant heap of earth and who is about to go back to his strange, beautiful home town, where he too has a miserable job.

A love story set against the backdrop of the climate crisis and the opioid epidemic, Echo and Wild are two urban Indigenous land defenders. On the one-year anniversary of their arrest on the front lines, a death in their community opens old wounds but also offers them a chance to heal.

Elliot Tittensor (TV's Shameless) stars as Daz in headlining film PROTECT ME FROM WHAT I WANT, a gripping British film debut that sees him woo a young lad in an underpass, only to be threatened with a break-up the following morning. Passive and submissive roles are tackled and tugged in gay graffiti tale VANDALS and Icelandic grapple-fest WRESTLING, while POSTMORTEM, MY NAME IS LOVE, and Iris Prize-winner STEAM look at promising encounters that turn awry. Rounding out the collection are HEIKO, an alternative ode to foot fetishes, BREATH where 12-year-old Erik swims out to sea to make a daring move on his best friend's father, and the crème de la crème from this collection TREVOR, which won multiple prestigious awards from Sundance, Berlinale, and even The Academy Awards (Oscar) for Best Short Film.

Youth In Trouble is the ninth edition to Boys On Film, the world's most successful short film series. This compilation features eight complete films: Bretten Hannam's "Deep End" starring Bailey Maughan, Gharrett Patrick Paon, and Denis Theriault; Caru Alves de Souza's "Family Affair" starring Cláudia Assunção, Kauê Telloli, and Ney Piacentini; James Cook's "Together" starring Lucas Hansen, Ben Owora, and Stuart Evans; Carlos Montero's "Easy Money" starring Mario Casas, Ales Furundarena, and Christian Mulas; Grant Scicluna's "The Wilding" starring Reef Ireland, Luke Mullins, and Shannon Glowacki; Dee Rees's "Colonial Gods" starring Cornell John and Said Mohamed; Benjamin Parent's "It's Not a Cowboy Movie" starring Malivaï Yakou, Finnegan Oldfield, and Garance Marillier; and Stéphane Riethauser's "Prora" starring Tom Gramenz and Swen Gippa.

A man and his pets, a girl that will take a difficult decision. Images blend together to tell the stories of a rural landscape.

Elias takes a shower and takes a day wandering through the streets and places of his hometown, where throwing rocks and hanging out at the lagoon helps pass the time.

Beverly Apostol, a queer activist during the height of Martial Law in the Philippines, makes the ultimate sacrifice for the love of her country.

At the heart of Fortaleza, André experiences the beginning and end of a relationship that introduces him to something he did not yet know about memory and affection. Amongst the corridors and halls of university, he discovers what it is to miss and to long for.

The film follows the different stages of drag actor Erick Barreto's career—from his childhood in the countryside of Pernambuco and his adolescence to his adult life in Rio de Janeiro, the emergence of art in his life, and his rise to stardom as a Carmen Miranda impersonator. It is a journey through time portraying a young man of humble origins who confronts prejudice and homophobia to become the primary pioneer of drag art in Brazil, achieving national acclaim and performing in Hollywood.