Shakespeare: Found in Translation

Marcus Pabon-Lara loves swimming but is too self-conscious to take off his top in public. Will a mastectomy give him the body confidence needed to go for his first swim since he was a teenager? An honest insight into the experiences of a Deaf trans man, follows self-proclaimed “proud geek” Marcus during the lead up to his much-anticipated operation. Along the way, we meet his friends and his mother, finding out more about Marcus and how he feels about his transition.

A group of deaf friends that attend a public school, where they have been classmates since the age of two, live their final year together. As the school year advances they get prepared to confront their biggest fear: attending a school of hearers.

Through examining Fini Straubinger, an old woman who has been deaf and blind since her teens, and her work on behalf of other deaf-blind people, this film shows how the deaf-blind struggle to understand and accept a world from which they are almost wholly isolated.

With passion, wit, intelligence and attitude, an LGBTQ youth theater group creates a play about love in all its forms, while bonding together to make change in their own lives. With candor, they tell their stories through intimate interviews, entertaining and powerful clips of their self-written plays, and glimpse into their everyday lives. Members range from a transgender woman being kicked out of her home, to a runway model who likes men’s clothing, to an out gay man accepted unconditionally by his mother. The plays they write and perform are close to their experiences and not only provide catharsis but insight into what it means to be gay, lesbian, transgender, or just queer. It’s an inspirational work of art about the hardships one faces in realizing that they are different and the courage it takes to find the pride within that.

A portrait of a Deaf activist and his formerly incarcerated daughter who build new bonds through their experiences in the criminal justice system.

Through intimate stories and day-to-day routines we get a naturalistic glimpse into the lives of individuals with disabilities in the bustling urban landscape of São Paulo. The film captures personal moments and how modern societies confront (or fail to confront) ableism and inclusion.

A Deafblind fencer and author competes in all arenas just for the right to be seen.

This documentary shows how one of the biggest youth theatres in Europe dealt with the COVID-19 pandemic.

Lotte (18) and Roos (16) are sisters and both have Usher syndrome. That means they will soon become deaf and blind. It is not known how fast that will go, but they already see and hear a lot worse than their peers. How do these two high-spirited girls deal with their development into adulthood, while the time bomb of deafness and blindness ticks inexorably? They are not deterred from getting the most out of life: Lotte is studying to become a photographer and Roos is passing her final exams. At the same time, they also want to do a few things before it is too late, such as seeing the Northern Lights with their own eyes. Director Kim Smeekes followed Lotte and Roos for the film for two years.

DEAF IDENTITY explores the diverse and nuanced experiences of Deafness through a series of enlightening conversations with Deaf people who have embraced their own unique identities.

Firas, Jallow and Batoul just arrived in Berlin. They meet one another in a theatre group. They are searching for the good life in Germany - yet things don’t turn out the way they hoped. Through video letters, they reveal their deepest emotions to their families and friends back in their war-torn or poverty-stricken home countries.

A spate of robberies in Southern California schools had an oddly specific target: tubas. In this work of creative nonfiction, d/Deaf first-time feature director Alison O’Daniel presents the impact of these crimes from an unexpected angle. The film unfolds mimicking a game of telephone, where sound’s feeble transmissibility is proven as the story bends and weaves to human interpretation and miscommunication. The result is a stunning contribution to cinematic language. O’Daniel has developed a syntax of deafness that offers a complex, overlaid, surprising new texture, which offers a dimensional experience of deafness and reorients the audience auditorily in an unfamiliar and exhilarating way.

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Down the road from Woodstock in the early 1970s, a revolution blossomed in a ramshackle summer camp for disabled teenagers, transforming their young lives and igniting a landmark movement.

This film is a letter to my friend Vincent who died ten years ago. Vincent was Deaf. He introduced me to his language, his culture, his world. Through Vincent ‘s life, the film will examine the roots of the distress that plagues the Deaf, and also explore a rich and fascinating world, a people that struggles to preserve its Sign Language and Culture.

Amber Galloway, a trailblazer in ASL interpretation, takes us on a journey into the deep bond between the Deaf world and music. We follow her as she teaches struggling recruits who she hopes will have what it takes to join her at ACL music festival.

In his heartfelt documentary, co-director and subject Elad Cohen explores the meaning and experience of family. Growing up deaf and gay in a family of hearing people, Cohen never felt at home and always felt alone. That feeling of estrangement was exacerbated during his adolescence by the sudden death of his mother and the subsequent rift with his father as the family scattered in different directions. Cohen creates a sense of family with a small group of friends, including his best friend, Yaeli, a deaf woman. While he wants a child and a life partner, he fears that he won’t find the right man in the small deaf community in his “sweet little country.” Sharing a desire with Yaeli to be parents, the new “couple” decide to have a child in a shared parenting arrangement.

Artistic director of the National Theater Eric de Vroedt writes and directs a performance about his own mother Winnie, who passed away in 2020. This piece, titled The Century of My Mother, is a family story about the migration from the Dutch East Indies to the Netherlands. It is De Vroedt's way of examining the relationship with his mother and not having to say goodbye to her yet: 'I can let her live on stage, but when the curtain falls, when the play is completely finished, then she is really dead'.

Nathan Quinell is a fully trained chef… he also happens to be legally deaf and blind. That’s never stopped him from chasing his dreams to become a full-time cook, but now Nathan must prove himself to his peers, his students and potential employers.

Jill and Michael Stark are both deaf, as are their two children. Stuck between two cultures and wanting the best future for their children, they make the controversial choice for both of their children to undergo surgery for cochlear implants. They are part of only a handful of deaf parents in the US to choose implants for their children. After this seven year journey, was the result of the cochlear implant what they had hoped for?