Dark Girls 2

In the 1960s, the suburbs were meant to be modern havens for newcomers from rural France, Portugal, Spain, North Africa, and Africa, helping rebuild post-war France. Large housing complexes symbolized this ideal, offering comfort, heating, and electricity. But by the 1980s, disillusionment set in as economic crisis, unemployment, poverty, crime, racism, and police violence took hold. Mohamed Bouhafsi tells the story of a dream that didn’t last.

This film made by a Palestinian-Israeli collective shows the destruction of the occupied West Bank's Masafer Yatta by Israeli soldiers and the alliance which develops between the Palestinian activist Basel and Israeli journalist Yuval.

People are interviewed in Dresden, Ontario, to sample local attitudes towards racial discrimination against black people that brought this town into the news. After a round-up of the opinions of individual citizens, white and black, commentator Gordon Burwash joins two discussion panels, presenting opposite points of view. The rights and wrongs of the quarrel are left for the audience to decide.

An American story. Traces the career of Joe Louis (1914-1981) within the context of American racial consciousness: his difficulty getting big fights early in his career, the pride of African-Americans in his prowess, the shift of White sentiment toward Louis as Hitler came to power, Louis's patriotism during World War II, and the hounding of Louis by the IRS for the following 15 years. In his last years, he's a casino greeter, a drug user, and the occasional object of scorn for young Turks like Muhammad Ali. Appreciative comment comes from boxing scholars, Louis's son Joe Jr., friends, and icons like Maya Angelou, Dick Gregory, and Bill Cosby.

A documentary about rap artists from Ceilândia, a satellite-city of Brazil capital, Brasilia. The film portrait the struggle of the lives of the rapers and makes a parallel with the violent building of the city designed to settle the outcast from Brasilia after its completion.

Documentary film about Tony Halme, masculinity and populism. The film follows how Tony Halme created a mythical, highly masculine freestyle wrestling character, The Viking, who gained fame both in the ring and in the public eye and eventually became captivated by it. With his brash speeches, Halme fired the starting shot for the rise of the Finns Party. The voice of a forgotten section of the population, a protest against the ruling elite, were the building blocks of Halme's popularity. Halme's great popularity has served as a good example of a populist figure, admired within the deep ranks of the nation, who comes from outside the political elite and changes the direction of politics. Also, despite - or perhaps because of - his openly racist statements, he was part of changing the political climate in Finland to a more acrimonious one.

After the Battle of Algiers, France and its army exported, as true experts, anti-subversive methods to Latin America and the United States in the 1960s. After more than a year of investigation in Argentina , in Chile, Brazil, the United States and France, the director collected, sometimes under the cover of a hidden camera, recorded conversations, the exclusive testimonies of the main protagonists. From General Aussaresses to former Minister of the Armed Forces Pierre Messmer, including General Reynaldo Bignone (head of the military junta in Argentina from 1982 to 1984), General Albano Harguindéguy, General Manuel Contreras, and Generals John Johns and Carl Bernard, this investigation gives us a hidden reality of the country of Human Rights.

I was about seven years old the first time someone called me \"black\" on the street. I turned around to see who they were talking to, until I realized they were talking to me.

In the fifties, when the future Democratic Republic of Congo was still a Belgian colony, an entire generation of musicians fused traditional African tunes with Afro-Cuban music to create the electrifying Congolese rumba, a style that conquered the entire continent thanks to an infectious rhythm, captivating guitar sounds and smooth vocals.

In US society, people of East Asian heritage are often perceived through an obscuring lens of ethnic and cultural stereotypes. In STOLEN GROUND, six Asian-American men talk about their experience of the highly racialized United States, and consider how racism has affected their lives and those of their family members.

On April 12th, 1864, at an insignificant little fort, several hundred black Union soldiers fought a hopeless battle against a Confederate general who was destined to become the first Grand Wizard of the KKK. This battle had a domino effect, trickling down the long road of history. Today, it is just a footnote in most history books; however, no other event of the Civil War has had such a profound impact on the twentieth century, especially on American culture.

Gil Hedley, Ph.D., former massage therapist and Rolfer, dissects a cadaver in order to teach bodyworkers and other interested students about the integument and superficial fascia.

[ÒDIO] is a polyphonic work that resonates as a choral dramaturgy: a fabric of gazes and contrasting testimonies on the spread of violence, emerging from encounters with dozens of young people of various nationalities and backgrounds. A three-chapter documentary film that we shot by placing a lightweight blue photographic backdrop in schools, cultural spaces, and reception centers, starting from Rimini, then Rome (the Quarticciolo district) and Hamburg. [ÒDIO] is the final destination of our long theatrical research into the novel Frankenstein (or the Modern Prometheus).

In 1991, just a few months after the racially motivated murder of Amadeu Antonio, Ralf Marschalleck documents the small town of Eberswalde, its violence, and its resignation.

Filmed over four years, this documentary focuses on the impacts of gentrification as gay white professionals move into a largely black working-class neighborhood in Columbus, Ohio.

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Suellyn thought the Department of Community Services (DOCS) would only remove children in extreme cases, until her own grandchildren were taken in the middle of the night. Hazel decided to take on the DOCS system after her fourth grandchild was taken into state care. Jen Swan expected to continue to care for her grandchildren but DOCS deemed her unsuitable, a shock not just to her but to her sister, Deb, who was, at the time, a DOCS worker. The rate of Indigenous child removal has actually increased since Prime Minister Kevin Rudd delivered the apology to the ‘stolen generations’ in 2008. These four grandmothers find each other and start a national movement to place extended families as a key solution to the rising number of Aboriginal children in out-of-home care. They are not only taking on the system; they are changing it…

Recy Taylor, a 24-year-old black mother and sharecropper, was gang raped by six white boys in 1944 Alabama. Common in Jim Crow South, few women spoke up in fear for their lives. Not Recy Taylor, who bravely identified her rapists. The NAACP sent its chief rape investigator Rosa Parks, who rallied support and triggered an unprecedented outcry for justice. The film exposes a legacy of physical abuse of black women and reveals Rosa Parks’ intimate role in Recy Taylor’s story.

Elvis Mitchell uncovers why Chameleon Street (1989) by Wendell B. Harris Jr. failed to secure a proper distributor deal. Originally aired as a segment on "20/20".

A documentary that reviews the numerous contributions of African-Americans to the development of the United States. From the perspective of the turbulent late 1960s, the fact that their positive roles had not generally been taught as part of American history, coupled with the pervasiveness of derogatory stereotypes, was evidence of how Black people had long been victims of negative attitudes and ignorance.