Hitler's Mega Plane

Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.

The perfectionist Life magazine photojournalist, famous for his pictures of Elvis, Jackie, and Marilyn, makes an emotional return to France, where he and his Jewish mother almost during World War II.

No description available.

Filmmaker Eva Colmers' father Theo Melzer spent three and a half years in a POW camp in Lethbridge, Alberta -- one of 25 such camps across Canada housing German prisoners captured during World War II. Surviving prisoners, including Melzer, recount how their lives were changed by the unexpected respect and dignity they received at the hands of their Canadian captors.

After WWII had ended, it was realized by the American Allies that there were children whom Hitler trained to be soldiers between the ages of 9-17. They were the "Hitler Youth". As the adult German soldiers were taken as prisoners of war, so were the children. These boys were taken to France and reeducated by being taught democracy and treated better than the adult POWs. This story recounted by a former "baby cage" prisoner at the age of 92.

The Polish city of Łódź was under Nazi occupation for nearly the entirety of WWII. The segregation of the Jewish population into the ghetto, and the subsequent horrors are vividly chronicled via newsreels and photographs. The narration is taken almost entirely from journals and diaries of those who lived–and died–through the course of the occupation, with the number of different narrators diminishing as the film progresses, symbolic of the death of each narrator.

Explore the stories of women caught up in World War II, from the American Home Front to Auschwitz Concentration Camp in Poland. Included in this hour-long film are also the personal stories of the incredible women who served in a war that proved women were equal to men when it came to patriotism, service, or in some cases, self-preservation during watershed moments which called for steadfastness.

No description available.

No description available.

A pig farm in Lety, South Bohemia would make an ideal monument to collaboration and indifference, says writer and journalist Markus Pape. Most of those appearing in this documentary filmed in Slovakia, the Czech Republic, Poland, France, Germany and Croatia have personal experience of the indifference to the genocide of the Roma. Many of them experienced the Holocaust as children, and their distorted memories have earned them distrust and ridicule. Continuing racism and anti-Roma sentiment is illustrated among other matters by how contemporary society looks after the locations where the murders occurred. However, this documentary film essay focuses mainly on the survivors, who share with viewers their indelible traumas, their "hole in the head".

2,000 US soldiers board a British transport ship without any idea that the lifeboats are rusted so badly that they could never be launched. They’re issued lifebelts that need to be inflated instead of standard Naval life jackets. The following day the ship is sunk by one of the first radio-guided missiles ever used in war, killing 1157 soldiers and crew in what remains the greatest loss of life at sea due to enemy action in the history of US war. The government deflected responsibility for the large loss of life by declaring the attack classified indefinitely and ordering all survivors to remain silent.

Special care has been taken by International Historic Films to assemble this monumental documentary, which tells the story of what is left for a people after its land has been ravaged by war. Situated between the powerful antagonists Germany and the Soviet Union, the Baltic nations of Latvia, Lithuania, and Estonia bore witness to some of the most ferocious land battles of the Second World War.

The biggest trial of Nazi war crimes ever: 360 witnesses in 183 days of trial - a stunning and gripping portrayal of the most terrible massacre in history.

Captain Eric 'Winkle' Brown recounts his flying experiences, encounters with the Nazis and other adventures leading up to and during the Second World War. Illustrated with archive footage and Captain Brown's own photos.

During the Second World War, women were for the first time allowed to work as war correspondents. Based on reports, letters and diary excerpts, filmmaker Luzia Schmid sketches a personal portrait of three fearless women and their unique attempts to report on the war.

Fleet Admiral Chester Nimitz used submarines, a vessel used to great effect by Germany in WWI and WWII to turn the tide of the War in the Pacific.

Engineer Dr Hugh Hunt revisits the little-known story of the First World War's Blitz, when the Zeppelin waged an 18-month terror campaign on the people of London.

The 'mighty' Hood was the pride of the British Navy for more than 20 years, revered around the world as the largest and most powerful warship afloat. But when it was sunk by the German battleship Bismarck off the coast of Greenland on 24 May 1941, its end was shockingly swift.

British intelligence undertook an audacious operation to listen in on the private conversations of 10,000 German prisoners of war without their ever knowing they were being overheard. The prisoners' unguarded reminiscences and unintentional confessions have only just come to light, and prove how closely the German army were involved in the atrocities of the Holocaust. British intelligence requisitioned three stately homes for this epic task, and converted each into an elaborate trap. The 100,000 hours of conversation they captured provided crucial intelligence that changed the course of the war, and revealed some of its worst horrors, from rape to mass executions to one of the earliest bulletins from the concentration camps. But when the fighting ended, the recordings were destroyed and the transcripts locked away for half a century. Only now have they been declassified, researched and cross-referenced.

No description available.