The Bajau

A family in rural area of West Java, Indonesia enjoys their time with 'Ngadu Bagong', a sundanese traditional game where dogs put to fight against a wild boar in a single event. Ngadu Bagong has always been some sort of animal abuse but it's been in the tradition for a long time. Ade Rohmat has been in the game for a long time; a hobby that he now passes on to his daughter, Ilma Nurjanah. The potentially controversial Ngadu Bagong has always brought intense emotion, prestige, and fortune upon its practicioners.

A comprehensive tour of the beautiful Indonesian island of Bali - its slumbering volcanoes, mountain lakes, lush green rice paddies and intricate temples. Bali, despite its dependence on tourism, still retains its vital four thousand year old culture. The video takes us to Lake Bratan; Ubud, the country’s cultural centre; Mas, famous for its carved wood masks; the port of Singaraja and the beaches of Sanur.

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Komodo: A Paradise Under Pressure' is a 20-minute VR Nature documentary which takes you on an incredible journey through the waters and islands of Komodo National Park; a unique ecosystem situated in the Indonesian archipelago.

An Indonesian man with a communist background named Ramli was brutally murdered when the "Communist" purge occurred in 1965. His remaining family members lived in fear and silence until the making of this documentary. Adi, a brother of his, decided to revisit the horrific incident and visited the men who were responsible for the killings and one survivor of the purge. These meetings uncovered sadistic details of the murders and exposed raw emotions and reactions of the killers' family members about what happened in the past - much to Adi's disappointment.

Road movie-style documentary about the Great Post Road (De Groote Postweg/Jalan Raya Pos). Pramoedya Ananta Toer (1925), one of the most important Indonesian authors of recent decades, wrote an essay about the Great Post Road at the request of director Bernie IJdis. This thousand-kilometer road across Java was built at the beginning of the last century under the leadership of the Dutchman Daendels and cost the lives of thousands of Indonesian forced laborers. Because Toer, as a former political prisoner, is restricted in his freedom of movement, the filmmakers act as his eyes and ears during a trip along the Post Road. During the journey, parallels between Indonesia in the past and present slowly unfold. In addition, as the film progresses, the grimness of Toer's situation and the situation in his country becomes palpable.

Several historical facts were raised again to remember the story of the President who was born in the village of Peneleh, Surabaya, who is also Arek Suroboyo.

Bilkuin, Shima and Didi are three youths living on Omadal Island, situated off the coast of Sabah in Borneo, where a majority of the population consists of the stateless Bajau Laut (Sea Gypsies). After joining and excelling in a filmmaking workshop, they are selected to be junior directors or apprentices to be mentored by a professional film crew. 'Jom Kita Ke Laut' tells the specific story of their three lives as they try to document it on their own, which eventually gives us a view of how life is on the island for the Bajau Laut and the challenges they face by being stateless in their own land and not having access to basic human rights like education and healthcare.

Follow a multi-generational orangutan family through their treetop triumphs and travails in this immersive documentary narrated by David Attenborough.

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A film about convicted drug smuggler Myuran Sukumaran, who became an accomplished artist before he was executed by firing squad in Indonesia in April 2015.

Documentary about war photographer James Nachtwey, considered by many the greatest war photographer ever.

This documentary presents the scientific facts behind the issue of peat haze as well as points of view and opinions from local and regional stakeholders. The burning of the peat forests throughout tropical Southeast Asia creates pollution, and this posed significant challenges to human health and the economies of the region during the second decade of the 21st century. The problem of peat haze pollution has been somewhat mitigated in recent years but in spite of this positive progress a few of the critical issues are yet to be solved. A complete solution to this complex issue will not be a simple one.

Robert van Gulik (1910–1967) served as a diplomat, collected Chinese lutes and invented Judge Dee, yet his own country barely remembers him. Rob Rombout travels from the Netherlands to Indonesia, Japan, the United States and China, through diaries, archives and the people van Gulik still haunts. Somewhere between biography and detective story, the man and his hero merge.

The Lamalera village is located in a small volcanic Island, a poor, barren land, and they catch whales to eat. It is the only way for them to survive. The harpooners are called lamafa in the local language. They are the village's pride because they take the whole responsibility for the very dangerous hunting. In 2018. a tragedy struck the village. Benjamin, a young lamafa, was killed during a spear hunting. His father, Ignatius, was devastated, and Benjamin's brother, Demo, was shocked and unable to go hunting. They blame accidents at sea on a victim's family discord in Lamalera. Ignatius, the master boat-builder, decided to build a new traditional whaleboat to reunite the family bond. The whaling boat is 12 meters long, made entirely of hand-crafted wood, not using a single nail, and is considered an intangible cultural asset.

The sea nomads of Indonesia believe that with every newborn there is a twin brother in the form of an octopus. Rituals are carried out to appease the brother in the water and prevent misfortunes. When dishonor occurs, Jakarta is portrayed as the apocalyptic revenge of the brother octopus.

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This documentary dismantles the black-and-white social stigma that has long been attached to the punk community and often shaped by narrow misperceptions that equate it with deviance. Through an empathetic approach, the documentary “Screams on the Streets” portrays the daily lives of punk groups, aiming to create space for public reflection so that identity is not used as a basis for discrimination against others. The message we seek to convey is simple yet deeply significant: remember that human rights are universal and cannot be limited by class, race, ethnicity, tribe, culture, appearance, or any other distinction. Our hope is to open new perspectives and highlight that human rights are not reserved for a select few, but belong to all people on this planet. Punk is not a crime.

One of the first detailed photo reportages about the country and its people, customs and traditions, the economy and transportation in Indonesia. Skillfully inserted travel sketches from the Suez Canal to Singapore break up the documentary.