Scandal & Beauty: Mark Gatiss on Aubrey Beardsley

Rare documentary chronicling Keith Haring's visit to Australia in 1984, including working and painting at the National Gallery of Victoria and the New South Wales Art Gallery.

Tom of Finland is one of the gay world's few authentic icons. His drawings have had an enormous influence on gay identity. Tom's ultimate leather men are known and seen everywhere. They are symbols of gay pride and friendship. The documentary includes some titillating 'enactments' inspired by Tom's art work.

Inside his studio, painter Philip Trusttum launches into a new work. He employs ordinary house paint to create a bold, large-scale painting, tells stories, and reflects on his career as an artist.

Henri Matisse's great-granddaughter Sophie traces the story of how the artist fought personal tragedies and critical ridicule to become one of the most important and influential painters of the 20th century.

In 1899, a photographer at American Mutoscope & Biograph mounted his camera on the front of a trolley traveling over the Brooklyn Bridge. The three 90-foot rolls he created were edited together to complete the journey from Manhattan to Brooklyn, entitled Across the Brooklyn Bridge. As a commission by the Museum of Modern Art for the re-opening of their facility, American avant-garde filmmaker Bill Morrison took this remarkable footage and recombined it with itself to form a new split-screen extrapolation.

A 1993 portrait of rock singer and poet Nick Cave, a versatile artist who gained importance over the years. Jacobson also wrote the scenario that was built around a long conversation with the singer. From Australia and his work with the Birthday Party to his current city, Berlin, with The Bad Seeds.

In this interview with contemporary witnesses, painter and director Jürgen Böttcher talks about some stages of his professional career. This also includes his path to film art and his work at Deutsche Film AG (DEFA) in Potsdam-Babelsberg. He also tells of his experiences during the shooting of films such as "Barfuß und ohne Hut", "Rangierer" and the documentary film "Jahrgang 45", once banned but finally re-released at the Berlinale 2015. During the conversation, questions about the difference and similarities between painting and film, the significance of music in film, Böttcher's preference for black and white, and his criteria for choosing topics for documentary film projects will be discussed.

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This short documentary serves as a portrait of Lawrence Paul Yuxweluptun, one of Canada's most important painters. We meet him at the Bisley Rifle Range in Surrey, England, where he's literally shooting the Indian Act in a performance piece called "An Indian Shooting the Indian Act." It's in protest of the ongoing effects of the Act's legislation on Indigenous people. We then follow him back to Canada, for interviews with the artist and a closer look at his work.

Profile focusing on the life and work of the American realist painter, Edward Hopper. His subject is the face of America - haunting, unforgettable images of late-night bars, lonely hotel rooms, sunlit buildings and isolated figures.

Italian photographer Paolo Ventura creates stories by giving life to the simplest of materials which he has gathered. He gave up a successful career as a fashion photographer because he just had to photograph the images that haunted him. Images that the artist had imagined as a child when his grandmother told him about her adventures during the war. In his studio, in a barn on top of a secluded mountain, he creates a timeless melancholic world that resonates the isolation in which he grew up. Ventura conquered the international art scene with his photography series War Souvenir and Winter Stories. His work is included in collections by renowned museums in Italy, France and the US.

Jul, a true rap phenomenon, has become in just a few years the new face of Marseille. A kid from the working-class neighborhoods who, with a €20 microphone and a bedroom turned into a studio, reshaped French rap. Independent and hyper-productive, he imposes his own style and brings together all generations. Behind the auto-tune and Kalenji tracksuits lies a cultural revolution that is disrupting the established rules of the entertainment industry and extending far beyond the city of Marseille.

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They called themselves the United Society of Believers in Christ's Second Appearing, but because of their ecstatic dancing, the world called them Shakers. Ken Burns creates a moving portrait of this particularly American movement, and in the process, offers us a new and unusually moving way to understand the Shakers.

Danish-Norwegian artist duo Michael Elmgreen and Ingar Dragset began their creative journey as lovers in 1995. In 2009, they were specially nominated for both the Danish and Nordic Pavilions at the Venice Biennale. Recognized as one of the world's most iconic queer art duos, this documentary chronicles their artistic evolution. Through a selection of their bold and playful works, the film humorously unpacks critical themes such as identity, gender, and democracy, revealing the rebellious, unapologetic spirit that defines queer art.

Little is known about the figure of Isabel Santaló, an old artist, today fallen into oblivion. But occasionally some visitors come to her flat. Through them and the voice of Antonio López (Dream of Light, Víctor Erice), the only painter who remembers her, we shape a multifaceted film. This is a cinematic portrait, which well into the film takes a surprising turn. A film that reflects on memory and oblivion, art and the creative process; posing the question of what it means to be an artist and a woman.

A sick man discovers empathetic wisdom on how to cope with his deadly autoimmune disease within the colorful expressive works of the late Swiss-German modern artist, Paul Klee.

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Spit Earth: Who Is Jordan Wolfson? is a feature documentary film about this controversial and divisive artist who in the ensuing five years has only solidified his stature with unnerving and provocative new works that elicit extreme reactions from both critical naysayers and vocal proponents alike. Wolfson is not content to play by the rules of a conservative self-policing art market that favors the status quo, instead preferring to make us squirm as he engages a host of lightning-rod issues facing our society today; homophobia, misogyny, racism, white nationalism, antisemitism and violence to name but a few. Wolfson is an art maker on the world stage whose immersive works take on today’s endemic virtue signaling and politically correct narratives, veritably throwing it all back into our faces.