Home in the Woods

Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.

Follows the story of "Grizzly Man" Timothy Treadwell and what the thirteen summers in a National Park in Alaska were like in his attempt to protect the grizzly bears. The film is full of unique images and a look into the spirit of a man who sacrificed himself for nature.

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A video reconstruction of the 1977 Wooster Group production Rumstick Road, an experimental theater performance created by Spalding Gray and Elizabeth LeCompte after the suicide of Gray's mother. Archival recordings are combined with photographs, slides, and other materials to recreate the original production.

Iceland is one of the wildest places on earth. You could be caught up in the midst of snowstorms and blizzards, but you are never alone... Although tourists from all over the world have started a silent invasion, nature keeps on winning.

Burford met Breer in February 1992 and filmed his actions. Breer manipulates some of his mutoscopes: he leafs through some cards of his film in the making, Sparkill Ave! A dome-shaped sculpture slowly moves across the space.

Sites Unseen is a 3 channel 16mm projection of the Jewish cemetary in Warsaw, a photograph of a great Aunt who died in Treblinka, and my late grandmother eating her morning cornflakes.

A super 8 projection which references the essay “On the Jewish Question” by Karl Marx.

This experimental video breaks the many silences surrounding lesbians and AIDS. Interweaving the voices of two friends, Internal Combustion reflects on the often unspoken tensions within this epidemic of survival and power and mourning and loss .

A story about a woman descending into mental illness.

The Arctic is accessible to man only because of ice dogs. As hunters, haulers, and guardians, they have been our vital link to nature for thousands of years. Dogs led the Sarqaq people out of Siberia and, a millennium later, led explorers to the North Pole. As the light returns to Greenland, we arrive in Scoresbysund with a troop of the only companions worth having in this harsh environment.

Mountain men Joseph R Walker was probably the first non-Indian to see Yosemite, in 1833, but not until the California militia entered the valley rounding up the Ahwahneechee Indians was the region discovered. In June, 1864, President Abraham Lincoln signed the Yosemite Grant, making it a California State Park. It became famous through the writings of Horace Greeley and the efforts of John Muir. Cinematographer Dennis Burkhart captures in this video the magnificence of Yosemite Valley (El Capitan, Bridalveil Fall, Half Dome), the High Sierra (John Muir Trail, Tuolumne Meadows, Tioga Pass) and the Mariposa Grove of giant sequoias. The camera catches the wildlife that roams the 1,1170 square miles of Yosemite, i.e. the mule deer, mountain lion, black bear, coyotes, bighorn sheep, and the rare peregrine falcon. This video reveals why 3.8 million visitors come each year and stand before awe-inspiring panoramas they will never forget.

Two thousand square miles, a mile deep, approximately 10 miles wide- no geological feature on earth evokes a wider spectrum of human emotions than does the Grand Canyon of Arizona. It is impossible not to be profoundly moved when confronting such immensity. But it is more than a chasm, it is alive with mule deer, mountain lions, coyotes, bighorn sheep, wild turkeys, blue grouse, blue heron, desert tortoises, and the rare kaibab squirrel, found only in the Grand Canyon. Long before the Spanish arrived, the Anasazi (Ancient Ones) lived here. Included is an exclusive segment, never before filmed, of Shaman's Gallery, a significant Anasazi find of rock paintings in the Grand Canyon area, dating between 2000 B.C., and A.D 1. Established in 1908, Theodore Roosevelt proclaimed the Grand Canyon a parkland and said "do nothing to mar its grandeur, keep it for your children, your children's children, and all who will come after you."

White Sands is a 3 screen projection 16mm film installation which reflects on the visible and invisible manifestations of the nuclear fuel chain on the land, air, water and people of New Mexico.

If Not is a meditation on love, inspired by If Not, Winter by Sappho, translated by Anne Carson. Filmed in Ephesus and Brooklyn.

Dear features the interior world of two teenage Chinese girls in New York City, whose diary entries reveal their concerns related to growing up as immigrants amidst the ever-gentrifying landscape of Chinatown.

In this graceful study of the balance between solitude and community, artist and chef Jim Denevan roams across the US, transforming landscapes into breathtaking, sustainable dining experiences framed by ephemeral installation art.

Steve Backshall visits a hedgehog rescue centre in Surrey founded by Brian May. He meets the dedicated staff and discovering the stories behind some of the animals being treated, helps to release a successfully treated hedgehog back into the wild, and offers advice on how to make a garden into a welcoming environment for the creatures.

Originally produced anonymously and distributed by RTMark, Untitled #29.95 tells the story of the commercial art establishment's attempt to turn video art into a precious commodified object through the release of limited editions during the nineties.

An experimental journey through a year in the life of the director, using his always playing playlist to cross the boundaries of fiction and documentary. Through scenes of both comedy and tragedy, realistic documentary footage and experimental sequences of the director's environment and daily life we get a sometimes estranging image of a young man and also an intriguing insight in his mindset and how this translates to the imagery on screen.