Rite of Guerrilla Theater

A single shot, taken during a confrontation between police and demonstrators in Hong Kong's Sham Shui Po neighbourhood, transforms a street confrontation into something transcendently beautiful. The voice of Louis Armstrong adds a level of almost unbearable irony.

a 32-minute color film by Gwen Brown, featuring precious footage of Living Theatre productions “Mysteries” and smaller pieces, “Paradise Now” and “Frankenstein.” “The fusion of Brown’s freewheeling direct cinema and the Living Theatre’s performance for revolutionary change (amidst the heydays of both) unite as a dynamic concoction of the era, yielding for the viewer a shifting terrain of both critical insight and ecstatic zeal, not as a vacant nostalgia for a pre-commodified radicality, but as tactical inspiration for future days.” – Andrew Wilson (Artist’s Access Television)

1 A Bitter Message Of Hopeless Grief 2 The Will To Provoke 3 The Delusions Of Expediency 4 The Pleasure Of Uninhibited Excess 5 A Scenic Harvest From The Kingdom Of Pain 6 Virtues Of Negative Fascination 7 Seven Machine Performances

A record of the series of creative actions and public interventions staged by San Francisco artists in the early 2000’s in response to the escalating rents and evictions brought on by the first wave of tech, the so-called “dot com boom.”

A harrowing, gorgeous, in-your-face-and-mind 45-minute black-and-white film by Marty Topp, produced by Ira Cohen for Universal Mutant. “Marty Topp’s beautiful film of ‘Paradise Now’ reveals how the theories of revolutionary change and the experience of sexual liberation are not separate paths to the beautiful nonviolent anarchist revolution. Practiced together they are a single thrust, encompassing both political action and sensual joy, leading to the dreamed-of terrestrial paradise.

Documentation of three Survival Research Laboratories events, 1983-1984. Meet Stu, the SRL guinea pig, and see him training to operate the 4-legged Walking Machine, see 10-barrel shotguns, hear the "Stairway to Hell".

At least forty films have been made about the Living Theatre; it remained to the American underground filmmaker Sheldon Rochlin (previously responsible for the marvellous Vali) to make the 'definitive' film about one of the most famous of their works, Paradise Now, shot in Brussels and at the Berlin Sportpalast. Made on videotape, with expressionist colouring 'injected' by electronic means, this emerges as a hypnotic transmutation of a theatrical event into poetic cinema, capturing the ambiance and frenzy of the original. No documentary record could have done it justice.

Two instants separated by 99 days conflict with each other.

Fouad, a 15-year-old Moroccan immigrant, and Max, a 27-year-old "old stock" Quebecer, both live frustrating lives. Their respective destinies lead them face to face, in a situation from which neither will emerge unscathed.

Theo and Louis, two gay gentlemen, embark on a train journey to Paxmal. They are carrying an urn - it is the last journey for a friend. On their way deep into the Swiss Alps the two men, struggling with their fate, meet various people. While some of these people remind Theo and Louis again of the beautiful things in life, others confront them with ghosts from the past.

A woman challenges her husband on his decision to have a female friend stay over.

El Topo decides to confront warrior Masters on a trans-formative desert journey he begins with his 6 year old son, who must bury his childhood totems to become a man.

Connor has been going through a tough time.

San Francisco police officer Frank Connor is in a frantic search for a compatible bone marrow donor for his gravely ill son. There's only one catch the potential donor is convicted multiple murderer Peter McCabe who sees a trip to the hospital as the perfect opportunity to get what he wants most: freedom. With McCabe's escape, the entire hospital becomes a battleground and Connor must pursue and, ironically, protect the deadly fugitive who is his son's only hope for survival.

During a routine patrol, a reporter is given permission to interview a hardened cold-war warrior and captain of the American destroyer USS Bedford. The reporter gets more than he bargained for when the Bedford discovers a Soviet sub and the captain begins a relentless pursuit, pushing his crew to breaking point.

A highfalutin art movie crumbles into a meta-fictional disaster that betrays its director’s incompetence in real time, and it’s all on film.

Haunted by memories of his father murdering a family, Arlis Sweeney prefers to keep to himself, focusing his energy on his work. One day, the traumatic past that eats away at him returns when he meets Kay Davies, a woman connected to the bloody event. Against all odds, Arlis and Kay fall in love; however, when his father, Roy, reappears in his life -- with the coldhearted Ginnie in tow -- Arlis must deal with his past demons.

Down-on-his-luck John Ellman is framed for a judge's murder. After he's convicted and sentenced to death, witnesses come forth and prove his innocence. But it was too late for a stay to be granted and Ellman is executed. A doctor uses an experimental procedure to restore him to life, though the full outcome is other than expected.

Alison loves to do star jumps in the water. She also likes to watch people fight in chip shops. Her two worlds collide as a fight breaks out in aqua-aerobics and she's never felt so alive. When the foam settles, Alison realises she's an outwardly nice person who lives for confrontation.

Three cowboys, mistaken for members of an outlaw gang, are relentlessly pursued by a posse.