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Born in 1932, Keiko Kishi has been one of the first Japanese actresses known worldwide. Her decision to move to France and to marry director Yves Ciampi in 1957 – after he filmed her in Typhoon Over Nagasaki starring Jean Marais and Danielle Darrieux – caused a huge scandal in Japan. Despite this transgression, Keiko Kishi continued acting in her home country with Kon Ichikawa, Yasujiro Ozu, Masaki Kobayashi… building unique bridges between Japanese and European cultures. Free and rebellious, she emancipated herself from the many obstacles she encountered in the film industry, and created her own production company in her early twenties. Let’s look back at the story of a pioneer, an inspiration for many generations.

Jazz is my Native Language: A Portrait of Toshiko Akiyoshi is a 1983 documentary film by Renee Cho about the jazz pianist, composer, arranger and big band leader Toshiko Akiyoshi.

The follow-up film to “Barstow, California” takes us to the mountains of Miyama, a remote forest and tourist area north of Kyoto. Uwe Walter, a shakuhachi player from Germany, lives there with his wife Mitsuyo for 30 years. Together with the villagers he prepares the annual Gion Festival. On the eve of the festival, the village representatives tell him that his self-built studio is to be demolished. This brings back memories for him of earlier times and his first steps as a Nō actor. In the manner of a fresco, the film interweaves rural depictions of everyday life with the story of its German protagonist. In the village community with its togetherness of generations, Uwe shares life with his neighbours, with farmers, hunters, woodsmen, poultry farmers and anglers, tills his kitchen garden, and like other tradition-conscious villagers, he also grows his rice. The film shows them in a harsh mountain landscape between the rainy season and the first snow.

A graceful performance of the Mikado dance, featuring three Japanese women in elaborate traditional costume. Originally noted for its striking effect when hand-colored.

Tokio (Shugo Oshinari) and his sister Sui (Shiina Eihi) fall in love.

Mitsuki and Yuya become stepsister and stepbrother because of their parents' marriage. Mitsuki can't get along with her new family and Yuya doesn't know how to approach his new stepsister. One day, Mitsuki becomes possessed by the spirit of Hiyori. Hiyori likes Yuya and believes Yuya can help her get to heaven. Hiyori places a leather chastity belt upon on Mitsuki and a plan takes place to help send Hiyori to heaven.

One rainy night in the Edo period, Kotono (a geisha) confronts samurais who killed her father. The samurais attack her one after another, but she fights hard against samurais with her sword. Kotono tries to chase the samurais who scramble to escape. Yet now three ninjas stand up against her. Kotono drops her sword by their wave of assaults. Can she beat them?

Kyoko Otonashi is a 22-year-old widow. Six months have passed since the sudden death of her husband, Soichiro. In her resolve to move on, she has recently taken over the management of a boarding house owned by her father-in-law. She now finds herself reminiscing about the few seasons that she and Soichiro had together, and about the first time that she saw him: when he became her geology teacher during her final year of high school. This prequel is the third and final OVA released after the conclusion of MAISON IKKOKU, an animated series based on the manga by Rumiko Takahashi. The past events are retold through flashback sequences using scenes from the television series, with narration by Sumi Shimamoto as Kyoko.

Otsuta is running the geisha house Tsuta in Tokyo. Her business is heavily in debt. Her daughter Katsuyo doesn't see any future in her mother's trade in the late days of geisha. But Otsuta will not give up. This film portrays the day time life of geisha when not entertaining customers.

Yuki lives at home in peace until one day a unit of assassins breaks in and kill her mother. In order to revenge herself Yuki becomes a demon of vengeance by donning gothic lolita clothing, using a parasol as a deadly weapon, and executing the guilty in God's name.

A mysterious stranger comes into a lawless town run by a kingpin and starts shooting up the place.

An idealistic young lawyer whose faith in the law is rocked when she is unable to prevent a rapist from walking free. Her disillusionment of the judicial system is complete when her next case goes disastrously wrong, her corrupt boss is killed by her disappointed gangster clients, and she only narrowly escapes the same fate when a gun-toting stranger bursts into the office and shoots the men dead.

A Japan-set battle-royale comedy over a vial of sperm is centered around three women on the verge of a nervous breakdown from hearing their biological clock ticking away: a doctor and manager of a sperm bank, Sana Kobayashi, a single mother, Maron Kuribayashi, and an alluring receptionist, Mayumi Kujō. Unknowingly, the three shared a beloved partner and a sperm donor, Makoto, but lost him in a sudden accident. The night of Makoto's funeral they are shocked to discover each other in his room. In a rage of screaming, thrashing, and boasting about their own sexual prowess with Makoto, more fierce emotions erupt once Sana's plan to self-inseminate is exposed, but this leads to unexpected consequences. They affirm their real love for Makoto and reveal his true wishes.

One late summer day, Yuko catches a cold and misses school. She waits for someone in an unfamiliar neighborhood until sunset.

Summoned by his dying father, Miyagi returns to his homeland of Okinawa, with Daniel, after a 40-year exile. There he must confront Yukie, the love of his youth, and Sato, his former best friend turned vengeful rival. Sato is bent on a fight to the death, even if it means the destruction of their village. Daniel finds his own love in Yukia's niece, Kumiko, and his own enemy in Sato's nephew, the vicious Chozen. Now, far away from the tournaments, cheering crowds and safety of home, Daniel will face his greatest challenge ever when the cost of honor is life itself.

Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. She describes life's vicious cycle: acting cheerful around drunks, dressing and living well to convey confidence, needing money for these expenses and for her demanding mother and brother, and knowing she's growing older.

Your favourite teddy bear. That model kit that took so long to complete. The picture book you used to read over and over again. The shining stone you found that day in the park. Where do all your childhood's treasures go when you grow up? In this story, we meet fantastic creatures that gather all these little objects that fall into oblivion as they are forgotten by their owners when they step into adulthood. These creatures sneak into our world from a different dimension, and unseen by humans, they take all the ditched and forgotten "treasures" into their world. Here, they use their booty to build their own city, a fairy tale-like place called... Oblivion Island!

Follow the owners of the infamous "Maison de la petite mort" during their daily work. After the shocking events in part one, you'll never guess what the new owner Monsieur Matheo Maximè is up to. Torturing for money at it's very - worst.

With both beauty and wit, Maiko looks for a man who suits her. One night, she finds Taro, a candidate for the prime minister. Everything goes well as she plans, but he finds out she's actually a "youma" who destroys the country. What's their destiny?

Otsuya, the daughter of a rich merchant, elopes with her lover Shinsuke, an employee of her father's. During their flight, Otsuya's beauty attracts the gaze of Seikichi, a mysterious master tattooist who sees her pristine white skin as the perfect canvas for his art. The image of the large demonic spider that he emblazons across Otsuya's back marks her as the property of another man, radically altering her relationships with all around her as her personality seems to transform under its influence.