I Want Her To Flash Me Some Panty Shot Action With A Disdainful Look In Her Eyes Moe Amatsuka

The Pictures that Moved (1896-1920) - A novel moving picture of Australia early in the 20th century. It moves through ethnographic and actuality films, newsreels and features to the 1920 features Robbery Under Arms and The Sentimental Bloke. The Passionate Industry (1920-1930) - The twenties was a passionate period - a decade of fervent, feverish activity in the film industry in Australia when over 100 feature films were made. Fewer than 30 survive today. This documentary features For the Term of His Natural Life, the husband-and-wife team of Louise Lovely and Wilton Wench and the work of director Raymond Longford among material from 50 newsreels, 16 feature films and still photographs drawn from over 70 collections. Now You're Talking (1930-1940) - The story of the Australian film industry in the thirties, from the pioneering days of "talkies" through to the decline of the industry with the coming of World War Two.

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This documentary follows the vacations of four prisoners, during four days, while they spend Christmas with their families for the first time.

This innovative and spectacular 3-part series shows how examples from nature can make human beings and their machines faster, smarter and more efficiently. Whether in ice deserts, under thousands of meters of water, or on the highest mountains in Order to survive, animals need the conceivable best, toughest and most sophisticated equipment. Over the past three and a half billion years of evolution always had it develop new, more crafty plans and recipes. When we observe people's nature, therefore we find many of our own toughest technical problems already solved. We just have to look closely.

An all-star celebrity tribute to celebrate George Burns 80th Anniversary in show business.

This documentary is about a group of people led by the anti-high artistic attitude of the underground culture of the end century during the Mid-Autumn Festival in 1995 for three consecutive days and two nights, supported by the unprecedented courage of the Taipei County Cultural Center; the planning is broken.

A Self-Portrait is the story of the art teacher Qiu Sha, told in photos and the words of Qiu Sha, about his youth, the changes in his family and in society. Director He Yi: 'What I remember now is the material that I came to mind of a man who has lived through the different eras in China. From all this material I not only read the history of a man and his family, I also learned something about the demands placed on life in a society over several decades.

A woman teaches her techniques on how to seduct over men.

A woman explains her distaste for the use of underwear.

A documentary encompassing gay life in New York City. The ultimate goal for this film is to exhibit the historical culture culture of New York City's gay lifestyle and expose how the unknown modern gay life has evolved.

Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.

An animated documentary film, based on an actual story of a woman from Damascus countryside. Suleima evokes some of childhood memories, when her thoughts refusing injustice had arisen. The film is a portrait of Suleima, and a monitoring of intellectual and social shifts she experiences during the events. The visual environment: has been presented graphically fully of sharp contrasts, and imaginary mixed with reality.

A documentary recounting Anne Frank’s story and death at Bergen-Belsen before turning to a detailed examination of the camp itself—the routines of its officers, the atrocities committed there, and the troubling postwar reality that many perpetrators lived freely with state support in Germany.

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Franz West (1909-85) remembers his youth in Vienna: the variety of the Jewish population of the so called Matzah-Island, his commitment to the worker’s movement of the Red Vienna and the rise of Austro-fascism and National Socialism. West’s masterly narration combined with impressing archive footage illustrate and elucidate the complex Austrian history between WW1 and WW2.

For those who electrical sensitivity, there aren’t many places to seek refuge. In a remote part of West Virginia, the so-called National Radio Quiet Zone offers one such escape.

The camera is the silent witness to the last weeks before Svetlana Donskova succumbs to her illness. We follow her slow surrender. Initially cheerful in the taxi, joking about being unmarried at 30, she gradually comes to spend increasing amounts of time lying on her couch in her apartment.

On 23 May 1987 Vincenzo, a 14-year boy from Calabria, sees in an abandoned church a statue of the Madonna weeping. None seems to believe him, until a few days later the whole village witnesses the first apparition of the Virgin. From that moment on, Vincenzo's life will never be the same.

The essay film about the German philosopher Byung-Chul Han encircles the phenomenon of fatigue in our capitalistic societies and its associated symptoms such as depression and burnout. It raises the question of how we want to live today, and what we can oppose to the pressure of an achievement-oriented digital society.

In the early days of solar vehicle racing, one of the most unlikely competitors was a Turkish nuclear physicist living in Australia named Ugur Ortabasi. He designed a four-seated solar powered tandem bicycle only a mother could love but in true underdog fashion it would go on to win the 1986 World Championships of Solar Vehicles. The story behind this unlikely victory was anything but sunshine and smooth sailing.