Eyeshadow

Gai Nhay ("Bar Girls") is the story of how the other half lives, with a twist. Southeast Asia being known for the multitude of bar girls ready to be "borrowed" for a (usually quite cheap) price, the life these girls live--and the motivations and tribulations that lead them to it--are usually hidden to their oblivious clientéle.

At once an intimate chronicle of a romance and a sprawling portrait of life in early 1990s France following the intertwining journeys of Jacques, a worldly Parisian writer, and Arthur, a curious, carefree and much-younger university student who is just beginning to live. Brought together by chance, the two men find themselves navigating a casual fling that gradually deepens into a tender, transformative bond.

Theo is a young docker languishing in his native port. His life flows at the monotonous rhythm of cargo ships passing by. Through his encounter with Giuseppe, a disillusioned sailor ashore for a while, Theo will gather the courage to face the waves to escape his dull existence by trying to get into Giuseppe's gruff crew.

Love and politics collide when modern day individuals working as theatre artists in fall in love while making a play about love. They realize that it's the social structure that determines their values and thoughts, and for their love to succeed, they have to go against it.

Outside, the first sun rays break the dawn. Sixteen years old Catarina can't fall asleep. Inconsequently, in the big city adults are moved by desire... Catarina found she is HIV positive. She wants to drag everyone else along.

In an anonymous city, a person collapses, appearing to have lost consciousness. Some strangers pass by, others embrace her. In a solitary quest for intimacy, blinded by a world of indifference, her gaze, her body are staggering.

Through a campaign of fabulous surprise attacks, an underground band of radical queer HIV+ activists, addicts, and drag queens take to the streets of New York City to combat conservative politicians and government apathy towards the AIDS crisis.

Simone develops an unhealthy obsession with the extreme sexual practice of bloodplay.

Sexual decisions have deadly consequences. Can a small group of college students from Botswana challenge conventional wisdom about AIDS in Africa to save their generation? "The Road We Know" explores the impact of HIV/AIDS in Botswana through the efforts of these young adults who boldly advocate for behavior change to save lives. Facing cultural taboos and difficult travel, this small group sets out across the nation for five weeks with three tents, one car, and a radical solution to save lives.

Broken up with on the eve of a global lockdown, a man is pushed to the brink of madness by his isolation... only to discover he may not be as alone as he initially thought.

Walter is HIV positive and is leading a promiscuis life in Rome. He does this so that he won’t infect his wife. Walter’s wife is also cheating on him. In a decidedly dull subplot, Walter’s father is a senator who wants to use his son’s illness to promote his own political career by calling for more AIDS research.

Two young people undertake a doomed summer road trip through Japan, which in turn reflects on the dissipating promise of 1960s counterculture and free love.

Esi is a 25 year old, queer, biracial woman. Growing up in a conservative town in Missouri with immigrant parents, her sexuality and desire to be a photographer have become laced with shame and guilt. Six months after moving to LA, we find Esi isolated and disconnected from world around her. After another day of feeling invisible as a PA, Esi stumbles upon a vivid house party of QTPOC (queer and trans people of color). For the first time in her life, Esi is welcomed into a community where she can let down her walls, let go of societal and family pressures and begin to embrace her true self.

One of a four-film series on the AIDS epidemic in India, this film examines the virus as Indian society's great class leveler, following its transmission through interweaving stories that link urban and rural India.

A headstrong trans teenager is propelled into their hangover when a reckless decision to have sex without a condom triggers an urgent need for the ‘morning after’ pill.

A couple interrupts an intimate moment to discuss their relationship.

Maurice plays a passive role in his life. He hides a truth that tries to get out, but when he opens his mouth, only silence comes out. Fed up with his inertia, Maurice tries to take control of his life.

Tatjana dreams of escaping St Petersburg, and thinks she's found a man that can take her away. Meanwhile in Mexico City, Champinon struggles to find himself a girlfriend. In Los Angeles, Asha discovers her fiancé has been cheating on her, and in Kenya, Matthew struggles to break into Nairobi's burgeoning hip hop culture. The cast of characters react to the building pressure to create TRANSIT: Tatjana leaves Russia for Mexico City in search of her lover, and Asha for Nairobi to shoot a film for her graduation project. In their new locations our characters meet and our four stories become two when Tatjana finds Champinon and Asha finds Matthew. Love follows but their relationships are not as simple as they first appear, as we discover that all their stories are interlinked. —Niall MacCormick

Kevin is a shy young man who, after being rejected by his family, battles the warring thoughts in his head while coming dangerously close to ending his own life. But when an unsuspecting friend shows up at his doorstep, he must face his past in order to change his life forever.

A young woman who is handicapped after an accident becomes attached to an AIDS orphan.