Christmas Joy to Ukraine

Since the uprising of a pro Russian insurgency in eastern Ukraine in 2014, hundreds of women joined the army. Only a few made it to the front line. Filmmaker Masha embeds herself in the war zone to follow the daily life of three of them. By sharing the intimacy of these fighters, Masha soon becomes a victim of this brotherhood conflict jeopardizing this film and her life.

For five teenagers living in the conflict-ridden Donbas region of Ukraine, a Himalayan expedition provides a brief escape from reality. A portrait of a generation that, in spite of everything, is able to recognise and celebrate the fragile beauty of life.

This lesson in political revelation focuses on the shooting down of the Malaysian passenger jet MH17 over eastern Ukraine in 2014. A meticulous, investigative exposé that lays bare the mechanisms of Russian warfare.

A full-scale invasion found the Kyiv director in a small Bedouin village in the Middle East. It was warm, safe, and unbearably far from home. Once the director had a prophetic dream. She decided to return to Kyiv, still the hostilities were unfolding. Despite the condemnation of relatives and the long journey, she finally managed to cross the threshold of her home. But the house itself has now become forever different.

The story of war, love and death that was documented by the immediate participants of events. Off screen and later on it are the two - a boy and a girl. He volunteered for the front; she went to the place just after the battle. He got into Ilovaysk cauldron, lost his closest brother-soldiers. She, while travelling along the ruined towns, strives to understand the essence of war and love. Both tell openly one another about their feelings during the war, escaping the cauldron, a try to live together after, and a common trip to the frontline.

This powerful documentary explores the intersection of two crises — war and the HIV epidemic. The film follows HIV-positive Ukrainian activist Yana Panfilova as she joins “Through Positive Eyes,” a global photo-storytelling project. The film looks to the resilience of a new generation, navigating survival and community through art and activism.

Bombed-out streets, destroyed Russian tanks, evening meals in an Underground repurposed into a shelter. Image by image, the directors push beyond easily reproducible images of war to enter the reality the country has experienced since February 24, 2022.

When Russian armed forces invaded Ukraine, Moldovans raced to the borders to assist refugees, offering warm food, rides, and shelter. At the same time, a group of Moldovan filmmakers formed an ad-hoc film collective to document the unwavering efforts of volunteers and the fate of refugees through multifaceted lenses. Despite these acts of solidarity, a segment of the population's Soviet nostalgia fuels a growing fear that the country could be drawn into the war.

Personal videos from the phones, camcorders, cameras and GoPros of Ukrainian soldiers are woven into a surreal journey to the frontline of the war with Russia. The film shows a bizarre world whose laws are quite different from what we are used to. The behaviour is different, the relationships unfold differently and the humour takes on different notes. The heroes wake up and fall asleep, rejoice and cry, always feeling that the recording may end at any moment.

Between February and April 2025, filmmakers Bernard-Henri Lévy and Marc Roussel filmed the Pokrovsk and Soumy fronts in eastern Ukraine, following the fighters of the Anne de Kyiv Brigade, armed by France. They filmed the daily lives of the inhabitants, bombarded by Russian forces terrorizing civilians on the eve of possible negotiations. They interview President Zelenskyy, who is reluctant to travel to Washington, and then watch the rebroadcast of the meeting with Ukrainian soldiers in a bunker. For the real heroes are the anonymous fighters and civilians who hold their heads high in the face of adversity and suffering, and who are filmed on a daily basis. The final part of Lévy’s “Ukrainian Quartet”, Our War is a diary, peppered with flashbacks in which the author recalls the high points of this war that began in 2014.

From the Revolution of Dignity to full-scale war: successful Ukrainian film producers took up arms to defend the country and cameras to record the gruesome reality. From the fragments of memories and their own film archive, veterans Pavlo and Yurko assemble a mosaic of the causes and consequences of today's Russian-Ukrainian war - from the end of 2013 to today. The authors went to the front as volunteers, visited the hotspots of Donbas, created the home-made drone "Furia", which is now named after one of the best air reconnaissance units. And all this time they continued to create in order to show the world the truth about the terrible war that became possible in the 21st century.

One year after the beginning of the full-scale Russian invasion of Ukraine, philosopher Bernard-Henri Lévy takes us to the heart of the combat through this war diary made during the second half of 2022. From Kharkiv and Bakhmut to Kherson, in the aftermath of the city’s liberation, this documentary bears witness to the ravages of war through the testimonies of soldiers, chronicles of the front and portraits of civilians, and shares with us the struggle of the Ukrainian people.

Due to the full-scale Russian invasion of Ukraine, tens of thousands of Ukrainians, fleeing the war, found refuge in Uzhhorod in western Ukraine. The local director decides to attract non-professional actors -displaced people - in bringing his dream into life - to stage the King Lear play. The theatrical performance helps them find themselves and their purpose in a new world where there is war, and the director finds an answer to the eternal question of what love is and why this world should not perish.

In 2014, the war begins. Immediately, a system of evacuation of the wounded and killed is being built, the outpost of which is the Dnieper - it is here that the first will be delivered, it is here that they are still received. Tatiana Guba has been coordinating the evacuation for 5 years. She is called "Mom Tanya". Thousands of people are grateful to her for her life. Serhiy Kryvorotchenko, director of the Dnipro Airport, has deployed a helicopter evacuation system since the beginning of the war. Eugene Titarenko, the film's director, in 2014-2015 was part of a volunteer medical battalion, communicates with the heroes of the film about the evacuation system. The viewer will see the whole way of saving lives, will be directly in the vortex of events and will understand how many people are involved in the process of saving one person.

On February 24, 2022, Yevhen, together with his friends, volunteered to join the first aid squad on the front line. They provided life-saving support and evacuation of the wounded. This film reveals the experiences of these young men for six months full of drama, despair, fear, hatred, bitterness, love, and, most importantly, faith in victory.

The film looks at people transformed by a democratic revolution, who give up their normal lives to fight a Russian invasion, in a war which has killed 10,000 and displaced 1.9 million Ukrainians.

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Director, choreographer, actress, singer – the usual professional roles for the heroines of this film stopped working at the beginning of Russia’s full-scale invasion of Ukraine. Like millions of Ukrainian men and women, who were saving themselves and their loved ones and volunteering. Creative pursuits returned later, but now in a new dimension. Iryna, Olena, Oksana, and Maryna became the voices that tell the world about Ukrainians, their culture and their struggle for freedom. But how can one be heard in a world where Russian propaganda has been spread for centuries?

The story is not only about Ukrainian museums during a full-scale war, but about the survival of our culture in general. The occupiers are trying to destroy it and steal it, but thanks to museum workers, it is not only being protected, but also multiplied.

This is a story about the Ukrainian comic book industry. The authors introduce the audience to a still little-known and under-appreciated art form in Ukraine - drawn stories. Where did this art come from? When did it appear in our country? What forms did it take in the Soviet era and how did it change in the first years of independence?