The Boy

The story follows an elderly man on his deathbed who gives his young grandson a pocket watch and warns the boy against the dangers of letting time slip away.

A meditation on My Lai.

A pair of dragonfly wings grows out from the back of the first biological kid from two men. One of the fathers, the scientist who created the kid, wants to hide the fact from the public, while the kid wants to expose the wings to force his fathers to accept him.

Emily Eximo finds herself sat in a strange room, with a strange man, who's sitting in a strange chair. Denton Elicient wants her to settle a debt she didn't even know she had.

Jess comes into "Gay's The Word" (the first Gay and Lesbian bookshop that opened in London) where she meets Leah for the first time. They coincidentally meet by the same bookcase over three days. What sparks is a romantic awkward chemistry between the two, transpired by Jess' curiosity in Leah and the chance for an artistic and sexual liberation possibly waiting for her at the end.

When the pressure of a homophobic town and family weighs too heavily on the shoulders of a young gay man, he must confide in his best friend and true love.

Poetic images of nature in the opening credits lead us on the wrong track. The motorcyclist has been lying under his machine for a long time. At the moment of death, memories emerge. Flashbacks to family history, speechlessness in the face of death in harsh cuts.

A look into the life of an extremely poor argentinian family.

Late in the afternoon, a student and a construction worker sit on the edge of the bay and leave traces on the landscape.

Omri and Amit are a gay couple in an open relationship who live together in Jaffa. On the day between Israeli memorial day and the evening of the Israeli independence day, they will confront their relationship status.

Tom, a young architect from Tel Aviv, accepts his partner Nimrod's offer of a threesome with Or. The meeting with Or changes the couple's relationship.

A hook-up between two young men - they make a connection, but it quickly becomes apparent they're looking for different things.

Goh Jun-chul grew up with second-handed things from a young age. As an adult, he makes his living selling used cars. Having never had anything new, he is proud of his innocent girlfriend. But he starts to understand there are more important things in life than whether things are new or used. This realization helps Jun-chul to regain both love and hope.

Diego is 17 and is full of life, yet fragile. His best friend Antonio knows and indulges his weaknesses, but he would also like to see him strong and masculine. One night they meet Maria, a breezy natural beauty. To show that he is a 'real man', Diego, is ready to do anything, even to force himself to do things he would never have wanted to do.

Three young people journey to a mystical Oracle living outside their small town in a search for identity.

A cruising area takes on majestic proportions as we discover Greek-esque male bodies in the forest. The sonnets 18, 57, 20 by William Shakespeare add to the Midsummer Nights Dream like ambiance of the film.

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A sickly scrawny man in a striped uniform takes a shaving brush and foam, and with a sharp blade, he shaves the back of the head of Rudolf Höss, the commandant of the Auschwitz camp himself. They will never speak with one another, and Joseph (we only learn his name during the credits) will never harm Höss, will not stop the flood of horrible murders with yet another murder. This short sketch about life of a death camp makes us feel pain and grief of millions of people who had passed beyond the walls of the shaving room during the imprisonment of Joseph, the man who outlived his torturer.

This is a story about the eternal miracle of life and death. The unfortunate death of a wild hare turns into a remarkable experience for children who find his body and bury it in a sand box. Now buried, the hare’s life fades away and dozens of magical creatures that lived inside him leave his body in search for a new home. The hare’s life ends by merging with nature, but is reborn in the plants and animals around it. This fairy-tale for children encourages us to think about what death is.

One of the first film adaptations of Booker Prize-winning author George Saunders' work, this examination of white male rage against " the other' tells the story of Roger (Patton Oswalt) and Adams (Fred Armisen), two neighbors locked in an escalating conflict.