Silvio Forever

God might forgive you. He... no.

Italy, from the '50s to the present day, told through the eyes of generations of children captured in Rai's (Italian public TV) archival footage.

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Nanni Moretti once again muses on the ebb and flow of life in April 1996, as he is about to become a father for the first time and finds himself unable to focus on his documentary about the upcoming general elections, where the left is heading into a rematch against Berlusconi.

Anthology short film with segments by nine directors against Silvio Berlusconi and its Forza Italia party — released ahead of the 1994 Italian general elections, which Berlusconi nevertheless won in a landslide. In Nanni Moretti's segment, he and Silvio Orlando reprise their roles from The Yes Man (1991).

All the games and behind-the-scenes of Silvio Berlusconi's power, including politics, media and soccer. Citizen Berlusconi is the original version of the documentary written by Andrea Cairola and Susan Gray broadcast on August 21, 2003, during the Wide Angle program of Thirteen/Wnet New York, the major U.S. public TV station Pbs.

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Viva Zapatero! is a 2005 documentary by Sabina Guzzanti telling her side of the story regarding the conflict with Silvio Berlusconi over a late-night TV political satire show broadcast on RAI-3. The show, RAIot (a play on the name of the Italian state public TV: RAI, and the English word riot), lampooned prime minister Berlusconi. Since it wasn't considered a satirical show, but a political one, it was cancelled after the first episode.

An intimate portrait of Georges Brassens, giant of French song.

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Girlfriend in a Coma is a documentary that exposes the dire situation of Italian politics and the process of economic and social decline the country has suffered during the last two decades, treating the decline as a warning of what might happen elsewhere in the West. The decline has occurred amid a collapse of moral values and the victory of “Mala Italia” over “Buona Italia”. It has been lauded as being ground-breaking in its creative combination of animation, interviews and hard facts, and has caused fierce controversy in Italy.

The first and only episode of *RaiOt* was immediately cancelled for political reasons, despite an extraordinary audience reception and the mobilization of hundreds of thousands of people. After the scheduled run of broadcasts, Sabina Guzzanti had been set to continue her theater tour; instead, she decided to create a new stage play that addressed the events that had taken place.

A young German pacifist finds documents in an old castle that prove Hitler didn't kill himself in April 1945, but fled to Spain disguised as a monk, and now works as a comedian in a remote town. He finds the former Führer in a small theater rehearsing a Charlot parody.

Insatiable Coeds is a compilation video. You get some very nice moments from Landon Hall, Brandy Davis, Gabriella Hall and the very striking Tammy Parks. Scenes of each of these wonderful softcore starlets are broken up by a handful of other excellent players like Ashley Rhey, Kristen Knittle, Petra Sexton, Mellara Gold, Michelle Trongone and Dana Plato.

"Loro", in two parts, is a period movie that chronicles, as a fiction story, events likely happened in Italy (or even made up) between 2006 and 2010. "Loro" wants to suggest in portraits and glimps, through a composite constellation of characters, a moment in history, now definitively ended, which can be described in a very summary picture of the events as amoral, decadent but extraordinarily alive. Additionally, "Loro" wishes to tell the story of some Italians, fresh and ancient people at the same time: souls from a modern imaginary Purgatory who, moved by heterogeneous intents like ambition, admiration, affection, curiosity, personal interests, establish to try and orbit around the walking Paradise that is the man named Silvio Berlusconi.

When department store executive Madison is charged with coming up with a fresh idea for the holiday season, she decides that instead of a classic Santa, this year they would hire a young Santa with lots of fashionable style.

A ski-lodge event manager’s task of hosting a corporate Christmas party goes awry when the resort is cut off by a snowstorm and the hard-to-please CEO turns out to be an old flame.

The film recounts the life of the prisoners and the problems their families encounter in their struggle to survive. Here again filmmaker Kamran Shirdel employs the cinema verité style. The interviews with the prisoners, social workers and teachers serve as commentaries for "constructed" documentary images.

Tehran Is the Capital of Iran (1966-79) documents life in a deprived district in the south of Tehran. The images of destitution in Tehran's poor areas is accompanied by a variety of spoken accounts: the official viewpoint on the district's living conditions, what the inhabitants have to say, and occasional extracts read out of school manuals. The key element in Shirdel's film is the counterpoint effect he creates with image and sound. His impressively powerful portrayal of social unease helps reinforce the impact of his astonishing documentary images and social themes.