Assholes: A Theory

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Dance film made in Arica with the Tobas Internacional Gigantes Alados group.

Per Persson left Sweden 40 years ago. In Pakistan he fell in love and became the father of two daughters. Trouble starts when the girls grow up and the family decides to emigrate to Sweden. When they end up living in a caravan outside Hässleholm, all their expectations are dashed.

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

Bible expert Bill Gallatin explores biblical prophecies from the Book of Revelation that have transpired, with a discussion of whether these events signify that we are now living in the End Times preceding the return of Jesus Christ. Gallatin touches on events such as the increasingly acute difficulties in the Middle East, numerous environmental catastrophes, earthquakes and more, explaining how they connect to scriptural writings.

An interview with Jovanka Jolić discussing her views on global elites, hidden power structures, and the concept of secret knowledge preserved by select families.

Ben Stewart, the bright young musician and philosopher who brought us the sleeper hit "Esoteric Agenda", unveils his new work, Kymatica!. Kymatica will venture into the realm of Cymatics and Shamanic practices. It will offer insight into the human psyche and discuss matters of spirituality, altered states of consciousness and much more! Not to be missed!

Chile is the only country that has privatized its waters, in favor of large corporations, to the detriment of homes in rural and urban communities. Secos is a short that makes this reality visible, through the dialog between anonymous fighters from the most heavily affected provinces, with renowned actors and actresses in the country. The objective is to activate the topic of water as a human right, to achieve in the future the recovery of this vital element as a common good for all communities and territories.

An exploration of the heavy metal scene in Los Angeles, with particular emphasis on glam metal. It features concert footage and interviews of legendary heavy metal and hard rock bands and artists such as Aerosmith, Alice Cooper, Kiss, Megadeth, Motörhead, Ozzy Osbourne and W.A.S.P..

The moving story of Milena Boeva, a passionate woman who finds a one-of-a-kind sanctuary where young people with disabilities can thrive through creativity, community, and meaningful work. As the garden blossoms into a place of hope and transformation, Milena faces growing challenges that threaten its very existence. Will her dream endure, or will the pressures of reality uproot the seeds of change she’s planted?

The incredible story behind the 1969 moon landings and the Nazi rocket scientists who made it possible.

This movement marks the beginning of modern art in Germany. It is the German equivalent of French Fauvism, from which it draws its main inspiration, but it carries an Expressionist and social emphasis that is characteristic of Nordic 'angst.' The artists of Die Brucke were restless creatures, over-sensitive, haunted by religious, sexual, political or moral obsessions. Dramatic landscapes and nudes, mystical and visionary compositions, scenes of the countryside, the streets, the circus, the cafe-dansants and the demi-monde were their principal subjects. Their pure colours blaze in acid stridency, encompassed by rough, dry contours which show the influence of African art and primitive woodcuts. The work of the following is shown: Kirchner, Fritz Bleyl, Erich Heckel, Schmidt-Rottluff, Otto Muller, Emil Nolde and Max Pechstein.

A montage, using documentary material filmed during the war, shows the beginnings of an air attack and Londoners entering shelters. From the silent deserted streets, the film moves underground into the world of Henry Moore's shelter drawings. People sit along subway platforms, looking after their children, settling down for the night, sleeping in bunks and on the floor. Above ground London burns. Henry Moore used the eye of a sculptor in portraying the stolidity and enduring patience of a besieged people. This film brings together a unique series of drawings which are some of the most remarkable achievements of an artist during wartime. Eliminating all narration, it explores, on several metaphoric levels, the very nature of human consciousness and creativity.

A 60th anniversary retrospective documentary on the influence and context of the 1962 film, To Kill a Mockingbird.

Set against the backdrop of the Milburn Review, teenagers in South Wales share their experience of living in 2026 and the barriers they face. The documentary explores themes of digital safety, community, role models and lack of opportunities.

A filmmaker embarks on a poignant journey with his parents to the secret city where they unknowingly contributed to the creation of the first atomic bombs.

What happens when western anthropologists descend on the Amazon and make one of the last unacculturated tribes in existence, the Yanomami, the most exhaustively filmed and studied tribe on the planet? Despite their "do no harm" creed and scientific aims, the small army of anthropologists that has studied the Yanomami since the 1960s has wreaked havoc among the tribe – and sparked a war within the anthropology community itself.

Through archival footage Nicholson tells the story of the real Warriors that walked the streets of New York City in the 1970s and the harsh reality of gang life in a city that seemed to be falling apart.

Jean-Luc Godard brings his firebrand political cinema to the UK, exploring the revolutionary signals in late '60s British society. Constructed as a montage of various disconnected political acts (in line with Godard's then appropriation of Soviet director Dziga Vertov's agitprop techniques), it combines a diverse range of footage, from students discussing The Beatles to the production line at the MG factory in Oxfordshire, burnished with onscreen political sloganeering.

Pier Paolo Pasolini sets out to interview Italians about sex, apparently their least favorite thing to talk about in public: he asks children if they know where babies come from; asks old and young women if they support gender equality; asks both sexes if a woman's virginity still matters, what do they think of homosexuality, if divorce should be legal, or if they support the recent abolition of brothels. He interviews blue-collar workers, intellectuals, college students, rural farmers, the bourgeoisie, and every other kind of people, painting a vivid portrait of a rapidly-industrializing Italy, hanging between modernity and tradition — toward both of which Pasolini shows equal distrust.