Office Freaks 4

Eight very different couples deal with their love lives in various loosely interrelated tales all set during a frantic month before Christmas in London.

Bud Baxter is a minor clerk in a huge New York insurance company, until he discovers a quick way to climb the corporate ladder. He lends out his apartment to the executives as a place to take their mistresses. Although he often has to deal with the aftermath of their visits, one night he's left with a major problem to solve.

Fong (Miriam Yeung) is already at odds with Wu (Edison Chen), one of her bosses at an ad agency, when she makes a major mistake at work that puts her job on the line. To save herself, she feigns pregnancy, which, under Hong Kong law, means she cannot be fired for 10 months. However, while there may be some perks that accompany her "pregnancy," she is eventually forced to concoct increasingly elaborate lies and involve everyone around her in the charade.

Kang Ji-yeong runs a shared office. Under her, regular VIP Kim Gi-baek, writer Yang Kyeong-mi, and business planner Min Jeong-gyoo enter the office one after another. Boss Ji-yeong feels that Gi-baek and Min-gyoo are turning their attention to Kyeong-mi. Out of jealousy, she decides to corrupt Kyeong-mi and kick her out of her shared office. However, Kyeong-mi is secretly attracted to her female boss and starts working on a script about it.

"Have you ever answered the wrong call—only to change a life? When a middle-aged sanitation worker picks up a ringing helpline phone, she becomes an unexpected lifeline to a young woman in despair, revealing the quiet power of empathy from society’s most overlooked."

When bookish CIA researcher Joe Turner finds all his co-workers dead, he, together with a woman he has kidnapped, must work together to outwit those responsible until he determines who he can really trust.

The ambitious Betsy is happy: she gets promoted to a leading management position. Her happiness is spoiled only a little by problems with a boyfriend who feels neglected and an harassing boss. She realizes much too late that her secretary Norma is after her job and step by step tries to ruin her career and private life.

An unhinged office worker who planned to go on a shooting spree at his workplace struggles with his newfound status as a hero after he ends up stopping a shooting spree instead.

Two business executives--one an avowed misogynist, the other recently emotionally wounded by his love interest--set out to exact revenge on the female gender by seeking out the most innocent, uncorrupted girl they can find and ruining her life.

The elderly Shukishi and his wife, Tomi, take the long journey from their small seaside village to visit their adult children in Tokyo. Their elder son, Koichi, a doctor, and their daughter, Shige, a hairdresser, don't have much time to spend with their aged parents, and so it falls to Noriko, the widow of their younger son who was killed in the war, to keep her in-laws company.

Not too long ago... at a race circuit just around the corner... ... And so we come to the greatest DVD of our time. It's called "Bagpuss: The Director's cut" and has nothing at all to do with the DVD we're giving away here. No, this is a far shoddier affair featuring, as it does, a documentary, or - if you will - a mockumentary. Revealing how the staff of Superbike manages to cobble together the best sports bike magazine in the world every month. It's all here - the road tests, the track action, the long-termer bike tests, the centerfold shoots, big Al's baking tips, well, maybe not those but we'll talk about everything else. Citizen Kane? Battleship Potemkin? Dude, where's my car? They are all unquestionably far, better, films than this - but do they feature some of the finest motorcycles ever built? No, they do not. This DVD will fill in the gaps so disappointingly evident in the works of Messers Wells, Einstein, and Leiner.

Workplace is a documentary made by Gary Hustwit, in association with R/GA, for the 2016 Venice Architecture Biennale.Workplace is about the past, present, and future of the office. It looks at the thinking, innovation, and experimentation involved in trying to create the next evolution of what the office could be. The film follows the design and construction of the New York headquarters of digital agency R/GA (in collaboration with architects Foster + Partners) who have been experimenting with how physical and digital space can better interact. Digital technology has radically changed how and where most of us work, but the physical spaces we work in haven’t kept up with that transformation.

The twisted tale of Kenneth, socially insecure technical writer who forms an obsessive relationship with "Nikki", an anatomically accurate silicone sex doll he orders over the Internet.

Dewey goes to his local insurance office to set up a plan, but didn't intend on a new girl there as the secretary. He decides he'll try and be a smooth operator and have a normal conversation with her. But what about her boss?

Lambros has a bizarre office that does crazy jobs, because he is not a fan of the "Fake pie to eat" theory, but he also puts his hand on every time he wants to reach a happy ending in a neighborhood. But he believes that marriage is a bad thing, until the day when the female Satan, using tricks similar to his own, appears in front of him.

Peter Derns, an executive at Mrs. Appleby's Cooke Company, fears his future prospects are crumbling fast, until the arrival of Kris Bolin, a gorgeous, cooly efficient temp - and sultry temptress - who helps him develop a marketing campaign that slays the competition. But after two executives mysteriously die, Peter discovers his job security may vanish due to the one person he needs to trust: his temp.

The guys on Level 6 like to work hard, and party harder, that means the best booze, the finest drugs and hottest women money can buy. Unfortunately for them the Strippers they've just hired have come with an unwanted guest.

A woman talks herself through her own shame in an office stationery cupboard.

Susanne is called to her boss's office. There she drinks from a cup containing a paralyzing liquid. When Susanne regains consciousness, she has already become a will-less, controllable puppet of the system.

In the future, technology may change, but the patterns and routines of daily life stay constant, until we disrupt them. A short animation by Matthias Hoegg.