Una mujer de cabaret

Harvey hires Mary to seduce his rival Larry and help him gain his revenge. But Maria and Larry fall in love and things become complicated.

More important than the Kastaars, sharper than Viktor Verhulst's jawline and louder than Fien Germijns. The First Avenger of media criticism finally comes back out of the ice to shout from behind his tub. It has been a scary world without Xander De Rycke. Flemish films are successful again, VRT's weatherman has retired and Niels Destadsbader has been replaced by someone who calls himself Meteor. Not to mention the channel that was hijacked by Gert and James, that singing competition in carnival costumes and Tom Waes complaining about history with our tax money on a potato patch. But not to worry, your best friend is back with the only year-end conference that matters.

Dale Jordan is first accepted by the aristocratic first-cabin passengers on a south-bound Panama-Pacific liner until they discover she is a member of a troupe of cabaret girls led by Trixie Snell en route for the Bull Ring Cabaret in Panama City.

A bored young man meets with his former girlfriend, now a cabaret dancer and single mother, and soon finds himself falling back in love with her.

The FDP is gone - the financial crisis is still here. Fortress Europe is being built and the AFD would like to be in charge. The funded pension scheme is becoming a poverty trap for the average earner, so the only thing that helps is new enemy stereotypes to keep the democratically fooled at the bar where they are allowed to dance. Whoever controls the media rules the media democracy. The problems are not new, but they have evolved just as much as the program. Volker Pispers constantly updates his cabaret program and thus reflects the state of the republic: the ever new in the eternally same. Because while the media circus with its speech bubble jugglers makes us believe that something is constantly happening, virtually nothing is happening when it comes to the fundamental problems. You look in vain for respect in Pispers' programs. Blunt, crass and direct, he oscillates between bitterly angry and charmingly witty when he thinks the absurdities of the world through to the end.

Wanda, a dominatrix who runs an S&M gallery on the Hamburg waterfront, must choose between her lesbian lover and an American trainee.

Erik lives by night. He works in a nightclub and occasionally dresses up as a woman to rob rich clients. One day Erik's father arrives uninvited. It's a surprise visit that brings out memories of complicated childhood.

Cabaret star Zazu intervenes when young lovers are sundered by their parents' feud.

Ronald Goededmondt's third stand-up comedy show is about the confusion in the world and taking revenge on it. From big issues to small dilemmas can be read on his face. A man who does more than any other comedian and his performance becomes a social thing.

It is 1984. Frank is a determined English teenager who runs away from high school to find an alternative gay lifestyle in Amsterdam. He finds a home and a job at the "House of Boys", a bar-cum-brothel run by a strict Madame who has an eye for what his punters crave. Frank works his way up from barman to on-stage dancer and falls in love with some of his housemates, Jake. The first intimations of what is described as 'the gay cancer', casts a long shadow over Frank's tight-knit group of friends. Yet despite the troubles that cloud the hopes and dreams of young Frank, his perseverance, along with support from a willing doctor, will carry him through.

You can't ignore the two rising stars of the Swiss comedy scene! DivertiMentos' second program mixes pointed lyrics, convincing facial expressions, and soothing music to create a true comedy spectacle. The entire program was recorded at the Bärenmatte Center in Suhr (AG).

Follows Diogenes as he goes about his day as a police officer. He's prone to do things the right way, surrounded by a pretty much corrupt & citizen distant police department, & always resolves his duties with a personal method.

A cabaret performer begins her routine.

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On New Year’s Eve, a timid bank clerk is mistaken for a notorious criminal mastermind who rules the streets of Athens. Embracing his mistaken identity comes with a price though, as his unwitting white lie begins to unravel.

Hermann Maier regenerates on the ergometer. Alexander Wurz regenerates with jogging. Roland Düringer regenerates on the stage.

Stage registration of the eleventh show by the Flemish cabaret duo Kommil Foo. In 'Wolfijzers en Schietgeweren' Raf en Mich Walschaerts collect the best songs and stories from their old shows and turn it into a new show.

ROLAND REBER’S CABARET OF DEATH paints a multi-layered picture of existence and puts the taboo subject of death back in line into the circle of life. In various storylines a ruined relationship crosses paths with an old man begging for euthanasia, a live show featuring candidates who are mercilessly sacrificed to the audience, a dancer who cannot escape ageing despite her self-optimization and the one with the mask who craves to be famous at all costs. And between all this, a corpse driver rolls his “clients” through a long corridor and shares his very personal and unaffected thoughts about life and dea

A struggling female soprano finds work playing a male female impersonator, but it complicates her personal life.

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