The Leunig Fragments

Everyone thinks that Bob Kane created Batman, but that’s not the whole truth. One author makes it his crusade to make it known that Bill Finger, a struggling writer, actually helped invent the iconic superhero, from concept to costume to the very character we all know and love. Bruce Wayne may be Batman’s secret identity, but his creator was always a true mystery.

In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.

Every fall, The Center for Cartoon Studies invites 20 aspiring cartoonists to White River Junction, Vermont for a no-holds-barred education in comics. Those who complete the two-year program earn a Master of Fine Arts degree and are ready to face the hardship of a career in one of the world's most drudgery-inducing art forms. This is their story.

The film seeks to address the risks that Ziraldo's work takes. In a building abandoned ten years ago, the cartoonist's "Santa Ceia", a six-meter-high work painted in 1967, is far from the public and subject to the effects of time

A staged TV portrait of the Austrian cartoonist Gerhard Haderer; and first collaboration with Maria Hofstätter.

Exploring the rise and fall of the groundbreaking animated series ​Ren & Stimpy​ and its controversial creator, John Kricfalusi, through archival footage, show artwork and interviews with the artists, actors and executives behind the show.

This movie chronicles the life and times of R. Crumb. Robert Crumb is the cartoonist/artist who drew Keep On Truckin', Fritz the Cat, and played a major pioneering role in the genesis of underground comix. Through interviews with his mother, two brothers, wife, ex-wife and ex-girlfriends, as well as selections from his vast quantity of graphic art, we are treated to a darkly comic ride through one man's subconscious mind.

A promising Italian cartoonist lands in Buenos Aires in 1950, with the dream of reaching the United States, to discover that, for him, America will be Argentina. The country immediately overwhelms him with its massive economic boom and a cultural scene among the most vibrant in the world. We are at the dawn of Argentina's most delirious decade, and the young immigrant feels that the vast promise of this country is within his grasp. His name will indeed make itself known: Hugo Pratt.

Tito del Amo, a passionate 72-year-old researcher, takes the final step to unravel the enigma about the alleged Spanish origin of the American cartoonist Walt Disney, making the same journey that his supposed mother made to give him up for adoption in Chicago. A journey that begins in Mojácar, Almería, Spain, and ends in New York. An exciting adventure, like Alicia's through the looking glass, to discover what is truth and what is not, with an unexpected result.

The story of Enrique Herreros (1903-1977), cartoonist, advertiser, poster designer, talent manager, actor, producer and filmmaker, and the most daring of mountaineers; the man who, along with his companions from the so-called “other Generation of '27,” brought Hollywood to Madrid's Gran Vía, turning a grey and sinister post-war city into the capital of an incipient and ambitious cultural industry.

Why do the comic-strip Adventures of Tintin, about an intrepid boy reporter, continue to fascinate us decades after their publication? "Tintin and I" highlights the potent social and political underpinnings that give Tintin's world such depth, and delve into the mind of Hergé, Tintin's work-obsessed Belgian creator, to reveal the creation and development of Tintin over time. Rare and surprisingly candid 1970s interviews reveal the profound insecurities and anxieties that drove Hergé to produce stories that have not only entertained millions of children but also helped to satisfy a personal longing for self-expression.

Bezango, WA tells the tale of cartooning and comics in the Pacific Northwest, focusing on the alternative community. The film chronicles both the past and the present, while featuring Frank M. Young, co-creator of the Eisner Award winning graphic novel "The Carter Family: Don't Forget This Song," and James Gill, a cartoonist, and mostly-cheerful introvert of the finest class.

This short documentary profiles cartoonist, painter, humorist, publisher, iconographer, and teacher Jacob Maydanyk. Part of the first wave of Ukrainian immigrants who arrived in Canada between 1896-1914, Maydanyk was an imaginative artist who created the beloved comic strip character Shteef Tabachniuk, a hapless and endearing galoot who became a folk hero to Ukrainian immigrants. Laughter in My Soul is a tribute to the dignity and heroism of those early pioneers and to those whose spirit lives on, to those who had laughter in their souls.

A feature-length documentary about François Cavanna—creator of the publications Charlie Hebdo and Hara-Kiri—who passed away on January 29, 2014. His influence on several generations of writers, journalists, and comedians is far too little known. While older audiences are aware that he co-founded Hara-Kiri and Charlie Hebdo with Choron, the dozens of books and collections he wrote or contributed to remain largely unfamiliar. People chiefly remember his early autobiographical works—such as *Les Ritals*, *Les Russkoffs*, and *Bête et méchant*—while overlooking his historical novels, encyclopedias, and polemical writings like *Stop crève…* The film draws on interviews with Cavanna conducted shortly before his death, forgotten archival footage, and previously unheard testimonies from figures such as Siné, Willem, Delfeil de Ton, and Sylvie Caster.

Four prominent cartoonists, their individual creative processes, and their weekly lunches together.

Americans are preoccupied with the news, but need an escape from many of the events reported in the news. These escapes in the past have included dime store novels. The most accessible of these escapes is what are known as the funny papers, the set of serialized comic strips that are included within many newspapers. They appeal to all socio-economic classes, and all ages. Some of the earliest known from the late 19th century include the Yellow Kid, Little Nemo, Happy Hooligan, the Katzenjammer Kids, Mutt & Jeff, and Bringing Up Father. Many cartoonists are seen in action. Some originated their characters, while others have taken over following the passing of the originator. The joy of many comic strips are the absurd and the fantastical, which are limited only by the imagination of the cartoonist. Others are grounded in reality, which add to their poignancy within the public mindset.

In July 1987, Palestinian cartoonist Naji Al Ali was shot by an unknown assassin. This documentary traces his life and work from his birth in Galilee to his death in London. It examines the forces that shaped Naj Al Ali as an artist and as a human being and shows how his experiences mirrored those of other exiled Palestinians.

The New Yorker is the benchmark for the single-panel cartoon. This light-hearted and sometimes poignant look at the art and humor of the iconic drawings shows why they have inspired and even baffled us for decades. Very Semi-Serious is a window into the minds of cartooning legends and hopefuls, including editor Bob Mankoff, shedding light onto how their humor evolves.

The Spanish author Enrique Jardiel Poncela (1901-1952) was one of the best comedy writers of all time, a novelist and newspaper columnist, misunderstood, even censored, both by the Second Republic government and Francoism, an outsider ahead of his time; also a filmmaker and screenwriter in Hollywood, architect of a revolutionary theatrical building and scenographer, cartoonist and illustrator. An implausible genius.

Chuck Amuck: The Movie is a 1991 documentary film about Chuck Jones' career with Warner Bros., centered on his work with Looney Tunes; narrated by Dick Vosburgh.