The Big Snit

Scene 23, Slow pan The wind whistles over the dykes of the Willebroek Canal. Armand sighs. The viewer should feel goose bumps under their thick sweater. Make it clear that at this moment, Armand is craving a cup of Borain coffee. Scene 456, Armand's farm Armand puts down his coffee cup. Through the window, he sees a beautiful Romanian refugee with AIDS playing the cello in the beet field. Behind Armand, his wife, a former RTBF announcer, commits suicide by hitting herself with hot potatoes. Scene 2,347, sublime landscape of Flanders Armand can't take it anymore: will he choose the position of deputy for the Vlaamse Blok or that of puppeteer subsidized by the CUCF? No one can say.

SATAN'S GUIDE TO THE BIBLE is an animated documentary. Join Satan as he shares Bible secrets, secrets the students' pastor learned at Christian seminary but is afraid to share. Thankfully, Satan's not afraid of losing his job. Satan has amassed an impressive list of biblical scholars ready to reveal the "standard stuff" taught in Christian seminaries: Bart Ehrman (UNC Chapel Hill), John J. Collins (Yale), Dale Allison (Princeton Seminary), Susan Niditch (Amherst), Ron Hendel (UC Berkeley), and Hector Avalos (Iowa State). This is established seminary curriculum about biblical history, biblical morals, authorship claims, and early Christianity — a curriculum never shared with the congregation. Darkly comedic, but thoroughly researched, SATAN'S GUIDE TO THE BIBLE is a fascinating journey into the secrets of the world's best-selling book.

Barbara and Oliver Rose live happily as a married couple. When Barbara starts to wonder what life would be like without Oliver and likes what she sees, the two begin a campaign to force each other to leave their house, with their divorce lawyer D'Amato caught in the middle.

Follow a day of the life of Big Buck Bunny when he meets three bullying rodents: Frank, Rinky, and Gamera. The rodents amuse themselves by harassing helpless creatures by throwing fruits, nuts and rocks at them. After the deaths of two of Bunny's favorite butterflies, and an offensive attack on Bunny himself, Bunny sets aside his gentle nature and orchestrates a complex plan for revenge.

In the fallout of nuclear war, a rag tag team of robots, a mutant engineer, and an unpaid cyborg intern fight to give the survivors of the Trashlands that most vital of resources: entertainment.

A pawnbroker's assistant deals with his grumpy boss, his annoying co-worker and some eccentric customers as he flirts with the pawnbroker's daughter, until a perfidious crook with bad intentions arrives at the pawnshop.

A tailor's apprentice burns Count Broko's clothes while ironing them and the tailor fires him. Later, the tailor discovers a note explaining that the count cannot attend a dance party, so he dresses as such to take his place; but the apprentice has also gone to the mansion where the party is celebrated and bumps into the tailor in disguise…

An Italian referee demoted and exiled to the remote island of Sardinia finds out what it takes to handle a real match

In the year 2150, Johnny, a lazy Space Delivery Man, must deliver a package on a planet he does not fully understand.

Fairground boxing booth where visitors try to knock out the champion and win five pounds, the first contestants is knocked out but the very eager (and possibly drunk) third man knocks out the champion and overcome with "boxing fever" rushes out punching at everybody and everything he meets. (britishpathe.com)

Each time Mrs Babylas sees an animal, she just can't help herself bring it back home.

One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.

Peixe-de-Espada (literally, sword-fish), a retired Army colonel, his wife and nubile daughter are spending their holidays at the Palace Hotel, in the company of a lady doctor, Doctor Pilulas (literally, pills). He tells tall-tales of his African adventures, and she finds ways to promote the excellency of the pills of her own fabrication. To spend some time with Gabriela, his girlfriend, Rito appears disguised as a woman, pretending to be the new post-office operator. Desguises will come and go, and all ends well after a turmoil of twisted plots.

Sleepwalking and supernatural adventures, inspired by American farces.

No description available.

A homeless bum, bored of eating the same food every night, promises his girlfriend a special dinner. He plans to take her out with money robbed from a passing stranger. But the bum’s in for a surprise when the man he targets for his mugging turns out to have special – and hilarious – powers.

The film follows Zeke (Robert McMurray), Callie (Alicia Marie Marcucci), Les (Seth Gontkovic) and Hunter (Jake Mulliken) on the eve of Hunter's 29th birthday as they share in a few drinks on a seemingly dull day in their hometown of Somerset. The day takes a turn for the worse as everyone they have ever known are suddenly transformed into aggressively murderous flesh eating freaks. The four comrades are forced to hack and slash their way through the reanimated corpses of their closest friends and loved ones, only to find themselves on the precipice of a post apocalyptic wasteland littered with monsters and the looming threat of their fellow survivors.

A tramp tries to earn money by playing the violin, but he’s soon facing off against the jealous competition.

Thelma and Patsy find themselves in a spooky house inhabited by a nut who is a mechanical genius and has made a robot who does everything. The inventor manipulates the robot's control board from a hidden room. The girls are soon in a panic. Patsy gets into an argument with the robot and loses the match of wits. Blackie Burke, an escaped convict, is using the house as a hideout, and this adds to the problems the girls already have.

Enter Hamlet is a collage of images in cartoon form of a word put in balloon in each jump-cut scene as that word is said by the narrator Maurice Evans during his “To be or not to be…” soliloquy recording.