Por Diabos

Two paranormal experts investigate a forest plagued by demonic activity. Once a location where a cult once practiced dark rituals, the forest envelopes the two investigators as they stay overnight alone. Witness one of the most credible pieces of evidence ever captured in the paranormal field.

A documentary team follows a dysfunctional family of small-time gamblers in their relentless chase for the next big win. Over fourteen days, they uncover what it truly costs to live extraordinarily.

No description available.

A mockumentary illustrating a supposed conspiracy to infiltrate American culture through employing Canadians in the U.S. entertainment industry.

"In A MILLION IN DEBT IS NORMAL, SAYS MY GRANDFATHER, Gabriele Mathes traces the consequences of the decline of her father’s furniture factory via her family’s Super-8 footage(..)" (Viennale)

El proyecto del Pitufo Enrique is a document about the existence of a mysterious goblin from the province of Catamarca. During the filming of the movie there were some tragic incidents, such as the disappearance of six people or the violent deaths of another three. Some of these incidents were registered on video but couldn't see the light because of the ongoing legal battle between the director and the victim's families opposing its screening. On the contrary, Elvira Serio director of the movie, thinks that what is on the tape could be of great help shedding some light over all the mysteries around this thread. She hopes that her work can serve as a warning as well to all the residents and tourists who often visit that place.

Inheriting a film collection of home movies after the death of a relative, a film director recounts his life and the women he loved while investigating some family secrets hidden in the recovered images.

"CIVIL WAR SURVEILLANCE POEMS (Part 1)" is the first installment in a five-part project of experimental and hybrid-form short films contemplating a second American civil war via lyrical nonfiction, mixing call-in radio, twenty years of verité footage from the filmmaker's archive, and robots. Conceptually speculating from sixteen years in the future (and a protracted civil war), the project is partly nostalgic political travelogue, partly a quest to mine the archive for what went wrong, and part prewar surveillance records, the project deconstructs and builds to a clashing ideology, culminating in an installation of sound sculpture, four-walled video and artifacts.

No description available.

Nothing could be cooler than a rock-band on tour. Hordes of screaming fans who want to give up their virginity for an autograph, free drugs in all sizes, colors and kicks, luxury hotels that loose a star after our rock gods have passed through it like a tornado and sold out theaters and stadiums. The members of The Experimental Tropic Blues Band would give up one of their balls to be able to experience that one day. Everything’s better than these endless trips on the road in a tour bus that should have fallen apart decades ago, cabinets filled with aspirin to battle cheap beer hangovers, dark and smelly theaters with clogged toilets and a few lost spectators, getting paid in candy bars and not one horny groupie in sight. It certainly can’t get any worse than that? Just wait and see!

For years, people have wondered if Bigfoot is real, or just a myth. Today, reporter Madi Hewett is investigating weird sightings in the New Zealand bush. She is accompanied by New Zealand Cryptid Research And Bigfoot Sightings (C.R.A.B.S) as they investigate the try to prove the existence of Bigfoot in New Zealand.

An intimate portrait of a Belgian family. They seem normal at first, but after a while they show their true colors. They’re a bunch of ruthless and indifferent serial killers without any scruples or morality. You’ll witness their daily slaughter and, as the bodies pile up, see how they’ll come apart at the seams.

A mockumentary-style short film that humorously follows political science students debating whether math has any real place in their discipline. Through chaptered banter, fourth-wall breaks, and satire, the film exposes the uneasy but unavoidable relationship between numbers, power, and political truth.

The film centers around 8 people, from all walks of life, who thought they had bought a 'movie role' in a horror film, only to be locked inside the haunted mental asylum to test "The Lucifer Effect" experiment.

State of Bacon tells the kinda real but mostly fake tale of an oddball group of characters leading up to the annual Blue Ribbon Bacon Festival. Bacon-enthusiasts, Governor Branstad, a bacon queen, Hacksaw Jim Duggan, members of PETA, and an envoy of Icelanders are not excluded from this bacon party and during the course of the film become intertwined with the organizers of the festival to show that bacon diplomacy is not dead.

The 1992 suicide of a young Iranian refugee in a small Canadian town prompted filmmaker Masoud Raouf to examine his own past as a political prisoner in Iran who helped fight for democracy, only to be persecuted by the ayatollah's regime. Raouf's documentary features historical footage and interviews with veterans of the 1979 revolution, who watched with dismay as their homeland traded a despot for a religious dictatorship.

Tucumán, Argentina, 1965. Three years before George A. Romero's Night of the Living Dead was released, director Ofelio Linares Montt shot Zombies in the Sugar Cane Field, which turned out to be both a horror film and a political statement. It was a success in the US, but could not be shown in Argentina due to Juan Carlos Onganía's dictatorship, and was eventually lost. Writer and researcher Luciano Saracino embarks on the search for the origins of this cursed work.

If God came down to earth and try to earn a living in Bombay, most probably he would become successful as a voice over artiste, lending his voice to thousands of Hindi movies and even more documentaries and public service films in India.

A mysterious natural phenomenon sets an end to the party night of a group of young adults. The morning after begins with far more than just a hangover.

For five years, Stephen McCoy documented street life in Boston. This is what he captured.