Mercury

Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recently went through. Francis and his friend Alan visit The Cabinet of Dr. Caligari, an exhibit where the mysterious doctor shows the somnambulist Cesare, and awakens him for some moments from his death-like sleep.

An artist, surrounded by the mess in her studio, struggles with frustration as she tries to find inspiration for her new painting.

Frankenstein, a young medical student, trying to create the perfect human being, instead creates a misshapen monster. Made ill by what he has done, Frankenstein is comforted by his fiancée; but on his wedding night he is visited by the monster.

Mad scientist, doctor Ten Brinken artificially inseminates a prostitute with a dead man's semen. The resulting child grows up to be a beautiful, evil woman who turns against her creator.

Hanns Heinz Ewers' grim science-fiction novel Alraune has already been filmed twice when this version was assembled in 1928. In another of his "mad doctor" roles, Paul Wegener plays Professor Brinken, sociopathic scientist who combines the genes of an executed murderer with those of a prostitute. The result is a beautiful young woman named Alraune (Brigitte Helm), who is incapable of feeling any real emotions -- least of all guilt or regret. Upon attaining adulthood, Alraune sets about to seduce and destroy every male who crosses her path. Ultimately, Professor Brinken is hoist on his own petard when he falls hopelessly in love with Alraune himself. Alraune was remade in 1930, with Brigitte Helm repeating her role, and again in 1951, with Hildegarde Knef as the "heroine" and Erich von Stroheim as her misguided mentor.

In 16th-century Prague, a rabbi creates the Golem - a giant creature made of clay. Using sorcery, he brings the creature to life in order to protect the Jews of Prague from persecution.

A world-famous pianist loses both hands in an accident. When new hands are grafted on, he is horrified to learn they once belonged to a murderer.

A young man becomes obsessed with his new neighbour.

During a game of hide and seek, a new bride hides in a chest and remains undiscovered until a strange visitation thirty years later.

Murnau’s epic adaptation of Goethe’s tragedy stands with Fritz Lang’s Metropolis among the supreme achievements of German silent cinema. Gösta Ekman plays the alchemist who, his faith shaken in a time of plague, is offered the gift of healing and eternal youth… in exchange for his soul.

This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.

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One of the two earliest horror films ever made. This film is presumed lost.

One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.

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A surrealist tale of guilt and deceit.

"Between life and death" - Dr Brinck and his assistant Inger Holm spend days and nights in his laboratory to experiment with a revolutionary medical cure for poisoning. Inger Holm is deeply in love with his boss. When the two scientists one day go to bed and visit an outdoor server, Brinck's manufacturer will meet Warren and his daughter Elsa and get an opportunity to help Elsa with a damaged foot. Thanks to him, he is invited to a party in the manufacturer's luxurious home...

A distressed young woman, possibly on the run is surrounded by nothing but barren landscapes of forests and fields. As she progresses to an indiscernible denouement, the film contorts shape into a circular series of pulsating images that touches on the horror and the metaphysical.