White Walls Say Nothing

Outrage kiss-in at Bow Street police station in London, with a demonstration against homophobic government bills clause 25/28.

Jackson and Charles Pollock, two brothers, two painters, are caught up in the twists of twentieth century American history. The electrical center of their trajectory is New York. Their correspondence resonates with it, questions a myth and brings a painter out of the shadows.

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Someone Else’s Country looks critically at the radical economic changes implemented by the 1984 Labour Government - where privatisation of state assets was part of a wider agenda that sought to remake New Zealand as a model free market state. The trickle-down ‘Rogernomics’ rhetoric warned of no gain without pain, and here the theory is counterpointed by the social effects (redundant workers, Post Office closures). Made by Alister Barry in 1996 when the effects were raw, the film draws extensively on archive footage and interviews with key “witnesses to history”.

The story of unemployment in New Zealand and In A Land of Plenty is an exploration of just that; it takes as its starting point the consensus from The Depression onwards that Godzone economic policy should focus on achieving full employment, and explores how this was radically shifted by the 1984 Labour government. Director Alister Barry's perspective is clear, as he trains a humanist lens on ‘Rogernomics' to argue for the policy's negative effects on society, as a new poverty-stricken underclass developed.

‘Under the Weight of a Waking Dream’ is Zefier's debut swan song to the ending year. Comprised of poetry and endless enumerations is a diaristic film chronicling the lessons and contradictions found throughout the human experience.

Poème Électronique is an 8-minute piece of electronic music by composer Edgard Varèse, written for the Philips Pavilion at the 1958 Brussels World’s Fair. The Philips corporation commissioned Le Corbusier to design the pavilion, which was intended as a showcase of their engineering progress. The pavilion was shaped like a stomach, with a narrow entrance and exit on either side of a large central space. As the audience entered and exited the pavilion, the electronic composition Concret PH by Iannis Xenakis (who also acted as Le Corbusier's architectural assistant for the pavilion's design) was heard. Poème électronique was synchronized to a film of black and white photographs selected by Le Corbusier which touched on vague themes of human existence.

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A documentary about the hearings of President Nixon's Commission on Obscenity, featuring adult-film producer David F. Friedman (one of the producers of this film) testifying before Congress, and involved in the production of one of his films, "Trader Hornee."

Docudrama about a young graffiti artist in suburban Saint Petersburg, Russia

Paul Hugo ten Hoopen, the 98-year-old Amsterdam painter, delves into his childhood, education, and past artworks, while exploring his philosophy on the creation of art itself. Paul’s story brings out the perspective of a professional in his field. He urges new artists to find their own voice – their own colours – to be as original as possible.

Documentary film about the official view of art in the Third Reich and state funding of artistic practice.

The meteoric path of Emmanuel Macron made him pass in three years of almost anonymity to the presidency of the Republic. Yet, even though the media have followed him every day during his campaign, no one really knows him. Politics has spoken, progressive, social and liberal at the same time, but man remains an enigma. Behind the official story-telling, what is the true personality of the one who is going to lead France? What are its strengths, its weaknesses? Thanks to unpublished images and exclusive testimonials, including that of his wife Brigitte, this film tells the pivotal moments of the new President's career and reveals the deep motivations that animate him. Investigation of a meteor become President.

Deputy General Secretary at the Elysée to candidate for the presidency of the Republic, the novice in politics went from the shadows to the light in a very short time. For 200 days, our cameras followed him behind the scenes of his campaign and his exceptional ascent. For eight months we were the only ones allowed to follow the candidate Emmanuel Macron with our camera behind the scenes of this exceptional campaign. From the announcement of his candidature until his election on May 7, we propose you an exclusive documentary allowing you to live from inside the campaign of Emmanuel Macron in the manner of a political thriller.

One of the best-known Chinese figurative painters, Liu Xiaodong goes back to his hometown of Jincheng, in the province of Liaoning (North-East China), to re-paint again friends and relatives after several years have gone by. With a soundtrack by famed composer Lim Giong (Millennium Mambo, The Assassin).

Ruy Mauro Marini was a brazilian sociologist who developed the Marxist Dependancy Theory, to explain the development of latin american nations due their place in the global capitalism. This film, through multiple interviews, gives a short overview of his life and work.

Profile of the Haida artist Bill Reid

Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of "person" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.

An urgent and powerful documentary, shot in a detention centre where asylum seekers trying to reach Australian shores are indefinitely detained. Secretly shot on a mobile phone by Iranian journalist Behrouz Boochani while detained on Manus, in Papua New Guinea, the film is a collaboration with Dutch-Iranian filmmaker Arash Kamali Sarvestani. Boochani recounts, via the testimonies of fellow inmates, the abuse and violence inflicted and the precarious state of limbo they find themselves in. Chauka, the name of the dreaded solitary confinement unit within the detention centre, was originally the name of a beautiful bird and symbol of the Manus Island. By interweaving dialogue with two Manusian men and shots of daily life on the island, the film gives a much-needed voice to Manus inhabitants, understandably distressed by the current situation. With marked restraint, the film exposes lives broken by shocking immigration policies.

On November 17, 2015, construction on Baldwin Hall on the University of Georgia campus came to a halt when workers uncovered human remains on the site. DNA tests revealed what many local residents already knew to be true: these were the remains of formerly enslaved people. This uncovering and the events that followed have forced the often-omitted histories of slavery and segregation to rise to the surface, both at the University of Georgia and in Athens. “Below Baldwin”, featuring Fred Smith, Linda Davis, Alvin Sheats, Linda Lloyd, Mariah Parker, Broderick Flanigan, and others, chronicles the series of events between November 2015 and December 2019. But more than that - this documentary showcases a community’s persistent efforts to connect to its past and to win recognition and redress – for both past and present injustices.