Represión: un arma de doble filo

When you listen to The Years, the debut studio recording from Urbanites, you're hearing a band in progress. They wanted to make The Years differently, and decided to record the album together, live, in the same space - Studio A of Electrical Audio in Chicago, Illinois. With the exception of limited overdubs, (vocals, drum ensembles and laptop atmospherics) each song represented one collective take, warmly captured to two inch analogue tape. This recording method embraced the mistake as much as the moment. They also chose to document the making of the record with a film, appropriately titled, 'You Can't Rewind The Years'. With a new understanding and years of progress to come, these longtime friends are making the music that they'd always hoped to. As they sing, in The Years' standout track Restless, "Not without trial, not without err - this brokenness is ours to share."

Documentary about Bob and Kathy Burns, the goodwill ambassadors of science fiction film fandom.

A documentary about how Republican forces lost to Franco in the Spanish Civil War.

Dialogue-free short detailing the daily tasks of a man and his wife.

Stylized with dramatic interiors and a distorted frame rate, this early documentary miniature from Szulkin depicts six sequences of solitary, repetitious labor.

A family in rural area of West Java, Indonesia enjoys their time with 'Ngadu Bagong', a sundanese traditional game where dogs put to fight against a wild boar in a single event. Ngadu Bagong has always been some sort of animal abuse but it's been in the tradition for a long time. Ade Rohmat has been in the game for a long time; a hobby that he now passes on to his daughter, Ilma Nurjanah. The potentially controversial Ngadu Bagong has always brought intense emotion, prestige, and fortune upon its practicioners.

Documentary film that deals with the problems of the rock'n'roll scene in Niš, focusing primarily on the period after the collapse of the former SFRJ.

No description available.

Sean Dunne's observational documentary of a 2016 Donald Trump Rally.

A documentary about vivid punk and alternative rock scene of Subotica, the northernmost Serbian city, through the periods of communism, tyranny of the 1990s regime, and economic transition at the beginning of XXI century. Seen through the eyes of its witnesses, these musicians and creative artists deliberately refused the imposed way of behavior, hence staying "invisible" to everyday people.

A medium-length documentary commissioned by the Cuenca City Council. The documentary shows an honest, sincere, although sometimes mere tourist portrait, of the lands of Cuenca and its people, without artifice or imposture, with feeling and authenticity and at the same time with marked coldness.

No description available.

No description available.

A behind-the-scenes look at "Viagens", one of the greatest portuguese records of the 1990s, in the year of its 20th anniversary.

Documentary portrait of José Domínguez Muñoz, better known as "El Cabrero" (French for "the goatherd"), Spanish libertarian flamenco singer born in Aznalcóllar, province of Seville, in 1944 and filmed over two weeks in 1988 in Seville, Aznalcóllar, La Carbonería de Sevilla and Marinaleda, and in concert at a recital in Bayonne. Politically committed, El Cabrero defines himself as a libertarian. Since the 1970s, he has been close to the anarchist movement. For many years, he was a member of the anarcho-syndicalist Confédération Nationale du Travail.

Compilation of images of the amateur recordings of Madronita Andreu, Catalan intellectual of the nineteenth century, daughter of Dr. Andreu, famous for its pills and cough syrup.

Bajo el signo libertario is a propaganda documentary, with the script and direction of Les (known for his articles in Solidaridad Obrera and the magazine Espectáculo) whose central theme is the reconstruction of the development of life in a libertarian community in the Aragonese town of Pina de Ebro.

This Christmas, step into the magical world of The Nutcracker. For the first time in many years, the Royal Ballet has given full access behind the scenes for a landmark 90-minute documentary as they prepare for this season's yuletide production.

1+8 is a dynamic eight-screen video installation about Turkey and her eight neighbors based on the feature film of the same name directed by Cynthia Madansky and Angelika Brudniak. Each screen features life on both sides of the border, from Armenia, Bulgaria, Georgia, Greece, Iran, Iraq, Nakchivan [Autonomous Republic of Azerbaijan] to Syria.

1+8 is a film about Turkey’s unique position between West and East and her relationship to her eight very distinct and diverse neighbors. 1+8 is filmed close up on border towns of Turkey with Greece, Bulgaria, Georgia, Armenia, Nakhchivan/Azerbaijan, Iran, Iraq, Syria and the Kurds who are scattered amongst the many without a homeland, exploring what connects and separates the people on both sides. The film showcases through intimate portraits, personal accounts and cinematographic tropes, Turkey’s eight borderlands revealing the political and cultural dynamics of life on those frontiers. The contemplation of all eight neighboring countries reveals the complexity and importance of Turkey’s geo-political position between West and East, Europe and Asia, the European Union and the Middle East.