Las mujeres deciden

In an unfair country women work day and night far from home while their children learn to survive between loneliness and emptiness. They grow to become teenagers, locked down in one of many low income neighborhoods made up of identical small houses, outlined by overcrowding and scarcity. Their mothers, mostly workers in transnational factories, go in and out in buses that take them to a work place where they carry out twelve hour shifts two hours away from home, while their children muddle through their upbringing in tiny houses of 40 square meters. In spite of everything, they look for a way to move ahead and chase their illusions. This is a story full of youthful aspirations set in a context of difficulties and shortages.

Ompung Putra Boru, a sixties indigenous Batak woman from Humbang Hasundutan, North Sumatra, retraces her life stories through photographs that interweave her past and present as a wife, mother, healer and indigenous land defender in two neighboring villages. Her multi-layered stories are juxtaposed with visual records of everyday life in the two villages, where people’s living space is still increasingly threatened by a giant pulp expansion.

In this evocative meditation, a disturbing link is made between the resource extraction industries’ exploitation of the land and violence inflicted on Indigenous women and girls. Or, as one young woman testifies, “Just as the land is being used, these women are being used.”

Waters’ LIFT project, ᏗᏂᏠᎯ ᎤᏪᏯ (Meet Me at the Creek), is the fourth of a quartet of films, and focuses on interconnectedness and Cherokee values through the lifelong fight of Rebecca Jim, a Cherokee Nation citizen and waterkeeper warrior, as she leads the effort to restore Tar Creek in Miami, Oklahoma.

Filmed on location in Saskatchewan from the Qu'Appelle Valley to Hudson Bay, the documentary traces the filmmaker's quest for her Native foremothers in spite of the reluctance to speak about Native roots on the part of her relatives. The film articulates Métis women's experience with racism in both current and historical context, and examines the forces that pushed them into the shadows.

Four girls—Laura, Fabienne, Lisa, and Steffi—are in love for the first time, have sex, and become pregnant. At 14 years old, they suddenly have to make life-or-death decisions. Abortion seems like the obvious solution, but the girls decide to live with their children. In the film, we experience firsthand the ups and downs the four girls go through and how they face extraordinary challenges day after day. The film ends in the first months after the babies are born.

The filmmaker traces the loss of her ancestral language over three generations of her family, and her own desire to recover it.

Joyce Jonathan Crone—Mohawk matriarch, retired teacher, activist, humanitarian—reaches forward into her community of Huntsville, Ontario, opening hearts and bridging gaps for Indigenous education.

This documentary follows two Mohawk girls on their journey to become Mohawk women. Friends since childhood, Kaienkwinehtha and Kasennakohe are members of the traditional community of Akwesasne on the U.S./Canada border. Together, they undertake a four-year rite of passage for adolescents, called Oheró:kon, or "under the husk." The ceremony had been nearly extinct, a casualty of colonialism and intergenerational trauma; revived in the past decade by two traditional leaders, it has since flourished. Filmmaker Katsitsionni Fox has served as a mentor, or "auntie," to many youth going through the passage rites.

The story of a sister's love and the spirit, strength, and will of Indigenous Women refusing to let their loved ones remain invisible in the eyes of the justice system.

A documentary film about one woman's incredible life journey to meet and build a relationship with Ayahuasca. Her name is Tatiana Aya Tupinambá and she chose the path of an Ayahuasca curandera. Travel into the jungle with us near Pucallpa, Peru to meet Tatiana's Ashaninka teacher, Juan Flores. Experience the magical location of Mayantuyacu, where Tatiana's journey of self-discovery and healing blossomed. Mayantuyacu is a world famous healing center and is known for it's incredible unique geothermal river which is the largest boiling river on the planet. Learn about plant 'dietas', see the process of making Ayahuasca, and witness the fascinating practice that is 'Curanderismo', the way of healing in the Amazon rainforest. Understand how the Ayahuasca songs, Icaros, are learned from the plants and connect to force that these vibrational medicines carry.

The two-year National Inquiry into Missing and Murdered Indigenous Women and Girls, established by Ottawa, heard from 1,484 survivors of violence and their loved ones, as well as numerous experts. What will come next?

As the epidemic of missing and murdered Indigenous women epidemic affects tribal communities, a group of Blackfeet women tackle the threat head-on by practicing and training in self-defense.

Told by the country's first women, Canada's Keepers examines the truth about the country's dark colonial past. Truthful and raw, nine First Nations women tell their stories of racism, intergenerational trauma, resilience, community and more in this emotional film.

In Southern Bahia, seven indigenous women invite to reflection, sharing their mythology, ancestry and paths to living well.

Raised on horseback in Blackfoot Territory and coached by her father, Logan Red Crow fights to become the first woman to ride the Indian Relay at the Calgary Stampede, a breathtaking, bone-breaking sport where riders vault from horse to horse at full gallop.

Bolivia's Climbing Cholitas - a group of indigenous women scaling the Andes Mountains, some of the highest peaks in the world. Shot in Bolivia for Vogue Latin America and Vogue Mexico's 20th anniversary cover story.

"Without a Whisper" is the untold story of how Indigenous women influenced the early suffragists in their fight for freedom and equality. Mohawk Clan Mother Louise Herne and Professor Sally Roesch Wagner shake the foundation of the established history of the women’s rights movement in the United States. They join forces on a journey to shed light on the hidden history of the influence of Haudenosaunee Women on the women’s rights movement, possibly changing this historical narrative forever.

No description available.

Centered around an audio recording of a conversation between kokum Penny Roan and Jennifer Houseman (Tyson's grandmother and mother), kokum Penny tells a story about her kokum's experience at a residential school in Southern Alberta, sharing that her uncle burned down the school when he was seven years old. Six generations of matriarchal lineage are weaved across time through images of a young woman, Osa Roan, Penny Roan's granddaughter, harvesting birch bark at a camp in the summer.