E Haku Inoa: To Weave a Name

An original short film narrated by Academy Award-nominee Sigourney Weaver featuring excerpts from Georgia O’Keeffe’s personal letters to her husband written during her journey to and around the Hawaiian Islands.

What's it like to "make a family" when you're not part of the traditional hetero couple? Can two best buddies living on the same floor become a family? Océan and his best friend Sophie-Marie Larrouy will question their friendship, their desire for children and their ability to commit to each other, going to meet people who have made families "differently" to draw inspiration from them and invent their own model.

Riding Giants is story about big wave surfers who have become heroes and legends in their sport. Directed by the skateboard guru Stacy Peralta.

Openland is an art film guided by issues surrounding micro states and its derivative definitions. Through intertwining interviews, meta-narratives, and digital landscapes, Openland unfurls a dialogue between consciousness, individuality and collectivity.

Bye Bye Barcelona is a documentary about a city and its relation to tourism , on the difficult coexistence between Barcelona the city and Barcelona the tourist destination

The documentary, filmed in England in autumn 2020, sheds light on the genesis and background of the social drama.

Memory is a collaboration with musician Noah Lennox (Panda Bear), exploring the relationship between a musician and filmmaker and their personal reflection on memories. From Super 8 home movies and entirely handmade, this film explores familiar memories, the present moment combined with past experiences and how it all seems to evade from our present memory.

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During his stay in Cape Town as a film student, Shatho Tibone was inspired by an initial casual trip he took to the scenic but informal settlement of Hangberg. This film focuses on the uncertainties and inhumane acts of police and state brutality faced by the predominantly Rastafarian, KhoiSan identifying community of Hangberg in Cape Town, South Africa. So, through the participatory collective effort of a few journalists, filmmaker and community leaders Shatho went on a 5 year journey to document the story of this community which has become an enigma in South African imagination,

After losing part of her memory in an accident, Leila, a young French woman of Iraqi origin, reconstructs her story by reconnecting with her family and exploring her roots. Through music and cinema, she brings her exiled father's poems to lite, dis-covers the reality of the Middle East, and embarks on a personal quest to understand her identity and find her voice.

When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.

Gregorio, Dolores and Zoila are three elders excited about the arrival of a new member to the family; Esteban, their great-grandson. Through the memories of their ancestors, they narrate themes of loneliness, love, union, loss, and hope. They search through their belongings for a special gift to leave to a future Esteban, who may never know them as an adult. The short film itself is a gift that will make them endure in their family history.

Reminiscences of a trip to Čáslav

THE PERFUMED GARDEN is an exploration of the myths and realities of sensuality and sexuality in Arab society, a world of taboos and of erotic literature. Through interviews with men and women of all ages, classes, and sexual orientation, the film lifts a corner of the veil that usually shrouds discussion of this subject in the Arab world. Made by an Algerian-French woman director, the film begins by looking at the record of a more permissive history, and ends with the experiences of contemporary lovers from mixed backgrounds. It examines the personal issues raised by the desire for pleasure, amidst societal pressures for chastity and virginity. The film discusses pre-marital sex, courtship and marriage, familial pressures, private vs. public spaces, social taboos (and the desire to break them), and issues of language.

Documenting the Kapu Aloha movement, as they take a stand to defend Mauna Kea in the wake of the Thirty Meter Telescope protests.

Honduran immigrants living in Mexico, teenage siblings Rocío and Ale must take over care of their two younger siblings after their mother is sentenced to prison on dubious grounds. Tensions grow between the pair as the decision must be made on whether to stay together in Mexico or split the family up to cross into the US to work.

The movie explores the origin of the Ukrainian language and persecution of those who defended its authenticity. Using examples of other countries, creators of the film prove that a nation cannot exist without a language.

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This film portrays Hawaii as a multifaceted American territory, far more than just a tourist destination with picturesque beaches and palm trees. It describes Hawaii as a group of volcanic islands in the Pacific, serving as a crucial crossroads for shipping and air travel between North America, Asia, and Australia. The film highlights Hawaii's fertile soil, conducive to agriculture, with major crops being sugar cane and pineapples, cultivated historically by a significant Asian workforce. Cities like Honolulu are presented as modern, diverse urban centers blending various cultures, including the native Hawaiian heritage. The film also notes Hawaii's strategic importance, with historical sites like Pearl Harbor, emphasizing its unique combination of cultural richness, economic vitality, and historical significance.

Home to the Mitterrand family since 1965, Latche was the former president's base for three decades. Family, friends, and world leaders gathered there for walks, hours of conversation, and some of the defining moments of the century. There, he was a different François Mitterrand, absorbed by the "spirit of the place," far from the trappings of the Republic. An intimate space, Latche was also a political territory open to the world, a powerful diplomatic asset serving the ambitions of its owner.