A Day on the Grand Canal with the Emperor of China or: Surface Is Illusion But So Is Depth

This documentary explores the creation of the Holocaust Memorial in Berlin as designed by architect Peter Eisenman. Reaction of the German public to the completed memorial is also shown.

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"Stitched" is a fun-filled documentary following three quilters racing to complete their entries for the International Quilt Festival, the largest and most competitive quilt show in the nation. Judged on a combination of craftsmanship and flair, traditionalists compete with newcomers as the competition features heated battles between hand and machine quilters, and a controversial painted nude piece that sparks debate.

BRAVE NEW YORK is a free-form documentary that loosely chronicles the last twelve years of intense change in the East Village "hood." From the reopening of a newly curfewed Tompkins Square Park and Wigstock in '92 to the destruction of the cherished Loisaida Community Gardens, beyond the yuppie invasions of the "dot com" years to the present era, indelibly stamped with post 9/11 grief, this durable, lusty neighborhood survives in spite of a real estate gold rush that has excluded all but the well-to-do. The movie's main voices are those of the artists and street people whose wisdom and commentaries upon the dominant culture give us pause amidst the speedy approach of a "Brave New World." This Overview was taken from Fandor, where this film is available. 2004.

Cyprien Tokoudagba is from the city of Abomey in the Benin Republic of West Africa, where he paints the religious houses of the vodun. Haas and his film crew follow Cyprien as he first paints and then takes part in the ceremony to open a new temple. The paintings include three vodun figures and several emblems, including a pipe and a duck. Cyprien explains his work in the context of the religion and takes the crew to film two other local ceremonies, one where the dead are believed to come back to instruct the living through wild dancing and, another, where women warriors perform their war dances.

Well-known Croatian author Pero Kvesić, who has been struggling with a severe lung disease, documents his death from his own point of view. Recording his everyday struggle, the picture resembles a peculiar blog filled with self-irony and witty comments about life and death. Although the world around continues to shrink, the hero and the director in one does not cease to fill it with sense.

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After having released her fourth album "Red" in October 2012, Taylor Alison Swift continues to tear up the charts. In this film we learn how Swift becomes one of America's biggest Country and Pop music artists.

Wilbur: The King in the Ring is a comedic documentary, which wrestles with the worldwide obesity plight. Wilbur McDougall, a former pro-wrestler, agrees to let his best friend J. Ollie Lucks make a documentary about his gastric sleeve surgery and subsequent transformation. But in order to stay literally half the man he was, Wilbur will be forced to maintain a healthier lifestyle while Ollie’s altruistic intentions verge on exploitative.

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A great traveller always in search of light, Henri Matisse criss-crossed the world, from Morocco to Tahiti, to draw inspiration from far off lands. His travels were reflected in his art, often years later in their mood, colour, or composition. This documentary shows how Matisse’s many trips are crucial to understanding him as an artist.

Unlike any art movie you've ever seen, Making it in Manhattan is informed 'entertainment' about the people who make contemporary art. Artists, collectors, and dealers bring to life the art capital of the world, New York, as it plunges into the 21st Century. Presenting a cross-section of artists, the film discusses inspiration, aesthetics, and the meaning of success. With Louise Bourgeois, Brice Marden, Chuck Close, Neil Jenney, Elizabeth Murray, Ashley Bickerton, Gary Simmons, Ursula von Rydingsvard, Rirkrit Tiravanija, St. Clair Cemin, Ivan Karp, Jay Gorney, Matthew Marks, Jerry Saltz, Herb & Dorothy Vogel, and others. From abstraction to figuration, from installation to conceptual art, from the privacy of the doctor's office to the posh gallery opening, Making it in Manhattan captures the reality of a special world. Music by Tom Waits, Don Braden Ryuichi Sakamoto, George van Eps, Piero Umiliani with Chet Baker.

Travelling around the country, Art City: Simplicity takes viewers on a revealing trip into the studios and lives of a group of singular artists. On a desert mesa outside Santa Fe, Richard Tuttle invents his mysterious and marvellously humble forms, made of wire, cardboard, wood. In Taos, Agnes Martin rhythmically repeats extremely simplified images. Near the Santa Monica surf, John Baldessari, aims for successful juxtapositions of photographs and text. In his North Hollywood living room, Robert Williams revels in surreal cartoon imagery. At a cabin in Woodstock, Joan Snyder refines her sensuous art amid a lush forest. Mike Bidlo salutes Duchamp in a SoHo Gallery, while on Sunset Boulevard, Amy Adler reclaims personal history through self-portraits. Through this group of memorable iconoclasts, the creative "act" is there to see and study.

Many artists use the pain, exhilaration and resolution of private desires to express themselves. Art City: A Ruling Passion focuses on intense personalities who’ve used their art to explore the emotional impact of psychological truths. Everything that Louise Bourgeois creates - whether in marble, fabric or bronze - comes from memory. Michael Ray Charles investigates the marketing of black memorabilia, using early American advertising imagery. Elizabeth Peyton reinvents portraiture, using her friends as subjects, as well as pop culture royalty. Ed Ruscha’s literary landscapes burst from the physical world "right outside the window." The comic spirit of Lari Pittman contrasts with his graphic declarations. In a landmark house, Richmond Burton remembers his dreams to build "psychic fields" of abstraction. The arrays of featureless faces by David Deutsch are stimulated by sub-conscious sensations.

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In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.

Rhythmic composition of moving photographs of cyclists in Amsterdam, ‘set’ to Vivaldi’s The Four Seasons.

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