I Remember Nothing

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Structured as a labyrinth-like game and inspired by Jorge Luis Borges, Aleph is a travelogue of experience, a dreamer's journey through the lives, experiences, stories and musings of protagonists spanning ten countries and five continents.

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A dystopian southern sludge that transgresses even the gothic sensibilities that exist just below the surface of the social fabric of the deep Louisiana culture visible here. Following the sudden death of their friend Shep, Kristopher and Ryan quickly grow less attached to reality. As they wander the southern landscape of Louisiana, they descend into a state devoid of hope and order; a place where life and death are one and the same; a land where we are all doomed. The aesthetic artifacts of the video tapes and the vernacular wanderings caught on them present a rip-it-up-and-start-again style montage of life caught in the vise of western culture at the dead end of of the first world.

Memory exists beyond time. It fragments, overlaps, and makes us who we are. And in life, change is the only constant. Remedy for an Ordinary Life is a mirror of what it's like to try and comprehend change. It goes back and forth in time, between old childhood tapes recorded by Filmmaker Nancy Nanda’s parents, and her turning the lens back onto them, decades later.

This short film explores the resolution of a plumbing problem through a narrative lens compiled from found footage sourced from pornographic websites.

The documentary tracks the origins of the found footage technique and how it transformed with technological changes throughout the last few decades.

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The Vatican Exorcisms was shot by Joe Marino, an American film-maker who went to Italy to shed light on the phenomenon of exorcisms. Accompanied by Padre Luigi, a true exorcist, Joe travels to the south of Italy, a place where the sacred and profane have always lived together, where Christian rituals are inextricably linked to the pagan ones.

Nearly half a century ago, Carmen Ignarra arrived to Mexico after leaving behind her Cuban homeland, in the hopes of becoming the greatest Caribbean actress in Hollywood. But the American dream tur- ned out to be more difficult than she’d thought, and her brief initial success was followed by a slow, painful decline. Today, at 80, the woman who was once Cuba’s most beautiful actress lives totally forgotten in an old mansion in Monterrey. There she survives thanks to her tenants—strange men who she is constantly blaming for mysterious thefts and disappearances. Laura, a young woman also from the Caribbean, arrives at the mansion to work as an assistant in cleaning and housekeeping. With her she brings a video camera and the secret intention of making a documentary about the diva. Together they talk about the past, about wasted talent and lost loves.

An intimate look at the human faces of America's current opioid epidemic. Seen through the eyes of a mother and the lens of a small town.

The life of internationally renowned artist and activist Nan Goldin is told through her slideshows, intimate interviews, ground-breaking photography, and rare footage of her personal fight to hold the Sackler family accountable for the overdose crisis.

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A documentary about the sea and memory. Its movement is its form. Its strength.

Join the Reality Team of Special Investigators as they uncover new Bigfoot witnesses and historical tales. Journey with them into the dark woods of the Frazier Land and witness the amazing paranormal and terrifying events.

In Sastre y Ortiz, a small town in the province of Santa Fe, carnival is experienced as something far deeper than a mere celebration. Constructed from archival footage, this non-fiction work reflects on the carnival as a collective ritual and a space of resistance against oblivion. A place where a town unites to confront its pain, allowing joy and sorrow, the sacred and the profane, and the very contradictions of human experience to coexist.

"Slaughter" is an experimental short film that delves into the archival and historical footage of the Iranian Revolution in 1979, depicting a symbolic narrative surrounding the ritualistic act of animal sacrifice, known as "Besmel." It serves as an allegorical representation of a nation's sacrifice amidst the backdrop of political transformations.

Anything can happen on Russian roads and is precisely shot by the dashboard camera. Super-objective video registration grows into the strong image of Russian national character – with its permanent awaiting for the miracle and habitual approach to real dramas. A forest on fire as a symbol of Russian hell, a military tank at a car wash and car chase in the vicinity of Kremlin shot with a dashboard cam at the same time when Boris Nemtsov, the leader of political opposition, was shot dead near Kremlin. Dashboard cam depicts life in it’s purity as an unbiased observer.

One summer, Roberta starred in an independent film shot in her hometown. Years later, as she reminisces about that experience, her nephew talks with his friends about the power of images to preserve what time transforms.

The true history of a collection of some 500 films dating from 1910s to 1920s, which were lost for over 50 years until being discovered buried in a sub-arctic swimming pool deep in the Yukon Territory, in Dawson City, located about 350 miles south of the Arctic Circle.